Cinematic Discoveries Resonating with the Themes of The Gilded High...

Dir: J. Stuart Blackton

A tale set during the 1916 Irish Easter Rebellion against the British

Dir: Harley Knoles

Jim McDonald, the foreman of a shipbuilding plant and head of the labor union, strives to combat the anarchistic propaganda being put forth by Klimoff, the leader of a Bolshevik gang whose goal is to disrupt the country with strikes and anarchy. Despite McDonald's efforts, a strike is called, resulting in chaos. McDonald's child is knocked down by runaway horses abandoned by their striking driver, and dies. Mob scenes take place in America, as well as in Russia. Eventually, the unrest is quelled with an armistice called between Capital and Labor for a year, during which time wages are to be increased to reflect the cost of living, and leaders are to work out a common plan for their mutual advantage. The strikers now realize that they have been pawns of the Bolsheviks and call off the strike, agreeing to the plan.

A visual fragment from the archive: The thematic resonance of The Great Shadow perfectly mirrors the editorial trajectory of our deep dive.

Dir: Alexander Butler

In Alberta, Canada, a Cornish emigrant unmasks a rustler posing as the girl's "blind" father.

Dir: J. Stuart Blackton

A young Englishman falls in love with the children's governess in his stepsister's home. His stepsister, however, cannot abide the class differential in the romance and sabotages it. The young man, in a state of boredom and depression, begins to invite into the house anyone who happens to pass by in the street.

A visual fragment from the archive: The thematic resonance of The Night Riders perfectly mirrors the editorial trajectory of our deep dive.

Dir: Edward LeSaint

When famous opera singer Elinore Duane undergoes an operation on her throat, she has a series of ether-induced visions. In one, she is transported to ancient Rome where she appears as a much-admired woman in love with Paul, a young heretic, and at odds with Lutor, the high priest. To save her love, she poisons Lutor with her ring. After several other visions which involve variations on this love triangle, Elinore awakens to discover that Lutor is actually her doctor, Sascha Jaccard, and that Paul is the son of a friend who has come to visit the recovering prima donna.

Dir: J. Stuart Blackton

Loved by two men, frivolous Jasmine Grenfel is unable to decide between the bold Rudyard Byng and the more reserved Ian Stafford. Swept away by Byng's forcefulness, Jasmine agrees to marry him and the rejected Stafford goes to South Africa. Three years elapse, and Jasmine's unhappiness increases as her husband slips into dissipation and she is pursued by his private secretary, Adrian Fellow, who is also having an affair with Al'Mah, an exotic dancer. When Byng finds a love note written by Fellow addressed to Jasmine, he threatens to kill both his wife and secretary, but Stafford returns in time to prevent the tragedy. Later, Fellow is murdered and Byng finds a poisoned needle near the body, but before the murderer can be found, the Boer War breaks out and Byng goes to fight for his country. In battle, Stafford is killed and Byng distinguishes himself in the field, recovering from his former dissipation. Al'Mah, now a nurse, is fatally wounded and confesses that she killed Fellow. Jasmine, touched by the crucible of war, finally realizes that she has been responsible for her own unhappiness and makes a true commitment to her husband.

A visual fragment from the archive: The thematic resonance of Passers-by perfectly mirrors the editorial trajectory of our deep dive.

Dir: J. Stuart Blackton

A wealthy financier is tricked by a pair of spies into giving millions to foreign powers. His daughter is suspicious and hires a Detective, who is able to foil the foreign agent's plans. Meanwhile, the daughter has fallen in love with a fellow from the enemy camp, but all ends well as his true identity is revealed as a member of the U.S. secret service.

Dir: Edgar Jones

A mail-order bride arrives at a Maine lumber camp but doesn't like her prospective husband.

A visual fragment from the archive: The thematic resonance of A Sister to Salome perfectly mirrors the editorial trajectory of our deep dive.

Dir: Wilfred Lucas

Brian O'Farrell (Snowy Baker), is an English 'new chum' who takes a job at an Australian cattle station. He is teased by station hands because of his appearance (including spats and a monocle) but he soon impresses them with his skills at riding and boxing. The station manager, John MacDonald (Wilfred Lucas), takes O'Farrell to Sydney to meet his daughter Edith (Kathleen Key) who is working in the slums. Edith is kidnapped by criminals after witnessing a crime but O'Farrell rescues her. It is later revealed he is the owner of the station.

Dir: J. Stuart Blackton

Keith, an artist, begins to go blind as a result of having fallen out of a tree as a child. His fiancé Dorothy, a wealthy heiress, had previously said that she thought blind people were "disgusting", and he refuses to see her. Dorothy plans to have her father, an eye surgeon, perform an operation on Keith that may help him regain his sight, but things don't go as planned.