Editor's Top Picks Sharing the Atmosphere of The Hidden Woman: Cult...

Dir: Allan Dwan

Neighboring ranchers John Ashby and Allene Houston are in love, but their fathers' violent feud over the route of the new X. Y. Z. Railroad eventually drives them apart. Colonel Houston and the elder Ashby are both killed in a fight, leaving John and Allene to continue the feud, John accepting a position with the railroad company and Allene swearing that it will never cross her property. Allene is aided in her battle by the foreman of the Houston ranch, Harry Marshall, an ambitious man who hopes to make Allene his wife. After an intense struggle, one of Allene's men shoots John, but even as she is winning the fight, Allene realizes that she still loves John. In the end, Allene herself lays the last tie just in time to save the company's franchise rights.

Dir: Allan Dwan

A wealthy girl's banished mother returns as the seamstress at her daughter's wedding.

A visual fragment from the archive: The thematic resonance of The Unwelcome Mrs. Hatch perfectly mirrors the editorial trajectory of our deep dive.

Dir: Allan Dwan

Known as "Wildflower," Letty Roberts meets Arnold Boyd, a wealthy man who is weary of life in the city. Arnold thinks that Letty is merely a charming child, however, his playboy brother Gerald is attracted to her and charms her into eloping with him. Arnold catches up with the couple just after their wedding, and after a fight with Gerald, takes Letty away to the Boyd family home in New York. He introduces her as his own wife because, he says, he wants to save her reputation. Even Letty's parents do not know to which brother she is married. Letty's stay in the mansion opens her eyes to the world outside of her rural environment and eventually she realizes that while Arnold appears to be hard and uncaring, it is really he, not Gerald, whose feelings for her are the deepest. When she realizes Gerald's true character, Letty decides that she will be happier with Arnold.

Dir: Allan Dwan

With the opening of the story Richelieu pardons the Duke of Orleans and all his followers in the Languedoc revolt, save one. The exception is Adrien de Mauprat, because he seized a French town without his leader's orders. Richelieu advises him to lead his troops against the Spaniards and seek honorable death in battle. Julie, Richelieu's ward, loves de Mauprat, but notwithstanding her entreaties, the Cardinal is relentless; de Mauprat courts death on the battlefield. But now that he seeks death, it shuns him; instead of a soldier's grave, he wins glory. Julie has another admirer, Haradas, the King's favorite. Aware of de Mauprat's place in Julie's affections, he sets himself to bring discredit upon his rival. Later, Julie, at the King's request, attends court. She makes a deep impression upon the weak-minded, fickle monarch. A year after the departure of de Mauprat, Baradas and his followers conspire to murder Richelieu and seize the throne of France. At this critical time de Mauprat returns, famous in battle, sad of heart and loathing Richelieu. Thus he becomes a ready member of the conspirators. However, Richelieu hears of his arrival and of the conspiracy and has him arrested. In the meantime, Julie has returned from court and again appeals for de Mauprat's life. Thus, when de Mauprat is ushered into the Cardinal's presence, instead of hearing his death sentence, he is informed that he will marry Julie the following day. Hearing of this the King is violently angry: Julie is summoned to appear at court. Once there she is virtually held prisoner and her marriage is declared invalid. The false Barad is convinces de Mauprat that he has been tricked by Richelieu. De Mauprat swears vengeance and again joins the conspirators, all of whom sign a scroll addressed to the Spaniards offering to deliver France into their hands. From here the story develops with plot and counterplot. How de Mauprat discovers his tragic mistake in thinking the Cardinal has double-crossed him, how he manages, through a heroic effort, to save the old man's life, how de Mauprat falls into the hands of the King and is only saved by a master stroke of diplomacy on Richelieu's part, the death of the scheming Baradas and the final achievement of happiness for the young lovers, Julie and de Mauprat, makes up the essential points of the story.

A visual fragment from the archive: The thematic resonance of Wildflower perfectly mirrors the editorial trajectory of our deep dive.

Dir: Allan Dwan

When Colonel Archer, the military post commanding officer, refuses to loan money to his second-in-command, Captain Waring, Waring gets the money from Brent Lindsay of the nearby mining town, in exchange for his note. Both Waring and Lindsay court Floyd Bingham, the daughter of a retired colonel, but Floyd learns that Lindsay is involved with Queen, a dance hall girl. Following the urging of her father, Floyd marries Archer, who has two children left to him by his dying sister, whom Floyd loves. When Lindsay continues his attentions to Floyd, Archer quarrels with her and leaves to go hunting. Floyd goes walking in the woods with Lindsay and his kiss is photographed by Waring, who attempts to blackmail Lindsay. When Lindsay is found dead and Archer, who suspects Floyd, is arrested, the men from the mining town almost lynch Archer, but Queen, who witnessed the murder, clears him.

