The Definitive Watchlist For Devotees of The Hiding of Black Bill: ...

Dir: David Smith

A fascinating piece of cinema that shares thematic elements.

Dir: David Smith

Willie Robbins loses his heart to Myra Allison, the prettiest and liveliest girl in San Augustine, but she laughs at him and taunts him. Soon after the Spanish-American War starts, Willie volunteers and plunges madly into danger, and wins a captaincy by capturing a Spanish general. Myra marries Joe Cranberry, but when Willie hears of this, he seems indifferent. After the war Willie returns to San Augustine and is met by the Mayor, a brass band, and schoolgirls. He is the hero of the occasion. After the welcome, Willie makes for the little white cottage of Joe Cranberry. Myra is on the porch, untidy and unattractive. Willie waltzes up to her and the joke is on Myra.

A visual fragment from the archive: The thematic resonance of The Moment of Victory perfectly mirrors the editorial trajectory of our deep dive.

Dir: David Smith

Having been discharged as the Van Smuythes' coachman for drunkenness, Thomas McQuade has joined the Bed Liners in Madison square. It is freezing cold. Standing beside him is a young man, shabby but neat. They exchange confidences and Thomas learns that the young man has just been discharged from a hospital without a penny, his wife and child having been obliged to return to her mother. He had married against the wishes of his unforgiving relatives. Just then an automobile dashes up Fifth avenue and, when opposite the Bed Line, drops an extra tire. Thomas catches it and returns it to the owner, expecting at least a dollar for the service, but, instead the imposing gentleman asks him mysteriously if he knows the Van Smuythes, and on learning that he does, Thomas is forthwith taken to a palatial house in the Seventies and fed on cold fowl, tea biscuits and wine. While thus pleasantly occupied two women are mysteriously ushered into a side room, where his host, Prof. Cherubusco, the great clairvoyant, tells them that the Chaldean Chiroscope has been successful, for had it not said "By the fifth wheel of the chariot he shall come?" But the professor, learning instead that Thomas is the Van Smuythe's ex-coachman, throws him into the street. So back to the Bed Line goes Thomas, where he resumes his conversation with his new friend. Suddenly a sturdy girl rushes up to him. It is Annie, his sweetheart and maid at the Van Smuythe's, whom he has not seen for a month. She says his old position is waiting for him, but suddenly catching sight of the other man she screams, "Mr. Walter!" And then it appears that she had accompanied her mistress to the great clairvoyant and he had hold her where she would find her sweetheart, and she had also found "Mr. Walter." After paying the car fares home she vows to give her remaining $11.85 to Professor Cherubusco, "the greatest man in the world." Moving Picture World, February 2, 1918

Dir: David Smith

Forced to wear quaint short dresses and pigtails so that she will inspire her grandfather's sentimental poetry, nineteen-year-old Joy Havenith longs for companions of her own age. One day Johnny Hewitt, seeing her confide her troubles to her Aunt Lucilla's portrait, tells her that if she wishes hard enough, her dreams will come true. Not knowing his name, she thereafter thinks of him as her "wishing ring man." Soon Joy meets a married couple who invite her to the city. Because her grandparents will not let her leave until she is engaged, she lies that she is the fiancée of a man of whom her friends have spoken, Dr. John Hewitt, not realizing that he is her "wishing ring man." John agrees to play along for a month, to the dismay of his fiancée, Gale Maddox. After the wedding presents and bridesmaids have arrived, Joy, thinking that John loves Gale, leaves the rehearsal and returns home. John then finds her confiding to the portrait and declares his real love for her.

A visual fragment from the archive: The thematic resonance of The Fifth Wheel perfectly mirrors the editorial trajectory of our deep dive.

Dir: David Smith

The Hollisters, a bright, spirited, wholesome family, are compelled to move into the country. After many efforts to secure a home, Shirley, eldest of the Hollisters, contrives a way out by renting a magnificent old stone barn at a ridiculously low price, transforming it into a house. The owner of the barn is not an ordinary landlord, as you will see, for he is a young man with fine ideals, and he is not content with establishing Shirley and her family in the quaintly beautiful old place, but makes the world a much happier place to live in for all of them

Dir: David Smith

Pegeen O'Neill must fend for herself when her father Dan becomes mentally unbalanced after his wife Mary's death. Dan spends his days searching for his wife, setting fires in the belief that the flames will illuminate his Mary. The townspeople, enraged at the arson that is slowly destroying their village, track down Dan and trap him in a burning cabin. Pegeen rushes to comfort her dying father, who consoles himself at death with the hallucination that his wife has returned in the figure of his daughter. Pegeen is then rescued from the raging fire by Jimmie, who proposes to the waif as he delivers her from the flames.

A visual fragment from the archive: The thematic resonance of The Wishing Ring Man perfectly mirrors the editorial trajectory of our deep dive.

Dir: David Smith

On a voyage to Europe, reformed criminal Anthony Trent seeks former war comrade "William Smith," the only person who knows his true identity. In England, Anthony discovers that Smith's real name is Arthur Grenvil, the son of the Earl of Rosecarrel. He also meets and falls in love with Arthur's sister Daphne. Upon learning that the earl is being blackmailed by Count Michael Temesvar, who threatens to expose a treaty between their two countries, Anthony embarks on a suicide mission to the Balkan States to retrieve the treaty, overcoming a myriad of deadly obstacles. Following Anthony's escape in the count's silver automobile, the earl rewards him with an Australian ranch and Daphne's hand.

Dir: David Smith

Based on the play 'The Shaughraun', this is the story of Robert Ffolliat, a young Irish lad, who is done out of his land and sent off to a penal colony in Australia following false accusations by the greedy Kinchella. Conn the Shaughraun comes to his rescue, helps him to escape from the prison ship and return to Ireland where he is united with his sweetheart.

A visual fragment from the archive: The thematic resonance of The Enchanted Barn perfectly mirrors the editorial trajectory of our deep dive.

Dir: David Smith

"King" McAllister's word is law, judge, and jury in the cattle country where he lives with his daughter Panchita. His foreman, Price Purcell, believed he had a chance of winning Panchita's hand until the arrival of Buck Lumsden, who settled all doubts concerning the likely winner. Buck did not make a hit at first because he was "down and out" but he lingers and is made foreman of the year's round-up which was not altogether to Purcell's liking. Purcell plans to ruin Buck in the estimation of the boss as well as Panchita. After the round-up, all adjourn to the dance hall and gambling resort to celebrate, and Purcell lures Buck into a roulette game. Buck loses not only his own money but a large amount belonging to McAllister. Purcell returns to McAllister with the news of Buck's disloyalty. Buck has married Panchita. He is obliged to flee the country and sets out to raise enough money to repay McAllister for the amount he had lost to Purcell.

Dir: David Smith

Anna Sewell's "autobiography" of a horse named Black Beauty is here expanded to include the adventures of the humans who surround the horse.