Underground Favorites Parallel to the Artistry of The House of Toys...

Dir: Dallas M. Fitzgerald

Confidence artist Flossie Golden attempts to fleece foolish but wealthy James Venable with a breach-of-promise suit. Venable's shrewd attorney, Richard Harding, outwits Flossie by proposing that she marry Venable and live on an allowance of $3,000 per year. Flossie is determined to get even with Harding for ruining her plans. In an attempt to con him, she poses as Innocence Page, but falls in love and marries him instead. Larry, Flossie's former accomplice, endeavors to blackmail her with her errant past, but Harding is already cognizant of the facts and Larry fails.

Dir: Charles Horan

A visual fragment from the archive: The thematic resonance of Man's Plaything perfectly mirrors the editorial trajectory of our deep dive.

While working as a flower girl in Devlin Maddox's nightclub, Nellie Vaughan meets wealthy young Pelton Van Teel and falls in love. Maddox, desirous of using Nellie to blackmail Van Teel, spreads a rumor that she is his mistress. This makes Nellie uncomfortable, and she demands that Van Teel marry her immediately, to which he agrees. Meanwhile, Van Teel has been losing money gambling to Maddox, who threatens to break up the marriage by producing a worthless check that the young husband has written. Venturing to Maddox's apartment for a showdown, Nellie pulls a gun and demands the check, accidentally shooting Maddox when he throws a lamp at her. Maddox plans to charge Nellie with assault, but when the police arrive, his butler, actually a detective employed by the elder Van Teel, exposes Maddox, who is then arrested, clearing the path for the couple's happiness.

Dir: George L. Cox

Joseph and Helen Harper, who have spent their niece Blanche's inheritance, worry that Blanche's fiancé, wealthy George Graham, will no longer want her when he finds out that she has gone insane from grief after hearing a report of his death in the war. When George returns and learns of the situation, he hires detectives to investigate. The Harpers convince cabaret dancer Mazie Del Mar, who resembles Blanche, to impersonate her and marry George. Mazie, wanting to escape from cabaret owner Signor Enrico, called "The Hellion," who uses hypnosis to control her, agrees, but she falls in love with George and feels deceitful. After Enrico kidnaps Blanche, thinking she is Mazie, and unsuccessfully tries to hypnotize her, they fight and Blanche is killed. George tells Mazie, about to confess, that his detectives told him who she was, but that he loves her anyway. He forgives the Harpers, since their scheme resulted in love for him and Mazie.

Dir: William Parke

A visual fragment from the archive: The thematic resonance of The Hellion perfectly mirrors the editorial trajectory of our deep dive.

Bruce Wendell, the son of West Virginia coal mine owner James Wendell, graduates from West Point and prepares to lead a fighting unit to the front during World War I. As his father lies dying, however, he convinces Bruce to remain at home and guard the mine. Bruce's fiancée Ann Blair assumes that he is a coward and breaks off their engagement, but her brother Bobbie remains Bruce's loyal friend. Meyer, a German agent, persuades railroad president Parrish to refuse to transport Wendell's coal, but when Bruce adamantly refuses to close the mine, the spy's men decide to blow it up. While Ann is being abducted by Meyer, Bobbie is buried in an explosion at the mine. Bruce rescues Bobbie and then sends a plea to Lieutenant Parrish to rescue Ann. Meyer and his gang are captured and Ann renews her vow of love to Bruce.

Dir: Bruno Ziener

A fascinating piece of cinema that shares thematic elements.

Dir: Eduardo Notari

A visual fragment from the archive: The thematic resonance of The Key to Power perfectly mirrors the editorial trajectory of our deep dive.

A crime drama in the Gennariello-series. The police detective in Naples that is confronted with modern gangsters and crime events.

Dir: George L. Cox

In New York City, Luigi's Little Italy inn attracts a steady clientele because of the owner's personable niece, Carmina, known as "The Tiger Lily," who never hesitates to rebuke her ill-mannered admirers. Giovanni, who has arrived from Italy to kill the man who married his brother's fiancée, falls in love with Carmina. However, he soon learns that Carmina is attracted to David Remington, the son of the Luigi's landlord, and offers money for her hand in marriage. Carmina escapes and David invites her to his family home, unaware that his mother was engaged to Giovanni's brother. Mrs. Remington warns David against marrying beneath him, but comes to admire Carmina after witnessing her interactions with members of high society. Regardless, Carmina is asked to leave, then discovers that Giovanni plans to kill David's parents. She notifies the police, and after an ensuing fight, Giovanni is subdued. The Remingtons now accept Carmina as their future daughter-in-law.

Dir: Alexander Butler

A visual fragment from the archive: The thematic resonance of Eva, wo bist du? perfectly mirrors the editorial trajectory of our deep dive.

In Alberta, Canada, a Cornish emigrant unmasks a rustler posing as the girl's "blind" father.

Dir: Edward LeSaint

When famous opera singer Elinore Duane undergoes an operation on her throat, she has a series of ether-induced visions. In one, she is transported to ancient Rome where she appears as a much-admired woman in love with Paul, a young heretic, and at odds with Lutor, the high priest. To save her love, she poisons Lutor with her ring. After several other visions which involve variations on this love triangle, Elinore awakens to discover that Lutor is actually her doctor, Sascha Jaccard, and that Paul is the son of a friend who has come to visit the recovering prima donna.

Dir: Maurice Elvey

A lady marries a horse trainer but withholds herself until her crippled brother is cured.