Dir: Allan Dwan

Moll O'Hara, a child of the gutter, grows up with the horrible example of her drunken mother before her, and when, reaching womanhood, the girl loses her mother she keeps as a terrible souvenir the mother's craving for liquor, thrust upon the child when helpless to defend itself. But, save for the love of drinking and of fighting, Moll keeps to "the straight road" and the other temptations of her squalid life leave her unscathed. One day Moll is attacked by Liz, a disreputable woman in Bill Hubbell's saloon; the two women fight and are arrested. On their way past the settlement, Ruth Thompson a wealthy young settlement worker and her fiancé, Douglas Ames, see the pitiful procession, but Ruth insists that Moll and the others be brought into the settlement until she has the affair investigated. They come in and with them Bill Hubbell, the handsome and athletic saloon-keeper, and when he tells the true story of Moll's being first attacked by Liz. Moll is released, at the solicitation of Ruth Thompson. When the others have gone, Ruth pleads with Moll to quit drinking, and aided by the pleading of Mike Finnerty, a little crippled boy, Moll at last gives in, the callous indifference of her nature vanishes, and she becomes a different creature. Mrs. Finnerty, made kindly by Moll's love for little Mike, takes her home with her and a new life begins for Moll. Bill Hubbell, the saloon-keeper, instead of being offended by Moll's abstaining from his wares, encourages her, and a friendship springs up between the two that soon ripens into romance. But Douglas Ames, though engaged to Ruth, with the day set for their wedding, has determined to make a conquest of Moll, and one day, just as she is leaving Ruth, having told of her engagement to Bill, Ames follows and catches her in his arms. Ruth comes upon them, and Ames treacherously throws the fault on Moll, pretending that she had made advances to him, which he was repelling. Naturally, Ruth believes the man she loves in preference to the girl from the gutter, but at last promises the frantic Moll that she will come to her rooms at Finnerty's at 6 o'clock the following evening. After Moll leaves, Ames follows, as Moll knew he would, and begs that he be allowed to visit her. She coquettes with him and promises to be at home to him at six next evening, determined that Ruth shall find him and realize his vileness and the truth of Moll's story. But Bill Hubbell sees and overhears the appointment, and the next night when Ames calls, Bill, instead of Ruth, bursts into the room and sees Ames in the act of embracing Moll. In vain Moll tries to tell Bill the trap she had set for Ames. He laughs scornfully, and when Ruth enters tells her what he saw. Ames sneaks away, and both Ruth and Bill leave, believing Moll guilty. The frenzied and desperate Moll seizes the whiskey Ames had brought her and starts to drink, determined to go back to the gutter, when her despairing eyes fall on the sweet pictured face of the Madonna, a gift from Ruth. Throwing away the liquor, Moll falls on her knees and prays for succor and vindication. How her prayer is answered, her enemy crushed, her innocence established and her love and faith restored is developed in the climax of this drama.

A visual fragment from the archive: The thematic resonance of Richelieu perfectly mirrors the editorial trajectory of our deep dive.

Dir: Allan Dwan

After the death of her father, Betty Lockwood goes to Graystone Gables, the estate where he had been the caretaker, to spend some time alone there. She meets David Chandler, Graystone's owner, who is attracted to her and tells her to come back whenever she wants to. Betty's mother soon remarries, but her new stepfather is not the same kind of man that her father was; she finds herself the subject of some vicious gossip begun by her mother's new husband when he spots her at the estate with David. Complications ensue.

Dir: Allan Dwan

An outcast named Lo Dorman encounters a young woman lost in the woods. He defends her from danger in the forest and from Sheriff Dunn.

A visual fragment from the archive: The thematic resonance of The Commanding Officer perfectly mirrors the editorial trajectory of our deep dive.

Dir: Allan Dwan

Pepita, a radiant and merry Spanish beauty, and her playful brother Jose, witness their mother, whose faded beauty led her husband to abandon her for another, plunge a dagger into her breast. After their uncle avenges the death, Pepita develops a fierce hatred of men and pledges never to marry, while Jose leaves for Madrid with a benevolent padre. Sebastiano, Spain's most famous toreador, arrives in town and, after seeing Pepita, spurns the pretty Sarita, who dies hopelessly infatuated. Later, Pepita visits Jose in Madrid and encounters Sebastiano. She resists his attempts at conquest and haughtily makes him serve her. Finally, when Pepita responds to Sebastiano's protestations of love with vehement hatred, he leaves for Lisbon. His departure awakens Pepita's love, and when he returns with a fiancee, Pepita suffers intense jealousy. During a bullfight, Sebastiano glances at Pepita and is gored by the bull. As he is about to die, Pepita, ready to die with him, declares her love, and Sebastiano revives.

Dir: Allan Dwan

A girl with old-fashioned values becomes a modern sophisticate.