The Definitive Guide Deeply Connected to The Isle of Lost Ships: Cu...

Dir: Maurice Tourneur

A resourceful young girl struggles to free herself from slum life.

Dir: Maurice Tourneur

A visual fragment from the archive: The thematic resonance of A Butterfly on the Wheel perfectly mirrors the editorial trajectory of our deep dive.

Peggy Admaston and her husband are socialites whose happy marriage quickly deteriorates as Admaston neglects his young wife for business matters, and is unaware of her loneliness and vulnerability. When Peggy is wooed by Admaston's friend Collingwood, who acts on his feelings without regard to consequences, she grows fond of him, but remains faithful to Admaston. After socialite Lady Attwill causes Admaston to doubt his wife's fidelity, his suspicions are furthered when a fire erupts one evening at the theater, and Admaston returns home unexpectedly to find that Peggy, who refused to accompany him because she said that she did not feel well, entertained a male visitor that evening. Admaston arranges to trap Peggy and Collingwood together at a country roadhouse, and begins divorce proceedings based on the resulting strong circumstantial evidence. Later, Lady Attwill convinces Admaston that Peggy's friendship with Collingwood was innocent and the couple is reunited.

Dir: Maurice Tourneur

After being expelled from college, Giles runs away from home and meets and falls for a young lady.

Dir: Maurice Tourneur

A visual fragment from the archive: The thematic resonance of The Wishing Ring: An Idyll of Old England perfectly mirrors the editorial trajectory of our deep dive.

James Kestner is a government secret agent on the trail of a band of counterfeiters and particularly anxious to locate the head of the gang, Frank Lambert, who, in addition to his skill as a counterfeiter, is known to the underworld as the only man who can fill in the perforations of a used bank check. Kestner locates the band in their underground work shop near the river front. He cleverly maneuvers his way into the headquarters of the band when it is empty, but is caught in the act of searching for incriminating evidence by "Bull's Eye" Cherry, a clever girl crook, and one of the mainstays of Lambert's crowd. Lambert and his daughter, who has been educated in crime by her father, return to find Kestner held at the point of Cherry's revolver. Lambert is for killing the detective outright. Impressed by Kestner's brave demeanor, Maura intercedes in his behalf, but finding her father determined in his intention to kill the government agent, she pretends that the police are outside. The counterfeiters make their escape without settling accounts with Kestner. Kestner locates the criminals in their new quarters. One of his assistants trails "Bull's Eye," who has the new counterfeit plates in her possession, but she cleverly evades capture and returns the plates to Lambert's headquarters. Kestner forces his way into the gang's rooms, arriving just in time to witness a desperate battle between Lambert and Tony Morello, one of his accomplices, whose passion for Maura has led him to attempt to force his advances upon her. Lambert kills Morello with a knife, but before dying the man acquaints Maura with the fact that Lambert is not her real father, but that he stole her when a baby and reared her to this life of crime. Kestner places Lambert under arrest, but the crook evades capture a second time by a ruse. Kestner's assistant arrives with the police, but Kestner permits Maura to go free on account of her having saved his life on the occasion of their first meeting. Kestner is determined to capture Lambert single-handed. He trails him to a midnight rendezvous on a wharf, where he and Lambert fight it out to a finish. The revolver battle between the two men in the dark culminates in a hand-to-hand encounter in which Kestner ultimately proves victor, but has barely strength enough to handcuff himself to his unconscious opponent before collapsing. In the end Kestner induces Maura to return to the straight road, and she takes up her home with his mother. The story closes with the intimation that the romance so strangely begun will lead, as time passes, to a life of happiness for them, together.

Dir: Maurice Tourneur

Richard Duvall is a young American detective in the employ of the French Secret Police. While in Paris he meets Grace Ellicot, also an American, with whom he falls in love. He marries her and is about to start on his honeymoon when he is called on by Mons. Lefevre, chief of the secret police. The French Ambassador to England, Monsieur De Grissac, has lost an ivory snuff box which must be found. They depart for London to interview the Ambassador. In London they go to the Embassy. There the Ambassador tells them that he was robbed of the snuff box while he was dressing and suspecting his valet, Noel, he locked him in his room. When Duvall goes to interview the valet, he finds that he has been murdered. Meanwhile, in Paris, Lefevre has broken the news to Duvall's wife of his departure to London. She, wishing to follow Duvall, asks Lefevre where she can find him. Lefevre tells her that if she will help in the recovery of the snuff box she will find Duvall. She consents, and Lefevre tells her to go to Brussels and try to place herself in the sanitarium run by Dr. Hartmann. who is supposed to be a German spy and whom Lefevre believes to be instrumental in the theft of the snuff box, which box, Lefevre hints, is of diplomatic importance. Richard Duvall, aboard the boat for Antwerp, finds the man whom he is following, asleep in a saloon, and during the night he opens the stranger's suitcase. He finds the package given the stranger in the barber shop, and on opening it, discovers the contents to be rice powder. By this time Duvall has learned that Grace is in the sanitarium, and that she furnished the news to Lefevre's agents. He feels that Grace should leave the sanitarium as soon as possible. He goes to Mr. Phelps, the American Ambassador, and has him invite Grace to dinner, planning to escape after dinner. During dinner that night, Dr. Hartmann, who is beginning to suspect Grace and Duvall, turns up at Mr. Phelps' house as an unexpected guest. When Richard and Grace leave on the pretext of Duvall's escorting Grace back to the sanitarium, Hartmann asks if he might ride with them. Because of no plausible reason, Duvall is forced to consent. On arriving at the sanitarium, Duvall is taken prisoner by two of Dr. Hartmann's attendants. His failure to discover the snuff box angers Dr. Hartmann. He knows that Duvall must have it with him, as his luggage has been searched and his friends imprisoned on various trumped-up charges. He gives Duvall until the next evening to confess the whereabouts of the box. The time allotted him is up, and Duvall refuses to confess. Hartmann resorts to torture. Finally Richard, at night, finds his opera hat behind a packing case and secures the box from the hat. Experimenting with several ornaments on the top of the box, he discovers that it has a double top. Inside the box is a piece of tissue paper, on which a series of numbers are written. Duvall substitutes another set of numbers, and conceals the set found in the box. In order to make Grace confess where the box is, as Dr. Hartmann believes she knows, he lets her see Duvall being tortured. She is almost crazed by watching his pain, so gets the box and delivers it to Hartmann. They are at once released, and proceed to Paris. They are not able to deliver the box to Lefevre, but they give him the series of numbers. Duvall and Grace at last start on their delayed honeymoon.

