Recommendations
Archivist John
Senior Editor

For cinephiles who admire the cinematic excellence within The Good-Bye Kiss, the specific cinematic excellence of this work is a gateway to a broader Romance world. We've prioritized films that capture the 1928 aesthetic with similar precision.
At its core, The Good-Bye Kiss is a study in to create a dialogue between the viewer and the cinematic excellence.
Johnny (Johnny Burke), a Great War American doughboy whom everyone, including his sweetheart Sally (Sally Eilers), assumes is a coward, turns out to be a real hero.
The Good-Bye Kiss was a significant production in United States, showcasing the immense talent of Johnny Burke, Daphne Pollard, Alma Bennett. It continues to be a top recommendation for anyone studying Romance history.
Based on the unique cinematic excellence of The Good-Bye Kiss, our vault has identified these titles as the most compelling follow-up experiences for fans of Romance cinema:
Dir: Victor Heerman
In the gold fields of the Canadian Northwest, a man is falsely accused of a crime and determines that a lookalike is responsible.
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Dir: Mack Sennett
A con man from the city dupes a wealthy country girl into marriage.
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Dir: Raoul Walsh
Dave Henderson, an orphan who has become the beneficiary of a rich man's will, falls in with race-track crooks Martin Tydeman and Bokky Sharvan who bilk him out of his $100,000 inheritance. In retaliation, Dave steals the money from Tydeman's safe, but is caught and sentenced to five years in jail. In prison, Dave becomes friendly with Millman, who is about to be released, and reveals the money's hiding place to him, arranging to rendezvous at the end of Dave's term. Once released, Dave is hounded by members of Tydeman's gang as well as the police, who are waiting for him to retrieve his bounty. While taking refuge at the house of Capriano, an old bomb maker, Dave falls in love with the old man's daughter Teresa. However, Capriano sets a trap for Dave, who awakens in a drugged state to find the $100,000 missing. With the help of Millman and Teresa, Dave recovers the money, turns it over to the police and resolves to go straight.
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Dir: Jerome Storm
Ne'er-do-well Homer Cavender ventures to the city from Mainsville in an effort to find fame and fortune. Both elude him, and after clerking for two years, Homer returns home for a vacation. Impressed by his flashy clothes, the townspeople assume that Homer has achieved success. Attempting to win Rachel Prouty from his rival, Arthur Machim, Homer continues the deception by announcing that his employer, Kort and Bailly, has dispatched him to enroll stockholders for a proposed new plant to be built in Mainsville. Machim discovers the sham and denounces Homer as a crook. Meanwhile, Homer returns to New York, convinces his employers of the merits of his plan and comes home triumphant, with a proposal for both the new plant and for Rachel's hand in marriage.
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Dir: Charley Chase
A young married couple volunteer to take charge of several orphans after the asylum has burned down. Of course they find their hands full with their troublesome charges.
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Dir: Jacques Jaccard
Douglas MacLeod of the Royal North West Mounted Police is in love with Suzanne Foucharde, who has adopted an abandoned Indian baby, the illegitimate child of Louis La Rocque and Na Fa Kowa. When La Rocque insinuates that the baby is Suzanne's, her brother Henry defends his sister's honor and kills the villain. In spite of his love for Suzanne, it is Douglas' duty to arrest Henry. He does so, but later allows him to escape, taking the bullet himself that was fired after Henry by Constable Burke. Meanwhile, the dead body of Na Fa Kowa is found, accompanied by a note proving that the Indian was the baby's mother. In the spring, when Douglas recovers from his wounds, he and Suzanne are married.
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Dir: F. Martin Thornton
In Paris an orphan cartoonist loves a man with a mad wife, who dies in time to prevent her marriage to a jilted Comte.
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Dir: Vernon Stallings
Krazy Kat is held in jail and Ignatz finally bails him out after encountering "guilt".
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Dir: Maurice Campbell
Carver Endicott, a young sophisticate, is rejected by his fiancée for being too foppish and dull. When she feigns an interest in his father, Carver attempts to disgrace his family name by working as a farmhand and later as a busboy in a hotel. However, the newspapers only praise him for his self-sacrificing principles; and finding that he cannot bring shame to the family through menial labor, he takes up with a notorious actress. But when this maneuver also fails, he returns to his former fiancée, who has no further complaint about his being an inexperienced dullard.
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Dir: Malcolm St. Clair
A dancing instructor gets involved with a newly rich family.
View DetailsAnalysis relative to The Good-Bye Kiss
| Film Title | Atmosphere | Complexity | Similarity |
|---|---|---|---|
| The River's End | Gothic | Linear | 91% Match |
| Tillie's Punctured Romance | Ethereal | Layered | 95% Match |
| From Now On | Ethereal | High | 89% Match |
| Homer Comes Home | Ethereal | Linear | 93% Match |
| Kids Is Kids | Tense | Layered | 94% Match |
This guide was algorithmically generated using the cinematic metadata of Mack Sennett's archive. Last updated: 5/13/2026.
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