Top-Tier Alternatives In the Shadow of The Other Man: Cult Guide

Dir: Paul Scardon

The actress is on her way to visit the Prince in his castle when she is stranded on a lonely road by an accident to her motor car. The Hillman happens along and takes her to Peak Hall. He is still young and handsome, but marked by the stern fanatical belief of his family that no member of it ever should leave the hills. In an exchange of confidence, the Hillman warns the actress not to visit the dissolute Prince, and she in turn tells him that for once he should try the broader life of the cities. Both heed the other's advice. She returns to the city, and he, in a brief period, follows. The Prince, still pursuing the actress, seeks to entangle the Hillman by throwing a notorious dancer in his path, but fails. Strangeway, the Hillman, proposes to Louise, the actress, but she withholds her answer. His brother comes from the hills to reclaim him, but his mission is vain. Again the Hillman proposes to Louise, who is always in the company of the Prince, and this time is accepted. Angered at his apparent loss of the actress, the Prince makes a scandalous remark about her at his club, which is resented with blows by the Hillman, whose love is all but crushed, when hurrying to Louise she admits what the Prince said is true. The Hillman returns to Peak Hill where a few months later as he is reading in a paper of the engagement of the actress and the Prince, she arrives at his home. She assures him that she is good, not bad, and that she did make the promise to the Prince when she believed he loved her, and both the Hillman and his brother receive her as one of them.

Dir: Paul Scardon

Bob Deering on his way to business meets his sweetheart, Molly Sherman. He arrives at Milliken and Co., stockbrokers, his place of employment, just in time to save Herman, Zalmon Pinsker's 14-year-old son, from a very rough engagement with the other messengers in the office. For this act Herman takes him to his father's shop and obtains a suit at wholesale, and it is here that Bob meets Ike Mandell, who is in love with Dora, the daughter of Pinsker. Previous to this meeting Pinsker re-engaged Mandell after having hired and fired him at least ten times, and also just previous to Bob's arrival with Herman, Moses Hecht and Israel Classman had an argument with Mandell, who, trying to look after Pinsker's business, tried to force them to pay certain notes which had been endorsed by Pinsker. Mrs. Pinsker and Dora arrive and realize that if Pinsker keeps up this pace of unorganized charity they will have little if any chance of obtaining the new dresses for which they came. Later the stock market closes on account of the war, and both Herman and Bob are out of a job. Bob calls upon Molly, who is a telephone operator in a hotel. There he meets "Red" Dorgan, who interests him in war orders. Clothing, sweaters, and shirts are needed for the allied armies, so Bob goes to Pinsker and agrees to get him a contract that will at once make him a rich man. Pinsker is overjoyed. Bob returns to Dorgan, and it is arranged that the manufacturer shall meet the commission. Ike Mandell has a cousin, Abie Lefkowitz, another clothing manufacturer, and he feels that if he can give Pinsker the double cross and get the business for Lefkowitz he will be able to marry Dora. Ike arranges with Dorgan to switch the order to Lefkowitz, who has to give Ike an advance commission of $8,000 for his work. Bob apprises Molly of what he has done for Pinsker, but she has her misgivings about Dorgan. The contestants for the big war order is requested by the commission, which has quarters in the hotel in which Molly is a telephone operator, to have samples of their goods at the commission's offices. The different clothing manufacturers comply, and when each at different times receives most encouraging reply concerning their samples each refuses domestic orders so that all time possible may be devoted to the commission's order. The hotel detective becomes suspicious and after a short conversation with a Scotland Yard man who has been on Dorgan's trail for months, they, with Bob, examine the commission's quarters. They are now firmly convinced that the scheme is a fake, and Bob conveys this information to Pinsker. He is greatly discomfited over the revelation, but Bob gets an idea which will net Pinsker a considerable sum. All the other clothing manufacturers are refusing domestic orders pending advices from the commission, so Bob helps Pinsker to corner the home market. This scheme is successfully executed. Ike Mandell, jealous, is busy instituting a strike among the employees, but his plan is soon frustrated by Bob. Lefkowitz scenting that something is wrong, goes to the hotel, where he is told of the fake affair. The crooks are captured. It is then that Lefkowitz tells of a $6,000 check and that it was made out to Bob. The police now go with Lefkowitz to the shop of Pinsker, where they try to fasten the check upon Bob, but he has given it to Dorgan, and Pinsker agrees that if his is the only signature on it, he, Pinsker, will make good for Bob. Molly goes to Pinsker, who introduces her to his new partner, Bob Deering, and assures her that she need not "hello" any more if she will marry this live businessman. Molly is pleased, and is further glad to know that Mandell has lost out with Dora, who is going to marry Glassman, who is now making his fortune through Bob's methods of wide-awake business.

A visual fragment from the archive: The thematic resonance of Phantom Fortunes perfectly mirrors the editorial trajectory of our deep dive.

Dir: Paul Scardon

A doctor transplants the brain of a girl who is in love with him into a girl he is in love with.

