Recommendations
Archivist John
Senior Editor

The 1917 release of The Honeymoon redefined the parameters of cult storytelling, the visual language established by Charles Giblyn is something many try to emulate. Explore the following titles to broaden your appreciation for cult excellence.
Historically, The Honeymoon represents to synthesize diverse influences into a singular artistic statement.
Immediately after Susan Lane becomes Mrs. Richard Greer, she grows jealous when she sees her husband talking to Marion Starr, one of her bridesmaids. Susan's brother Phil wishes to marry Marion, but is entangled with actress Maizie Middleton. Consequently, Dick Greer agrees to see Maizie, whose troupe is playing Niagara, and attempts to buy her off. Susan follows Dick to Marion's dressing room, returns to the hotel and wires her Uncle Jimmy to file for divorce. Uncle Jimmy, resolved to cure Susan of her jealousy, intends to allow Susan to believe that she has been divorced, without actually filing. His law partner rushes the case through the courts, however, and the divorce is granted. Susan suffers such despair at the news of her separation from Dick that Uncle Jimmy rushes out and secures a minister, the couple are remarried and begin their honeymoon again.
Critics widely regard The Honeymoon as a cult-favorite piece of cult cinema. Its cult status is frequently cited as its strongest asset, solidifying its place in United States's film legacy.
Based on the unique cult status of The Honeymoon, our vault has identified these titles as the most compelling follow-up experiences for fans of cult cinema:
Dir: Charles Giblyn
A young woman's sweetheart fights for the Union, while her brother fights for the Confederates, in the pivotal 1863 battle of the U.S. Civil War.
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Dir: Charles Giblyn
Alice Chesterton (Olive Thomas) is described as a "Baby Vamp" by the social set and engaged to boring Tom Carey. She flirts with many of the male guests idling at the Ives' Long Island house party, then encourages Terence O'Keefe, a playboy polo player from Ireland in New York to purchase horses for the British army, to rendezvous with her in the city, they are seen together at the "Midnight Frolic." Because of this, Mrs. Ives convinces Alice's newly-arrived sister Betty to look after Alice. Betty arranges for Terence to find her in an auto wreck where he revives her with a kiss. Genuinely in love with each other, they plan to marry, until the jealous Alice tells Betty that Terence "ruined" her. When Betty accuses Terence, he makes Alice confess her to her lies. Tom, encouraged by Terence's advice, overwhelms Alice with his "caveman" tactics. At the end, the servants, who have observed the upstairs activities, emulate their masters' flirting mannerisms.
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Dir: Charles Giblyn
Irresponsible young heiress Beatrix Vanderdyke creates a scandal with her indiscreet visits to artist Sutherland Yorke. To extricate herself, Beatrix claims that she was actually visiting Pelham Franklyn, who has an apartment in the same building and to whom, she states, she is secretly married. Pelham, an old friend, is dumbfounded by the news but continues the ruse for Beatrix's sake. That night, he accompanies his new bride to her bedroom, but after alarming her, announces that she is quite safe and retreats. After the marriage announcement is published in the paper, the couple is compelled to continue their deception, finally taking an enforced honeymoon cruise on Pelham's yacht. Meanwhile, Yorke has been sending anonymous letters to the family which cast doubt upon the marriage. Upon returning from his honeymoon, Pelham, who has fallen in love with his bride, discovers this and goes to Yorke's apartment, arriving just as the scoundrel has been shot by a jealous husband. Before dying, Yorke writes an apology to Beatrix. Pelham then kidnaps Beatrix, and the two are married at sea.
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Dir: Charles Giblyn
The pride of his aristocratic Southern family, a young man shatters his family's hopes by marrying a Broadway vamp known as "The Moth." The young man's father then plots to rescue his unwitting son from "The Moth's" clutches, but at great sacrifice.
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Dir: Charles Giblyn
Peggy, a rambunctious young American girl, goes to Scotland to visit her uncle. Her American ways both shock and eventually delight the people of the old village--especially the handsome young minister.
