Hidden Genre Gems for Fans of The Last Frontier: Cult Guide

Dir: Paul Cazeneuve

Chick Crandall, half owner of the Flying A Ranch, returns home after a five-year absence and, because he is suspicious of his foreman Sam Curtis' activities, decides to proceed incognito. Disguised as Harold Montague, his partner's son, Chick works among the ranch hands and discovers that Curtis is rustling cattle and is responsible for driving Barbara Hampton and her aunt from their home. After a series of skirmishes between Chick and Curtis, Curtis is expelled from the ranch, Chick reveals his true identity, and Montague is so pleased with his partner that he relinquishes his share of the ranch to him. Chick, now full owner of the Flying A, offers his home in a marriage partnership with Barbara.

Dir: Kenneth Brampton

A visual fragment from the archive: The thematic resonance of Robbery Under Arms perfectly mirrors the editorial trajectory of our deep dive.

Two brothers, Dick and Jim Marsden, become involved with the bushranger, Captain Starlight. They romance two girls, work on the goldfields, and are captured by the police after Starlight is shot dead

Dir: Val Paul

Finding himself out of funds, cowboy Dick Rainboldt accepts a job from an employment agency which sends him to the Torpedo mine in San Clemente. En route, he meets Katie Wigfall and is immediately attracted to the girl. Upon his arrival, Dick is amazed to discover that he has been employed as a strikebreaker, but determines to see the job through even though he disagrees with its objectives. Upon learning that the owner of the mine is being misled by his manager and superintendent, Dick determines to rectify the situation. After accepting money from the conspirators to blow up the mine tunnel, Dick uses the incident to expose the plotters, winning for himself a hefty promotion as well as Katie's love.

Dir: J. Gordon Edwards

A visual fragment from the archive: The thematic resonance of West Is West perfectly mirrors the editorial trajectory of our deep dive.

William Farnum is Drag Harlan, a tough cowboy vigilante. After learning about a gold mine from a dying man, he seeks his daughter (Jackie Saunders) as well as the gold. He falls in love with her, but the same gang that shot the old man is after the gold.

Dir: Scott R. Dunlap

When saloon owner Bill Lark detects that gambler Jim Pemberton is cheating, both men draw their guns. In order to prevent a double killing, it is agreed that the first shot should be decided by a draw from a deck of cards. Bill loses and Pemberton gives him three days to live. Meanwhile, Pemberton has persuaded Jess Jones to leave her husband and ride with him to his cabin in the hills where he is chief of a gang of bandits. Upon discovering his wife's absence, Scipio Jones follows Jess but is driven away by Pemberton's gang. After Jones fails, Bill retrieves Jess and brings her home. The next day, Bill is severely wounded when he drives a stagecoach through an attack by Pemberton's gang, but escapes to keep his date with the outlaw. Arriving to accept his fate of the last draw, Bill discovers that the outlaw has been killed by Scipio Jones. Provided with a new lease on life, the honest saloon keeper marries his sweetheart Little Casino.

Dir: George Ridgwell

A visual fragment from the archive: The thematic resonance of Drag Harlan perfectly mirrors the editorial trajectory of our deep dive.

Young Buffalo sets out on the trail of a criminal sheriff who works recklessly and commits murders and holdups with considerable regularity and no evident fear.

Dir: Charles Giblyn

A persistent drought threatens the crops of homesteader Lang Rush, and he faces a mortgage foreclosure by the bank. At the local saloon, outlaw Sam Hemp suggests that Lang rob the bank as restitution. The exchange escalates into a gunfight, which leaves Sam and his wealthy friend, Drayton, dead. Lang flees to the mountains and takes refuge in a deserted shack near Singing River, where he prospects for silver. Bert Condon, a former homesteader, trails Lang in the hope of collecting a $5,000 reward, but ultimately befriends the fugitive and assists in filing Lang's claim when he strikes ore. On his return to town, Lang rescues the sheriff's daughter, Alice Thornton, from Hemp's gang and defeats their leader, L. W. Bransom, in a fistfight. He then clears himself of the murder charge and wins Alice.

Dir: Unknown Director

A visual fragment from the archive: The thematic resonance of Twins of Suffering Creek perfectly mirrors the editorial trajectory of our deep dive.

A fascinating piece of cinema that shares thematic elements.

Dir: Edward Sloman

When Wid Gardner, a friend of the "Sagebrusher" Sim Gage in Montana, advertises for a wife for Sim, he finds Mary Warren. Mary, who has recently lost her shop job in Cleveland, goes West under the impression that she is to be a housekeeper. By the time she arrives, she has become blind and cannot see the ugliness of the poor but honest Sim, who realizes that Mary is too refined for him. After some complications involving Frederick Waldhorn, who recognizes Mary as the girl whose legacy he has stolen, and Big Aleck, Mary and Sim are married. The young, handsome Dr. Barnes, who is working to restore Mary's sight, has also fallen in love with her. Eventually, Sim gives his life in rescuing Mary from a flood. Mary's sight then is restored and she confesses her love for Dr. Barnes. Finally, Mary's friend, Annie Squires, who accompanied her from Cleveland, becomes engaged to Wid.

Dir: Lynn Reynolds

Tex Benton, riding across the country, sees a turtle, catches a jack rabbit and tests out the old fable of the tortoise and the hare; when the rabbit wins, Tex vows to model his behavior on that style. In a border town, he rescues an Indian, "Bat," and the two become friends. In Wolfville, Tex enters a rodeo. Meanwhile, a stalled Eastern train carries Alice Marcum, the girl Tex decides he wants. Tex competes with an Easterner for the girl's attentions, but Tex, the "hare," loses to the Eastern tenderfoot, the "tortoise." Tex then concludes that he is not the marrying kind.