Editor's Top Picks Sharing the Atmosphere of The Golden Princess: C...

Dir: Bruno Ziener

A fascinating piece of cinema that shares thematic elements.

Dir: Clarence G. Badger

Rosie Mendelsohn, the daughter of a kindly Jewish tailor in New York City's East Side ghetto, ends her romance with struggling author George Howard at the behest of her father, who prohibits her marriage to a gentile. George disappears from her life, and Rosie attempts to find him by becoming a private secretary to publisher Joseph Rayberg. She persuades Rayberg to host a contest in which authors submit endings to an unfinished manuscript she claims to have discovered. Rayberg, intent on seducing Rosie, agrees to publish the manuscript only after Rosie promises to have sex him when the contest is over. In reality, the manuscript is a portion of George's novel, a humorous story based on Rosie's life. After receiving George's ending to the story, Rayberg locks Rosie in his office, but she escapes into George's arms. Her father relents and blesses their union.

A visual fragment from the archive: The thematic resonance of Daughter of Mine perfectly mirrors the editorial trajectory of our deep dive.

Dir: Wilfred Lucas

Brian O'Farrell (Snowy Baker), is an English 'new chum' who takes a job at an Australian cattle station. He is teased by station hands because of his appearance (including spats and a monocle) but he soon impresses them with his skills at riding and boxing. The station manager, John MacDonald (Wilfred Lucas), takes O'Farrell to Sydney to meet his daughter Edith (Kathleen Key) who is working in the slums. Edith is kidnapped by criminals after witnessing a crime but O'Farrell rescues her. It is later revealed he is the owner of the station.

Dir: Edgar Jones

A mail-order bride arrives at a Maine lumber camp but doesn't like her prospective husband.

A visual fragment from the archive: The thematic resonance of The Jackeroo of Coolabong perfectly mirrors the editorial trajectory of our deep dive.

Dir: Clarence G. Badger

Jim Fenton helps rescue a falsely imprisoned inventor and assists him in avenging himself on the man who robbed him of his invention and of his freedom.

Dir: Alexander Butler

In Alberta, Canada, a Cornish emigrant unmasks a rustler posing as the girl's "blind" father.

A visual fragment from the archive: The thematic resonance of In the River perfectly mirrors the editorial trajectory of our deep dive.

Dir: Harley Knoles

Jim McDonald, the foreman of a shipbuilding plant and head of the labor union, strives to combat the anarchistic propaganda being put forth by Klimoff, the leader of a Bolshevik gang whose goal is to disrupt the country with strikes and anarchy. Despite McDonald's efforts, a strike is called, resulting in chaos. McDonald's child is knocked down by runaway horses abandoned by their striking driver, and dies. Mob scenes take place in America, as well as in Russia. Eventually, the unrest is quelled with an armistice called between Capital and Labor for a year, during which time wages are to be increased to reflect the cost of living, and leaders are to work out a common plan for their mutual advantage. The strikers now realize that they have been pawns of the Bolsheviks and call off the strike, agreeing to the plan.

Dir: Edward LeSaint

When famous opera singer Elinore Duane undergoes an operation on her throat, she has a series of ether-induced visions. In one, she is transported to ancient Rome where she appears as a much-admired woman in love with Paul, a young heretic, and at odds with Lutor, the high priest. To save her love, she poisons Lutor with her ring. After several other visions which involve variations on this love triangle, Elinore awakens to discover that Lutor is actually her doctor, Sascha Jaccard, and that Paul is the son of a friend who has come to visit the recovering prima donna.

A visual fragment from the archive: The thematic resonance of Jes' Call Me Jim perfectly mirrors the editorial trajectory of our deep dive.

Dir: Clarence G. Badger

A burlesque dancer overcomes the puritanism of a repressed small town.

Dir: Clarence G. Badger

Homely schoolteacher Sam Lyman arrives from New England to settle in the Mississippi Valley town of Old Ebenezer, Arkansas while he studies law. During a game of forfeits given at the annual town social by Banker McElwyn, the richest man in town, Sam marries the banker's daughter Eva, the prettiest girl in town, in a fake ceremony. The couple later discovers that the marriage is legal and Sam offers to bow out, but Eva, who does not want to marry her father's choice, rich mule dealer Zeb Sawyer, persuades Sam to continue the marriage in name only. After Sam withstands slander from Zeb and McElwyn, they send night riders to horsewhip Sam and run him out of town, but he stays. When Zeb launches a run on McElwyn's bank, Sam saves it by depositing money he receives from writing a novel and bags marked $20,000, which are filled with horse shoes. Afterward, Eva refuses to have the marriage annulled.