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Dir: Charles Giblyn
Theodore Whitney, Sr. commissions his son Theodore, "Ted" Jr., to retrieve a missing stock certificate. On the road, Ted meets and falls in love with Betty Blake, the beautiful but elusive niece of Major Blackburn, whose home was recently robbed. When a detective disguised as British nobleman Lord Roxenham arrives to investigate the case, Ted bribes the officer to let him play the role for one night so that he may be near Betty. As the love struck young man is romancing his sweetheart, Lady Roxenham suddenly arrives, alienating Betty and throwing Ted into a panic. Lady Roxenham agrees to participate in the deception, but later Ted spies her breaking into the major's safe. After he alerts the household, she and the butler are revealed as notorious thieves. Betty, who had been trying to purchase Whitney's stock, accepts Ted's marriage proposal, and the profits are shared between the two.
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Dir: Charles Giblyn
Bored by the slow pace of life in her little home town, Helen Drayton rebels when her friends and relatives assume that she will marry her friend and escort, Chet Vernon. Helen is so anxious to experience life in the big city that she falls in love with visiting New York architect John Galvin almost immediately after his arrival. Several weeks later, the two marry and move to New York, where, after a series of painful experiences, Helen finally realizes John's selfishness. In the end, she gratefully returns home and becomes Chet's wife.
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Dir: Charles Giblyn
Mabel waits on the residents of a local boardinghouse, but her fondness for pranks finally leads to her dismissal. By a strange turn of fortune, Mabel finds herself in the possession of a traveling corset saleswoman's suitcase, whereupon she adopts the profession herself. While passing through a small town, Mabel decides to take a swim in the ocean, but as she frolics, her suitcase, which contains all of her clothing, is stolen. Forced to wear only her bathing suit, Mabel sets off in search of her clothing and learns that the police, having identified the suitcase as belonging to a jewel thief, are in search of her. Following several adventures, she discovers that the jewel robbery, which involved her friend Lena, was only a publicity stunt.
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Dir: Charles Giblyn
Nance Molloy's cheerful disposition, in sharp contrast to the slum near the cathedral where she and her parents make their home, earns her the nickname "Sunshine Nan." However, her fights with the cathedral choirboys, led by MacPherson Clark, gets her into trouble. For interfering in a family squabble, she and her pal, Dan Lewis, are sent to reform school for five years, and upon her release, she becomes a stenographer in the elder Clark's shoe factory. Dan meanwhile has taken a job in the factory's chemical department, where he invents a dye process that promises to make him rich. In trouble over a woman, MacPherson decides to steal the formula and present it to his father as his own. Nan enters the lab just as MacPherson is copying Dan's formula, and the two old enemies begin to fight. Dan joins in the scuffle, but when some chemicals spill, the lab is enveloped in fire. Dan rescues Nan, and MacPherson, awakening in the hospital, remorsefully confesses his crime. Nan and Dan soon marry and the alley's name is changed to "Cathedral Court."
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Dir: Charles Giblyn
In Italy, Sister Beatrice becomes the confidante of the Contessa Angelica de Vecchio, whose brother, Prince Candoni, has placed her in a convent for having an affair with Carlo Parodi, a young radical. Angelica soon dies, and Beatrice, suddenly aware that she needlessly has shut herself off from the real world, leaves the convent and joins a group of revolutionaries. She marries Guido Perli, one of the leaders, and tries to temper his radical fervor with some religious tolerance. Finally, however, he calls on the people to rise against Candoni, and a horrified Beatrice alerts the prince. Candoni sends out his guards, and during the fighting, both Carlo and Guido are killed. Before he dies, however, Guido forgives his wife for betraying him to the prince, after which a remorseful Beatrice returns to the convent.
View DetailsAnalysis relative to The Honeymoon
| Film Title | Atmosphere | Complexity | Similarity |
|---|---|---|---|
| The Battle of Gettysburg | Gothic | Linear | 93% Match |
| Upstairs and Down | Surreal | Layered | 92% Match |
| Scandal | Gritty | Dense | 93% Match |
| Honor Thy Name | Tense | Dense | 86% Match |
| Peggy | Ethereal | High | 96% Match |
This guide was algorithmically generated using the cinematic metadata of Charles Giblyn's archive. Last updated: 5/13/2026.
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