Underground Favorites Mirroring the Impact of The Man Who Could Wor...

Dir: Unknown Director

The Judge needs a present for his wife's birthday, so Harry suggests a new corset. They go to the shop, but he's so embarrassed to ask the saleslady he hides in a phone booth.Harry goes in, but finds a GUY wearing one, and runs out.They both dress as women to get back in, but Mrs. Rummy gets there and chases him out.

Dir: Mason N. Litson

A visual fragment from the archive: The thematic resonance of Get-Rich-Quick Edgar perfectly mirrors the editorial trajectory of our deep dive.

Edgar and his chum try to amass a fortune in one day by cornering the fan market on a hot afternoon when the circus comes to the small town where they are spending their vacation.

Dir: Alfred J. Goulding

Two tramps wrest a pistol from a hold up man, then try to pull a stick up of their own, unfortunately for them, a cop appears and takes the money back and then chases them through a park with a lake. One steals canoe and the chase continues when a mob of cops go after him in more boats.

Dir: Charles Swickard

A visual fragment from the archive: The thematic resonance of Run 'Em Ragged perfectly mirrors the editorial trajectory of our deep dive.

A young Egyptian goes to the rescue of his employers, a wealthy European family, when they are menaced by a local strongman and his gang.

Dir: Frank Moser

The simple story is about two siblings, little brother Bud and big sister Susie. After they've been reading "Huckleberry Finn" they dream of adventures on the Mississippi River.

Dir: Sidney Franklin

A visual fragment from the archive: The thematic resonance of An Arabian Knight perfectly mirrors the editorial trajectory of our deep dive.

A chorus girl hopes to rise to stardom and thus accepts the advances of a wealthy man. But she becomes fearful of her reputation and safety. In an attempt to escape the rake's attentions, she hides out with a disparate group of men who room in a house called "The Barn." There she learns that there is more to life than that found on the stage.

Dir: Charley Chase

A young married couple volunteer to take charge of several orphans after the asylum has burned down. Of course they find their hands full with their troublesome charges.

Dir: Robert Thornby

A visual fragment from the archive: The thematic resonance of Down the Mississippi perfectly mirrors the editorial trajectory of our deep dive.

Mary Willard takes over her father's railroad after his death. Her major competitor is a ruthless crook named Harvey Judson. She arranges for Judson to be kidnapped and taken to an isolated spot deep in the forest and turned loose to fend for himself. She accompanies the kidnappers to the wild and Judson, not knowing who she is, begins to fall in love with her. Complications ensue.

Dir: Richard Smith

Two female candidates for Chief of Police live across the hall from each other, and their political rivalry follows them home, leading to plenty of hi-jinks.

Dir: Maurice Campbell

Carver Endicott, a young sophisticate, is rejected by his fiancée for being too foppish and dull. When she feigns an interest in his father, Carver attempts to disgrace his family name by working as a farmhand and later as a busboy in a hotel. However, the newspapers only praise him for his self-sacrificing principles; and finding that he cannot bring shame to the family through menial labor, he takes up with a notorious actress. But when this maneuver also fails, he returns to his former fiancée, who has no further complaint about his being an inexperienced dullard.