The Recommended Vault Parallel to the Artistry of The Girl from Fri...

Dir: James W. Horne

The search is on for a bank robber's hidden stash in a house they all say is haunted.

Dir: James W. Horne

A visual fragment from the archive: The thematic resonance of In Fast Company perfectly mirrors the editorial trajectory of our deep dive.

Perry Whitman's wild escapades result in his being expelled from college, an event he celebrates by holding a wild party to which he invites the impoverished members of a theatrical troupe. He is disowned by his father and turned adrift with a $100 bill, which he loses. In trying to recover the money he saves a girl from becoming the victim of a matrimonial scheme; she eludes capture by kidnappers and marries him to save her fortune. Thus he wins his father's forgiveness.

Dir: James W. Horne

Although she loves Clive, a young lawyer, Margaret weds Deering to save her father from financial ruin, while passing years bring fame to Clive and result in his being elected district attorney, the man cannot forget Margaret. Deering conducts a magnificent gambling establishment in his mansion. His conduct toward Margaret causes her to hate him. In the meantime, having promised to break up the ring, headed by Garvin, which is protecting the gamblers, Clive arranges a raid upon the Deering establishment. Due to a leak, however, this raid comes to naught. While in the mansion, Clive comes face to face with Margaret. Deering watching the two, sees their old love well up anew. It causes the man to become more brutal than ever to his wife. The district attorney discovers his secretary to be the source of the leak which had frustrated the raid. A second raid proves successful. Before this takes place, Clive dispatches a note to Margaret urging her to leave before his men arrive. Deering, believing his wife had known of this raid all along, is wild with rage and attempts to kill her. This is frustrated and the gambler is arrested. He later makes a sensational escape and returns to his mansion in time to see Ramon, his partner, rifling the secret safe containing their funds. After mortally wounding the man, Deering attempts to kill Margaret. Dying, Ramon summons Clive and the police. The latter come just in time to save the woman. Again Deering tries to escape, but this time he meets his death in leaping from a balcony.

Dir: James W. Horne

A visual fragment from the archive: The thematic resonance of The Pitfall perfectly mirrors the editorial trajectory of our deep dive.

A fascinating piece of cinema that shares thematic elements.

Dir: James W. Horne

Mary Grant, whose husband was killed in the war, has to support herself and her young son Tom by working in a cabaret because her husband's parents disapprove of and won't help her--but they want to adopt Tom. Complications ensue.

Dir: James W. Horne

A visual fragment from the archive: The thematic resonance of The Third Eye perfectly mirrors the editorial trajectory of our deep dive.

Jack Dunbar, needing a job, meets millionaire Nicholas Small, who gives him advice and presents him as a colleague. Small would like his daughter, Anne, to marry inventor Gillen Jolyon. Dunbar perfects and successfully demonstrates Jolyon's wireless power transmitting device in spite of Small's attempts to sabotage it, and he rescues Anne when she is caught in an electric power fracas caused by her father's villainy. Anne breaks her engagement with Jolyon and marries Dunbar.

Dir: James W. Horne

A series of remarkable attempts are made upon the life of Don Louis, who is stopping at the Grand Hotel. About to retire, he finds a cobra coiled in his bed. Later, a strangler's cord swishes through the air and encircles the Spaniard's neck. The man escapes death by a miracle. The third attempt occurs when a huge chandelier suspended directly above the table at which Don Louis sits, crashes down. Unnerved, the Spaniard begs Hilton, one of the hotel detectives, to spend the night with him. A few hours later, Hilton is found bound and gagged. He tells of a mysterious visitor who overpowered him and kidnapped Don Louis. No trace of the culprit and his victim can be found. Renee, daughter of Valdez, the cigarmaker who supplies the hotel with his wares, informs Hilton that her father has disappeared. The sympathetic detective accompanies the girl home. The two hear strange noises in the curing house back of the cottage. Investigating, Hilton comes upon Valdez and Don Louis. The latter is buried neck deep in the ground. Hilton, attempting to interfere, is overpowered by Valdez, who appears insane. The man informs him that years before, Don Louis had him kidnapped, after which the scoundrel stole his wife. The woman later died in want. From the hour he learned the truth, the wronged man lived only for revenge. His story told, Valdez kneels beside the don's head and slowly shoves a cobra toward the man's face. Frances Ballou, summoned by Renee, arrives just in time to save the don's life. Hilton tells her the story while liberating Don Louis. The terrible ordeal has revealed to the latter the depths of his infamy and he slinks away. Her heart touched. Frances resolves to keep the matter from the police.

Dir: James W. Horne

A visual fragment from the archive: The thematic resonance of Can a Woman Love Twice? perfectly mirrors the editorial trajectory of our deep dive.

Two women finally tire of being taken advantage of by men, and vow that they will stop these cads from preying on helpless young girls.

Dir: James W. Horne

In the 1850s, a young prince in India promises his dying father he will lead a revolt against the English colonial masters of India. However, since he is half-European himself, he can't bring himself to do it and flees to America, to live in obscurity. He finds, however, that he can't outrun his obligations, and he soon meets a messenger sent from India to remind him of the promise he made to his father. Complications ensue.

Dir: James W. Horne

A fascinating piece of cinema that shares thematic elements.