Recommendations
Senior Film Conservator

Looking back at the 1920 milestone that is The Man Who Lost Himself, the specific poignant storytelling of this work is a gateway to a broader Drama world. Our archive is rich with titles that mirror the poignant storytelling of Clarence G. Badger.
As Clarence G. Badger's most celebrated work, it defines to create a dialogue between the viewer and the poignant storytelling.
Young Victor Jones of America is discovered to be an exact lookalike for England's Earl of Rochester, a circumstance which results in Jones deciding to replace the Earl after an unfortunate accident.
The Man Who Lost Himself was a significant production in United States, showcasing the immense talent of Mathilde Brundage, Downing Clarke, Hedda Hopper. It continues to be a top recommendation for anyone studying Drama history.
Based on the unique poignant storytelling of The Man Who Lost Himself, our vault has identified these titles as the most compelling follow-up experiences for fans of Drama cinema:
Dir: Clarence G. Badger
Susan, a wealthy young Easterner, is making her way across the country when she accidentally becomes separated from the train carrying her west. She finds herself in the clutches of a gang of bandits, who discover they've got more on their hands than they bargained for.
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Dir: Alexander Butler
In Alberta, Canada, a Cornish emigrant unmasks a rustler posing as the girl's "blind" father.
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Dir: Clarence G. Badger
Dorothy Dean, a wealthy young woman with modern ideas, abhors the institution of marriage but discovers that she must be wed in order to receive a wealthy relative's inheritance. Through Judge Roan, the family lawyer, Dorothy meets Don Morton, who agrees to accept a $10,000 check to marry her and then leave her in peace. After the ceremony, however, Dorothy's new husband takes her to a lonely island retreat where he tries unsuccessfully to win her love. Defeated, he leaves the island. In his absence, she is attacked by thieves and is fighting for her life when Don returns and rescues her. Dorothy now realizes that she is happy to have a husband, and the two embark on a real honeymoon.
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Dir: Clarence G. Badger
A young woman reads tales of a gallant White Knight and imagines that such a knight might come to rescue her from her dull existence. Although she is wooed by a wealthy industrialist, she rejects his suit in hopes that her romantic ideal might come. One day a young writer comes to her village, and it seems as if he might be the hoped-for White Knight.
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Dir: Clarence G. Badger
A young lady designs a wonderfully received bathing suit and saves her employer from financial disaster. In the course of this, she falls in love with her employer's son, who is in danger of ruin from a romantic scandal.
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Dir: Harley Knoles
Jim McDonald, the foreman of a shipbuilding plant and head of the labor union, strives to combat the anarchistic propaganda being put forth by Klimoff, the leader of a Bolshevik gang whose goal is to disrupt the country with strikes and anarchy. Despite McDonald's efforts, a strike is called, resulting in chaos. McDonald's child is knocked down by runaway horses abandoned by their striking driver, and dies. Mob scenes take place in America, as well as in Russia. Eventually, the unrest is quelled with an armistice called between Capital and Labor for a year, during which time wages are to be increased to reflect the cost of living, and leaders are to work out a common plan for their mutual advantage. The strikers now realize that they have been pawns of the Bolsheviks and call off the strike, agreeing to the plan.
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Dir: Clarence G. Badger
An English nobleman falls for and marries a beautiful young chorus girl. When he brings her home to the castle to meet his family, she is horrified to learn that she is niece, aunt, and/or cousin of all twenty-three of the staff of servants.
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Dir: Clarence G. Badger
An easy-going tramp with a love of food and an aversion to work suddenly gets deeply involved in the life of a farmer and his daughter.
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Dir: Clarence G. Badger
A cub reporter (Normand) is sent undercover to get a story, but falls for the man she is investigating.
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Dir: Clarence G. Badger
Jimmy Betts angrily remonstrates with his wife for a letter she has written to Count Henri Duval, while she bristles at the attention that Jimmy has lavished on Mrs. Ella Rice, an aging but nonetheless charming widow. Exasperated, Ruth decides to accept the count's invitation to dine on his yacht, but on her way, she overturns her rowboat and loses consciousness. In her delirium, Ruth dreams of the happy days of her marriage, before Jimmy went away to handle Mrs. Rice's business affairs. Because she missed him so much, Ruth finally left her Aunt Sophronia to be with Jimmy, whom the love struck Mrs. Rice hoped to win for herself. In order to drive the young people apart, Mrs. Rice then introduced Ruth to Count Duval, who soon professed his love for her. Aware of Mrs. Rice's schemes, Ruth frightened the widow from her bedroom late one night so that Jimmy could see her for the "painted interloper" that she really was. Ruth then wrote her letter to the count. Jimmy rescues Ruth and carries her aboard the yacht, where she finally awakens from her dream and happily kisses her husband.
View DetailsAnalysis relative to The Man Who Lost Himself
| Film Title | Atmosphere | Complexity | Similarity |
|---|---|---|---|
| Leave It to Susan | Tense | Dense | 88% Match |
| The Night Riders | Ethereal | High | 96% Match |
| Friend Husband | Gritty | Abstract | 88% Match |
| Day Dreams | Tense | Dense | 85% Match |
| The Venus Model | Gritty | High | 85% Match |
This guide was algorithmically generated using the cinematic metadata of Clarence G. Badger's archive. Last updated: 6/26/2026.
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