Visionary Picks Drawn from the Same DNA as The Galley Slave: Cult G...

Dir: J. Gordon Edwards

Camille is a courtesan in Paris. She falls deeply in love with a young man of promise, Armand Duval. When Armand's father begs her not to ruin his hopes of a career and position by marrying Armand, she acquiesces and leaves her lover. However, when poverty and terminal illness overwhelm her, Camille discovers that Armand has not lost his love for her.

Dir: J. Gordon Edwards

A visual fragment from the archive: The thematic resonance of Her Greatest Love perfectly mirrors the editorial trajectory of our deep dive.

The story tells of the maneuvering, the machinations and the subtle intrigue of Lady Dolly, Vere Herbert's mother, who is anxious to make an advantageous marriage for her daughter. In doing so she eventually schemes away her child's happiness by marrying her to Prince Zuroff. Some time before she was introduced to the Prince, Vere met and fell in love with Lucien Correze, an opera singer, who became attracted to her. Told by her mother that she must sever her friendship with the singer and marry the Russian Prince, Vere heartbroken, leaves Correze, and her wedding to the Prince is a social event. Soon after her marriage Vere discovers that the Prince is harboring his mistress, Duchess De Sonnaz, under the same roof. A scene follows, after which the Prince banishes his wife, together with her faithful German nurse, to a Russian monastery. Shortly after her incarceration she is followed to the retreat by Correze and Lord Jura, the latter a friend of her mother's. Correze entreats Vere to leave the place and go with him. She is about to succumb to his impassioned plea when the Prince enters the room. Words are followed by a duel in which the Prince and Lord Jura are both killed. The Princess, free, marries Correze.

Dir: J. Gordon Edwards

After a love triangle results death, St. Elmo falls from grace and is eventually redeemed in this now lost silent film based on the best selling novel by Augusta Jane Wilson.

Dir: J. Gordon Edwards

A visual fragment from the archive: The thematic resonance of St. Elmo perfectly mirrors the editorial trajectory of our deep dive.

Elsie Drummond, the "Vixen," a spoiled nymphomaniac, takes pleasure in wreaking havoc on her sweet sister Helen. When Helen becomes enamored of Martin Stevens, a Wall Street businessman, Elsie turns on her considerable charms and woos him away. After Charlie Drummond, Elsie's shiftless brother, steals from Stevens and causes a scandal, Stevens is ruined financially and Elsie promptly leaves him. Through deliberate manipulation, Elsie then steals Knowles Murray, a young statesman, from Helen and succeeds in marrying him. Elsie and Murray move to Paris, forcing Helen to care for their alcoholic father. Six years later, Murray is called to Washington, D.C. and Elsie, now the mother of two children, renews her acquaintance with Martin Stevens, who has regained his wealth and position. As Murray is about to catch Elsie in Stevens' arms, Helen, to protect the children, supplies Elsie with an escape and an alibi. While Elsie continues in her deceptive ways, Stevens, finally wise to the Vixen, marries Helen.

Dir: J. Gordon Edwards

Lolette (Theda Bara), an exotic and spirited peasant girl lives In the small Spanish village of Juanguera. Although ardently courted by the native swains, and particularly a bandit called The Tiger, Lolette prefers Maurice Tabor, a French artist who has come to Juanguera to paint. Because he refuses to take her to Paris, Lolette accepts a gift of stolen jewels from The Tiger and follows Maurice to France. With Lolette as his model, Maurice paints brilliantly, and soon she becomes a Paris sensation. One evening, Lolette performs a Spanish dance on stage, and the next day, she signs contracts with a number of impresarios, accepting advance payment from all of them. Fearing her arrest, Maurice urges her to accompany him back to Spain, but The Tiger attacks their coach and imprisons them. At a feast held in her honor, however, Lolette urges The Tiger to drink, and when he is unconscious, she and Maurice escape.

Dir: J. Gordon Edwards

A visual fragment from the archive: The thematic resonance of The Vixen perfectly mirrors the editorial trajectory of our deep dive.

Shakespeare's classic tale of ill-fated lovers whose deaths bring peace to their warring families.

Dir: J. Gordon Edwards

Faced with the tragic responsibility of choosing between the happiness of her 16-year-old daughter Pamela or saving the life of an innocent man, Marie Baudin's first impulse is to sacrifice all for her own. But she has second thoughts that bring complications to all.

Dir: J. Gordon Edwards

A visual fragment from the archive: The thematic resonance of The She Devil perfectly mirrors the editorial trajectory of our deep dive.

Mary Doone (Theda Bara) lives in a tenement parish house run by Pastor Elliott Clifford (A. H. Van Buren). Mary joints the front as a nurse, and meets war correspondent Lloyd Stanley (Stuart Holmes), whom she had known from London. Stanley is about to take advantage of her when their hospital tent is bombed. Mary finds the body of a young girl in the tent. The young girl is Ethel Wardley (Madeleine Lee Nard), who is the niece of Lady Clifford (Lucia Moore), mother of Elliott Clifford. Mary assumes Ethel's identity and is received by Lady Clifford as her niece. Elliott falls in love with Mary. Stanley returns to London with Ethel, who has recovered from her wounds. Mary confesses what she has done, and despite Lady Clifford's pleas for her to stay, she returns to the parish house to work with children.

Dir: J. Gordon Edwards

Lewis Victor of the French Foreign Legion is actually Bertie Cecil, a British nobleman hiding from dishonour for a crime actually committed by his brother. He is loved by Cigarette, a camp follower, but he only has eyes for another. The commandant hates him, and Victor is constantly placed in danger in war-torn Algeria. Then his brother arrives, and with him, a chance to clear his name.

Dir: J. Gordon Edwards

Bavahari, a half caste Indian girl, renounces her oath as a sacred dancer to the worship of Buddha. The High Priest, who secretly loves the girl, is enraged and vows vengeance. Bavahari marries an English army officer, and they move to Paris where she becomes a sensation as a dancer. After she deserts her husband, he kills himself at her feet. The High Priest, discovering that Bavahari is in Paris, announces his presence by marking the "Sign of Death" on her dressing room door. He then disguises himself as a Buddha idol. As Bavahari dances on stage, the High Priest kills her in front of the audience.