The Cult Collection Inspired by the Vision of The Mutiny of the Bounty: Cult Guide

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A fascinating piece of cinema that shares thematic elements.

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A visual fragment from the archive: The thematic resonance of The Silence of Dean Maitland perfectly mirrors the editorial trajectory of our deep dive.

A fascinating piece of cinema that shares thematic elements.

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A fascinating piece of cinema that shares thematic elements.

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A visual fragment from the archive: The thematic resonance of Pommy Arrives in Australia perfectly mirrors the editorial trajectory of our deep dive.

A fascinating piece of cinema that shares thematic elements.

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A fascinating piece of cinema that shares thematic elements.

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A visual fragment from the archive: The thematic resonance of Rudd's New Selection perfectly mirrors the editorial trajectory of our deep dive.

At the opening of the story, Nell Gwynne, a popular English actress, is seen as an orange girl selling her goods in and around the old Drury Theater. While she is bantering, Lady Olivia Vernon, the ward of Lord Jeffreys, Chief Justice of England, appeals to Nell for a hiding place. Lady Olivia is being pursued by her guardian and his soldiers and Lord Jeffreys is trying to force Lady Olivia to marry a wealthy lord. By quickness of wit, Nell secures a hiding place for Lady Olivia and later directs Lord Fairfax, Lady Olivia's lover, to the hiding place. While the soldiers are searching for the young couple, Nell distracts their attention by her powers of mimicry. Nell has been endeavoring to secure a part in one of the productions at the Drury Lane Theater, but has been unable to secure an opportunity to show her ability. In desperation she had assumed the role of the orange girl, hoping in this way to find occasion to demonstrate her histrionic ability to the manager of that theater. On the occasion of the illness of one of the principal characters in a production, Nell secures an opportunity to appear in the part. She makes an instantaneous hit, and from then on her success is assured. Lord Jeffreys tries to force Lady Olivia to marry the wealthy Lord Rochester, but Nell Gywnn repeatedly outwits the chief justice. Fairfax, Lady Olivia's lover, is finally captured by Lord Jeffreys and thrown into prison. Lord Jeffreys has trumped up charges against Fairfax, and by trickery has made King Charles believe them. Nell seizes an opportunity to disguise herself as Lord Jeffreys, and to issue orders which help release Fairfax. Nell's final appeal to the King saves her young lover, and he is set free to join his sweetheart. Lord Jeffreys, for his trickery, is dismissed by the King. Nell continues on her rollicking way, and is the idol of the country. Her final good deed is the presentation of a wonderful hospital to the nation. Although she is now the favorite of the King, Nell does not forget her old friend.

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A fascinating piece of cinema that shares thematic elements.

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A visual fragment from the archive: The thematic resonance of The Tide of Death perfectly mirrors the editorial trajectory of our deep dive.

A drama examining the once controversial subject of mixed marriage between a Catholic woman and a Protestant man, and a priest's responsibility to honor confidences of the confessional.

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Ma Hogan's New Boarder was a 1915 film directed by Raymond Longford starring Charlie Chaplin impersonator Charles Evans. In the movie the lead "displays his antics and mannerisms.

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1826 in Campbelltown Farley, a settler was supposedly led by the spirit of a murder victim (Frederick Fisher) to the man responsible for his death. Fisher's body was later found in the creek at the spot where Farley first came upon the ghost. Others since have claimed to have seen Fisher's Ghost sitting on the bridge named after him.