Dir: Maurice Tourneur

A visual fragment from the archive: The thematic resonance of The Hand of Peril perfectly mirrors the editorial trajectory of our deep dive.

For 10 years the men of the D. and O., a short line, have been at the mercy of "B," supposedly Barker, president of the railroad. The line itself is run from the executive offices in New York, far distant, and none of the men have ever laid eyes of "B," yet the smallest transgression, accidental or otherwise, of the railroad's rigid and economical discipline results in a telegraphed order from "B," decreeing the fine, suspension or other punishment for the offender. Latterly, it has amounted to almost persecution and the men are on the verge of a strike. The climax comes when 48, the passenger train driven by Jim Lewis, goes off the rails on a soft spot and ties up the whole system for a day. When 48 finally limps into Wellsdale, the eastern terminus, "B's" decision is waiting for Lewis, two weeks' pay as a fine and six months' probation on a yard engine. The punishment starts a riot. The men agree to send Lewis to see Barker. Lewis calls on Barker. Barker receives Lewis, and instead of the hulky, brutal man he expected to find, Barker is an elderly, kind old gentleman, with a charming family. Mildred, his daughter, impresses Lewis. At last, Lewis, much bewildered, accepts an invitation to dinner with the family. In the morning Lewis learns that "B" is Brown, the manager. With a card from Barker he seeks an interview, but learns the manager has decamped, taking all the negotiable funds of the road. Lewis, thinking of the girl he met the night before, asks for and gets the job of running down "B." After considerable detective work he locates a man he has reason to believe is his quarry. With the aid of a bellboy, he gets a tip on the departure of the suspect and as the fleeing man enters a machine Lewis grabs him. There is a fight, which ends in Lewis's victory. Jim Lewis returns in triumph to New York with the stolen goods licked in a brand-new bag, and reaches Barker's house in the early evening, just as a group of D. and O. magnates are deciding that the road is gone and done for. Jim is the sort of stuff the road needs in its executive offices, and barker states that he is to come in to New York to be trained. Jim parts with Mildred on his way out, but to their mutual satisfaction it is only "au revoir." The future is rosy for Jim Lewis, and the boys of the road have gained more than they hoped when they sent him to see "B."

Dir: Maurice Tourneur

The story of the training of a racehorse, the Whip, of the amnesiac nobleman who loves the horse, and of the villains who attempt to keep it from racing.

Dir: Maurice Tourneur

A visual fragment from the archive: The thematic resonance of The Ivory Snuff Box perfectly mirrors the editorial trajectory of our deep dive.

Editor of the Louisville Gazette sends happy-go-lucky cub reporter Steve Oldham to cover a feud in the hills that began when Jim Renlow's pig was caught eating Bill White's turnips. Although Steve tries to remain impartial, he falls in love with schoolteacher Alice Renlow. At a "Truce Dance" given to raise money for Alice's salary, Steve drinks too much and innocently kisses Peggy White, who then tells her relatives that they are engaged. Later, when Steve is seen kissing Alice's hand, the Whites take Steve captive and plan to shoot him at sunrise. Alice pleads with Tilden White, who loves her, to allow Steve to escape, but he agrees only if Steve will leave alone. When Steve refuses, Alice confesses her love. They fight until the house which they are occupying is destroyed and the cavalry, notified by Steve's newspaper, arrives. The two sides are now reconciled as Steve and Alice prepare to marry.

Dir: Maurice Tourneur

The wealthy but selfish parents of a lonely young girl begin to rethink what is important to them after a servant's irresponsibility results in a crisis.

Dir: Maurice Tourneur

Arriving with her husband in Arabia, Katherine Wyvrne is ready for romantic times in the exotic Middle East, but her aristocratic husband prefers to be out hunting "Barbara sheep" than fulfilling his wife's desires. She soon meets up with the dashing Arab chief Benchaalai and falls for his charms, but he has a much more sinister goal in mind for her than romance.