Top-Tier Alternatives Exploring the Legacy of The Midnight Warning:...

Dir: Unknown Director

A fascinating piece of cinema that shares thematic elements.

Dir: Maurice Tourneur

A thief known as The Hawk has stolen the treasured Garter from the British Museum. One of the men pursuing the thief is mistakenly thought to be The Hawk himself, and so must seek his quarry while himself being hunted.

A visual fragment from the archive: The thematic resonance of My Lady's Garter perfectly mirrors the editorial trajectory of our deep dive.

Dir: Karl Mueller-Hagens

A fascinating piece of cinema that shares thematic elements.

Dir: Harry L. Franklin

Audacious Jeanne works in a book bindery, is given a diary written by one Thomas Dodd to bind. The diary portrays Dodd as a scoundrel who fathered a girl by a woman he never married, and Dodd's family as a nest of vipers. Jeanne decides it is her duty to save this corrupt family and presents herself to Dodd as his illegitimate daughter. In fact, Dodd is a meek old man whose scandalous diary was pure fantasy, and the only hostile member of the family is Dodd's greedy brother Jerry, who was the only sympathetic character in Dodd's diary. Jeanne falls in love with Dodd's nephew Kent, though she dutifully urges him to marry Hazel Jenkins, a woman whom Jeanne believes Kent has wronged. Finally Sarah Ross, the alleged mother of Dodd's child, ends Jeanne's suspicions by denying that she had ever had a daughter. After foiling Jerry's plan to usurp the family fortune, Jeanne confesses her charade and accepts Kent's love. Dodd likewise admits that his diary is a fake and proposes to Sarah.

A visual fragment from the archive: The thematic resonance of Die Banditen von Asnières perfectly mirrors the editorial trajectory of our deep dive.

Dir: Dallas M. Fitzgerald

Edith Sturgis, the daughter of a judge, returns from studies abroad to find her widowed father remarried. The new Mrs. Sturgis does not reveal that she has a son Dick, once unjustly jailed by Judge Sturgis, but now working as a reporter while still maintaining an association with the Brownlow gang. Quarrelling with her stepmother, Edith leaves home, meets Dick and falls in love. While Dr. and Mrs. Allen (whom Edith met on the steamer) are visiting in the Sturgis home, the doctor's valuable radium is stolen from the safe, and Judge Sturgis is found murdered. Dick, though with Edith at the time, is accused of the crime. Finally, an old shoemaker confesses that he entered the house to steal the radium, with which to cure his crippled son, and witnessed the judge's slaying by the Brownlow gang. Dick is freed and finds happiness with Edith, and the doctor helps the crippled boy.

Dir: Frank Lloyd

Laura Bruce is married to John Bruce, police commissioner. She discovers her husband is enjoying a drunken revel with another woman, and vows she will obtain a divorce. After doing so she weds Paul Ramsey. His employer, Dick Turner, a libertine, offers his a responsible position in the west, and she faces a long separation. Ramsey later learns that Turner is interested in his wife and engages a man to protect her, who happens to be her former husband. She finds this out, but does not know he is bent on vengeance. She is inveigled to go to Turner's apartment, where she meets Turner's former "flame." One of them leaves the apartment which is "Room 13." Returning from the West, Ramsey is taken to an adjoining room by Bruce, and listens to a conversation in "Room 13" between a man and a woman. He is convinced it is his wife's voice. Maddened he rushes to the room and batters down the door. He confronts Turner and shoots him. At the trial Ramsey will go free if his wife confesses she was in the room She does and he is acquitted. A reconciliation follows. - Moving Picture World 1920

A visual fragment from the archive: The thematic resonance of Alias Miss Dodd perfectly mirrors the editorial trajectory of our deep dive.

Dir: Tom Collins

Tex clears an innocent man who has been found guilty of murdering a man who was molesting his sweetheart. One of the 'Tex' detective series.

Dir: Charles Raymond

A magician helps outwit a Chinaman's gang.

A visual fragment from the archive: The thematic resonance of Chains of Evidence perfectly mirrors the editorial trajectory of our deep dive.

Dir: George Beranger

John Fenton visits a fortune-teller to gain insight into his parentage. While there, a police raid occurs, and he climbs the fire escape to the apartment above. There he finds a girl standing over the body of a young man who has just shot himself. The girl, Belle Charmion, explains that her half brother, Gordon Brewster, had stolen some jewels from their uncle and, fearing that the police would capture him, had attempted suicide. Fenton conceals the brother in another room and impersonates him when the police arrive. Later, he and Belle take Brewster to his uncle's home. In the excitement, the jewels have been forgotten, and Fenton returns to search for them. By this time, the family butler, who is a member of an underworld gang, has tipped off his friends, who then steal the Fenton jewels. At the butler's home, a scuffle ensues; Fenton recovers the jewels and learns that he is actually a distant relative of the Charmions, having been kidnapped in infancy by a crook. With both mysteries thus resolved, Belle and Fenton become engaged.

Dir: Tom Collins

When milk magnate Jacob Strauss is found murdered in his library, the guilt points to Strauss' secretary, Harry Gray, who the previous day was fired when his employer discovered that he was secretly engaged to his daughter Sybil. Arrested for the crime, Gray asserts that he arrived in time to witness the attack on Strauss by a masked man who escaped through the window. When the secretary's story is ridiculed because the window is sixteen stories above ground, Sybil appeals to Tex to take the case. After a long search, Tex summons a number of suspects to his office and accuses Blake, whose apartments are above those of the murdered man. It transpires that Blake, who held a grudge against Strauss for losses he suffered in the milk pool on the exchange, killed him and made his escape by means of a rope. Thus exposed, Blake leaps out the window to his death, clearing Gray of guilt and freeing him to face a happy future with Sybil.