Cinematic Discoveries Resonating with the Themes of The Lonesome Ch...

Dir: Edward LeSaint

Inez de Pierrefond's mother forces her to marry a wealthy man who proves to be such a brute that after he is killed in a drunken brawl, Inez swears that she will never marry again. Later, she falls in love with John Hemingway, an Iowan who has come to Paris to study architecture, but when she tells him her views on marriage, he leaves her in shock. His friend, Charles Abbey, convinces him that Inez's ideas are quite logical, and for a time, the two live together in perfect happiness. Upon the couple's return to Delphi, Iowa, however, the town gossips assume that the beautiful and cultured Parisian is an adventuress, and when they learn of her book, Free Love , they call a meeting to inform John's mother of Inez's low character. Hearing of their plan, Inez roundly denounces the villagers as hypocrites and then explains her views to Mrs. Hemingway, who lovingly forgives her. Mrs. Hemingway's tender devotion to her son so moves Inez, however, that she eventually consents to the marriage ceremony.

Dir: Edward LeSaint

A visual fragment from the archive: The thematic resonance of The Circular Staircase perfectly mirrors the editorial trajectory of our deep dive.

Aunt Ray Innes leases Sunnyside House, the country home of Paul Armstrong, and invites her nephew and niece, Halsey and Gertrude Innes. En route, the young people stop at the Greenwood Club to take Jack Bailey, the intended husband of Gertrude and cashier of the Armstrong Bank. Halsey appears in time to prevent a fight between Jack and Arnold Armstrong, son of the banker. At three o'clock in the morning a pistol shot awakens Aunt Ray, who summons her servant, Liddy. They are joined by Gertrude, and the women discover that Halsey and Jack are missing. Investigations disclose the lifeless body of Arnold Armstrong lying at the foot of the circular staircase. Mr. Jarvis, who had been summoned from the club, recalls that Jack and Arnold were bitter enemies because of banking affairs. The next morning Mrs. Watson, the housekeeper, appears suffering from an injured arm, which she explains she sustained in falling down the circular staircase. Frank Jamieson, the detective, on the case cannot trace Jack, and when Halsey Innes returns he refuses to say why he left. Then the newspapers announce that the Armstrong bank has failed; that the cashier has been released under bond; that Dr. Walker, who has accompanied Paul Armstrong to the west, has wired that the banker is too ill to travel, and that securities aggregating a million and a quarter are missing. Aunt Ray searching for Tom, the butler, comes upon Louise Armstrong, daughter of the banker, who was supposed to be out west with her father, at the Lodge. Dr. Stewart, the family physician, attends to her. Dr. Walker wires that the banker has died, and that his summer home must be vacated as the body will arrive soon. But Aunt Ray refuses to leave on such short notice. Louise is not apprised of her father's death, and as she leaves for her mother's home she tells Aunt Ray to leave Sunnyside House, as she has forebodings for its future. Mrs. Watson's injuries develop into blood poisoning, and she is taken to a hospital. As Tom, the butler, sits in the Lodge one night, he sees an apparition and drops dead of fright. Dr. Walker warns Aunt Ray to leave the house before she regrets it. Again she refuses. Several nights later as Halsey and Alex, the new gardener, are keeping watch over the circular staircase, the stable catches fire, and the men rush to give assistance. Meanwhile the women are terrorized by the movements of a strange object outside. Halsey disappears and a tramp with the missing man's watch on him is caught by Detective Jamieson. Upon being questioned, he says that he found the watch under the freight car into which had been thrown Halsey, bound and gagged. Mr. Watson, who is dying, tells Aunt Ray that when she was carried to the lodge by Tom, the butler, she found Louise Armstrong ill and that she (Mrs. Watson) was struck on the arm by a golf club by Arnold because she refused to give him the key to Sunnyside House. Mrs. Watson returned to the house and when she was ascending the circular staircase found that Arnold was creeping up behind her and shot him. Gertrude learns from Halsey, who is in a neighboring hospital, that Paul Armstrong, aided by Dr. Walker, looted his own bank, and that is why Louise left her father. Meanwhile the casket containing Paul Armstrong's body is exhumed and when opened it is found that the corpse is not that of the banker. Aunt Ray discovers a secret room and upon investigating she is locked in by the door automatically closing upon her. Here she is found by Paul Armstrong that night. The sight of him frightens her and her cries bring the detective and Alex, the new gardener, who break open the door as Armstrong escapes by another secret passage. He slips down the circular staircase and is killed, and Dr. Walker is taken into custody. Alex removes his disguise and reveals himself as Jack Baily. A cash box containing the stolen securities is found in the secret room by Jack, and as Aunt Ray comes into Sunnyside House she finds Louise and Halsey in a loving embrace, and Jack and Gertrude in a like attitude at the bottom of the circular staircase.

Dir: Edward LeSaint

Doctor Lambert takes his wife west to a mining town, where he can both minister and doctor. His wife is not happy and upon discovering she is pregnant, runs away with a gambler. He soon dumps her, and she comes back and dies giving birth to a baby girl. Lambert, out of his mind with rage, leaves the baby on a doorstep and vows to never have faith again. He returns to the mining town fifteen years later a drunkard. He meets young, kind Lily Sawyer and is greatly impressed by her compassionate nature. Meanwhile, the gambler has returned and decides to abduct Lily, but his partner recognizes Lambert and tells him Lily is his daughter. He kills the gambler before he can harm Lily and soon his faith returns.

