Rare Cinematic Gems Sharing the Atmosphere of The Gasoline Buckaroo...

Dir: Reggie Morris

A fascinating piece of cinema that shares thematic elements.

Dir: Harley Knoles

Jim McDonald, the foreman of a shipbuilding plant and head of the labor union, strives to combat the anarchistic propaganda being put forth by Klimoff, the leader of a Bolshevik gang whose goal is to disrupt the country with strikes and anarchy. Despite McDonald's efforts, a strike is called, resulting in chaos. McDonald's child is knocked down by runaway horses abandoned by their striking driver, and dies. Mob scenes take place in America, as well as in Russia. Eventually, the unrest is quelled with an armistice called between Capital and Labor for a year, during which time wages are to be increased to reflect the cost of living, and leaders are to work out a common plan for their mutual advantage. The strikers now realize that they have been pawns of the Bolsheviks and call off the strike, agreeing to the plan.

A visual fragment from the archive: The thematic resonance of The Great Shadow perfectly mirrors the editorial trajectory of our deep dive.

Dir: Lloyd Ingraham

While walking along the street one day, Arthur P. Hampton, an impoverished young doctor, and his chums, Stub Masters and Johnny Stokes, are persuaded to part with their last remaining funds by tag day solicitor Mary Jane Smith, with whom the doctor promptly falls in love. Doc's friends then hit upon a get-rich-quick scheme. Knowing that his Uncle George has promised a large sum of money upon his nephew's marriage, they persuade Doc to send out fake wedding invitations naming Mary Jane as the blushing bride. Uncle George, elated at the good news, writes to Mary Jane's aunt, Angelica Burns, an old sweetheart, to invite Mary Jane and Angelica to be his guests on an ocean voyage. Meanwhile, Mary Jane pays a visit to the doctor's office and, upon seeing the wedding invitations, becomes so flustered that she trips and sprains her ankle. Doc comes to her rescue and then begs her to pose as his wife. She agrees, but at ship-side, Stub and Johnnie confess all to Uncle George, who flies into a rage until Doc announces that he and Mary Jane have chosen a wedding at sea.

Dir: Alexander Butler

In Alberta, Canada, a Cornish emigrant unmasks a rustler posing as the girl's "blind" father.

A visual fragment from the archive: The thematic resonance of Mary's Ankle perfectly mirrors the editorial trajectory of our deep dive.

Dir: Grace Cunard

Episode 1: "The Vanished Jewels" Patricia Montez, niece of the wealthy Eleanor Van Nuys, is the most popular girl in the American colony of Paris. Her one idea is to bring comfort to the suffering poor. Her aunt, Mrs. Eleanor Van Nuys, is likewise charitably inclined. The Children's Asylum, a refuge for orphans, is the principal hobby in Mrs. Van Nuys' scheme of charity. To her friends, Patricia is affectionately known as "Pat." The result of Pat's popularity has been to give the spirited girl an excellent opinion of herself, and when Phil Kelly snubs her she resents it and resolves to go to any length in retaliation. Kelly is a famous detective, known all over Europe as "The Sphinx." Pat's first venture, in retaliation for Kelly's rudeness, is to steal her aunt's jewels. She then notifies Kelly. Pat hides the jewels in her dressing table drawer. They are stolen by Jacques, the butler, who takes them to the rendezvous of his fellow Apaches, the Café Chat Noir. Pat has noticed Jacques' suspicious conduct and follows him to the café. She is followed by Phil Kelly and two of his assistants. Pat is disguised as an Apache's sweetheart, and bribes her cabman to assume the role of her lover. They enter the café and participate in the festivities. Pat sees Jacques displaying to his pals the Van Nuys' heirlooms. By deftly whirling her dancing partner to the table where Jacques sits, she manages to stumble and strike the butler's arm. The jewels fall from Jacques' hands. Pat picks them up and as she is leaving the place Phil Kelly confronts her. In her surprise, Pat drops the gems upon the steps. She dodges past the detective and makes her way home. Kelly observes the jewels lying on the ground, and pocketing them, departs.

Dir: Edgar Jones

A mail-order bride arrives at a Maine lumber camp but doesn't like her prospective husband.

A visual fragment from the archive: The thematic resonance of The Night Riders perfectly mirrors the editorial trajectory of our deep dive.

Dir: Richard Smith

Two female candidates for Chief of Police live across the hall from each other, and their political rivalry follows them home, leading to plenty of hi-jinks.

Dir: Unknown Director

A fascinating piece of cinema that shares thematic elements.

A visual fragment from the archive: The thematic resonance of The Purple Mask perfectly mirrors the editorial trajectory of our deep dive.

Dir: William Parke

Bruce Wendell, the son of West Virginia coal mine owner James Wendell, graduates from West Point and prepares to lead a fighting unit to the front during World War I. As his father lies dying, however, he convinces Bruce to remain at home and guard the mine. Bruce's fiancée Ann Blair assumes that he is a coward and breaks off their engagement, but her brother Bobbie remains Bruce's loyal friend. Meyer, a German agent, persuades railroad president Parrish to refuse to transport Wendell's coal, but when Bruce adamantly refuses to close the mine, the spy's men decide to blow it up. While Ann is being abducted by Meyer, Bobbie is buried in an explosion at the mine. Bruce rescues Bobbie and then sends a plea to Lieutenant Parrish to rescue Ann. Meyer and his gang are captured and Ann renews her vow of love to Bruce.

Dir: Charley Chase

A young married couple volunteer to take charge of several orphans after the asylum has burned down. Of course they find their hands full with their troublesome charges.