Dir: Edward LeSaint

A visual fragment from the archive: The thematic resonance of Fighting Mad perfectly mirrors the editorial trajectory of our deep dive.

Makino works for Kayosho, a Japanese curio dealer in America. To reward Makino's dedication, Kayosho sends for Toki-ye, a picture bride. Upon arrival, she is married to Makino in a civil ceremony. However, Kayosho intends to keep Toki-ye for himself. This angers Goto, another employee. Kayosho was betrothed to Goto's niece Hana. One day Kayosho is found dead in a pool.

Dir: Edward LeSaint

Chicago Charlie, a crook, gets Harriet Gordon, a wealthy heiress, to elope with him. He takes her to a road house on the promise that a minister will be waiting. There he drugs her. Detective Scully arrives, but Charlie gets away. Five years later Harriet is engaged to the district attorney. Chicago Charlie is arrested and convicted, Peggy, his sweetheart, pleads to see him. Harriet helps her and takes her as a maid. Chicago Charlie escapes from prison. He tells Peggy he must have money to get away. With Harriet, Peggy meets Charlie. She recognizes him. She .gives him money, but he demands also the engagement ring she wears. He takes it. While Peggy is trying to pawn the ring Charlie attacks Harriet, who takes a knife from a table and kills him. Detective Scully finds Peggy leaning over the body. Through the ring he traces Harriet. However, knowing all the circumstances, he reports to headquarters that a detective stabbed Charlie while Charlie was trying to escape.

Dir: Edward LeSaint

A visual fragment from the archive: The thematic resonance of The Honorable Friend perfectly mirrors the editorial trajectory of our deep dive.

Rhandah, who is to succeed his father, the Maharajah of Dharpuli, is sent to Oxford to be educated. The Princess Nada, to whom he is engaged, fearful of the outcome of his journey, gives him an amulet to bring him back to her in safety. At the college, he soon becomes accustomed to English customs, but refuses all invitations into society. He meets Amy, daughter of Colonel Dawe, and they become interested in each other. Amy wagers that she can persuade the Prince to give her the amulet and succeeds in having him accept her invitation to a party; she manages to see Rhandah alone and secures the amulet. Dick Larimer, to whom Amy is engaged, denounces Amy for doing such a thing. Asa Judd, tutor to the Maharajah's son, has taken a snap shot of Amy and Rhandah and sent it to Colonel Marcy, the Resident British Councilor. Mulai Singh, an aspirant to the throne, obtains possession of the photograph. Rhandah, embittered, returns home just as the Maharajah dies. By his bedside he swears eternal vengeance on all the English and is overheard by Nada. He seeks out Mulai Singh and obtains the picture, declaring his intention of leading his people against the English, issuing a command that all captured English be brought before him. Dick is taken and Rhandah orders him to the dungeon. Amy has come to India with her father and is also taken by the outlaws, but when they see the amulet they release her. Nada recognizes her from the picture, and comes upon Rhandah and Amy as he is contemplating what he shall do with Dick. Rhandah makes advances to Amy which she dares not resent, and tells him she will do anything to save Dick, but he replies there is nothing that will save her sweetheart. Nada, listening, ready to kill Amy with a dagger, overhears and rushes into Rhandah's arms vowing her belief in him. At Amy's solicitation, Nada intercedes and Dick is set free. All the trouble and turmoil is at last ended, and both couples are happy.

Dir: Edward LeSaint

Three outlaws fleeing a posse through the desert come upon a dying woman and her baby in a wagon. Before she passes away, she makes the men promise to take care of her baby and get it safely through the desert.

Dir: Edward LeSaint

A visual fragment from the archive: The thematic resonance of Her One Mistake perfectly mirrors the editorial trajectory of our deep dive.

Hal, now fully grown, leaves his wife Edith and his estate in England to return to the land of his Indian mother. There he works for the rights of Indians in a land deal which pits him against David Ladd, the wily reservation agent who is secretly in collusion with the asphalt trust which is trying to rob the Indians. Hal falls in love with Wah-na-gi, the Carlisle graduate who has returned to teach at the agency school, but he is too honorable to conceal that he is already married. Upon the death of his father, Hal returns to England as Lord Effington to discover that Edith loves Lord Yester and wants a divorce. Hal gladly agrees, but when the family physician informs him that Edith is addicted to morphine and his presence may save her life, Hal consents to stay. Returning to America to testify in a lawsuit against the asphalt trust, Hal regretfully informs Wah-na-gi that he cannot leave his wife. The Indian maiden goes off in the snow to kill herself by the grave of Hal's mother when Hal receives a message that Edith has died from an overdose of morphine. Hal rushes into the snow, overtakes Wah-na-gi and asks her to marry him.

Dir: Edward LeSaint

When his fiancée commits suicide after being used by an American artist, a Japanese art dealer seeks to get vengeance by seducing the artist's wife.

Dir: Edward LeSaint

Hugh Payne owns and operates a mine in the West, supporting his brother Larry's luxurious life style. Hugh has nurtured Abby Hope, a young girl with whom he has fallen in love. When Larry comes to visit, he and Abby decide to get married, and to spare Abby's feelings, Hugh pretends that he is infatuated with another woman. When the building in which they are staying breaks out in flames, Hugh rescues Larry and Abby from the fire. Larry, finally realizing that Abby really loves his brother, confesses that her love is returned by Hugh, and the two are united.