Dir: Paul Scardon

David Solomon, a wealthy banker, is merciless in his dealings with his rich clients, from whom he exacts the highest interest. He aids the poor as much as possible. To facilitate his kindness among the people of the Ghetto, he runs there a pawnshop, unlike all others, for to the needy he measures out money, not according to the value of the articles they offer, but according to their needs. David's son, Maurice, is given to high living. It grieves his father, who is, however, consoled by the fact that his daughter, Ethel, seconds her father's charities by maintaining a day nursery for the children of the poor. One day David sees a young girl fall unconscious in the street. He takes her to the hospital where the doctor tells him that the girl, Mary, is suffering from exhaustion. David's heart is touched and he resolves to make Mary's future his own care. When she has regained her strength he finds her a position as a model in a dress house of a friend, Silver. Ethel visits the dress house to buy gowns, bringing Maurice with her. He sees Mary for the second time, having noticed her upon the street. Maurice arranges to meet Mary under an assumed name, and pursues his courtship with all seeming love. She so learns to worship Maurice that she gives him all, not stopping to count the cost, nor to demand the wedding ring. For a brief while Mary tastes of a great happiness, but Stevins, the man for whom she once worked, and who, because she would not encourage his advances, drove her from every honest position, naming her as a thief, visits the dress house to get gowns for "The Bunch of Flowers," a set of girls so termed by Maurice who has been much in their company. He recognizes Mary, repeats the accusation, and her employer discharges her. Mary returns to the little flat supported by Maurice, where she tells her story. Maurice has begun to tire of her. He seeks Stevins, who tells a seemingly truthful story. Maurice believes it and leaves Mary, writing to this effect. He, however, does not know that the girl he has wronged is about to become a mother. Six years elapse, and we find Mary and her little son, living in poverty. Again she is rescued by David Soloman, who has called to see a deserving case next door to Mary, the object of his charity being Mrs. Payne, the landlady who drove Mary from her door, and who is now a paralytic. Mary tells David her story, showing him the letter from her lover. He recognizes the writing of his own son. He takes his grandson home with him where the child is seen by Maurice, who is conscience stricken. Heinstitutes a search for Mary. Stevins, the man who hounded Mary, needs a further extension of his loan from David. But David, having learned what he has done, Mary forces him to the wall and ruins him. Goldstein, who has been a faithful secretary to David, resigns. He loves the daughter of David, but being a poor man does not declare his love and so decides to leave for other parts of the country. David has watched the love which has existed between Ethel and Goldstein, and gives Goldstein a check for a large amount, quite sufficient to start them on their honeymoon. David informs Maurice by telegraph, not signing his name, where Mary may he found. He then goes to her with her little son. Maurice arrives, and makes reparation by marrying Mary.

A visual fragment from the archive: The thematic resonance of The Love Doctor perfectly mirrors the editorial trajectory of our deep dive.

Dir: Paul Scardon

Lawler, a dishonest promoter, has Winton in his power, the latter believing that he has killed Yawkey, Lawler's partner. For his silence, Lawler demands the hand of Winton's daughter Josephine. Meanwhile, Billy Mountain, a man whom Lawler has swindled, arrives and, disguised by a heavy beard, interests his old enemy in a proposition. He invites Lawler on his yacht and makes him a prisoner. Josephine, fearing that Lawler will expose her father, accompanies them when they sail for a South American country involved in a revolution. When they land, Josephine frees Lawler, who joins the forces of the government. Billy and his partner, allied with the revolutionaries, plan an attack on the president and his forces. In the battle, Billy is captured and sentenced to death, but when the tide turns in favor of the revolutionaries, he escapes. With the appearance of Yawkey, Josephine is freed from Lawler's power and begins life anew with Billy.

Dir: Paul Scardon

Stanley Ormsby, a dramatic critic, runs foul of an author and dramatic company who have just put on a new play which he announces as "rotten." On his way home from the play, after waiving aside the author's pleas for a merciful criticism, his adventures begin. He interferes between a couple quarreling on the street and is rebuffed. Later he gets an assignment from his editor to go to a certain apartment house to interview a singer. Entering the place he is diverted from his mission by a woman falling apparently dead at his feet, before the door of Apartment 29. Carrying her inside he finds her to be the woman of the quarrel, and there finds also her husband shot. There alone, he realizes suddenly that circumstances are against him and wishes to flee. The playwright, who lives in the same building, offers refuge, but in return asks a large sum of money, which Ormsby is only too glad to give. A girl in the playwright's apartment hides him while the police search the place. He has a dozen hairbreadth escapes and is finally shocked as the playwright demands a bribe to keep him hidden. Finally Ormsby escapes from the house with the girl, only to run into a nest of thugs, who attack him. He is then rescued by the very police, who then charge him with murder, after which...well, it winds up all right, but it was a hair-raising experience, mates.

A visual fragment from the archive: The thematic resonance of A Prince in a Pawnshop perfectly mirrors the editorial trajectory of our deep dive.

Dir: Paul Scardon

The Hawk, Count George De Dazetta, preys upon society with the aid of his beautiful wife. She seems to be in love with a young French nobleman, who is the real aggressor in this triangle. De Dazetta finds that the young nobleman's love for his wife is changing her for the better, that she begins to abhor his gambling profession and his inroads upon society. However, he continues to use her beauty as a lure to his gaming tables and wins heavily. In the meantime the nobleman breaks with a young woman aristocrat whom his mother wishes him to wed. During a transaction with an American from whom he borrows money to repay his gaming losses to De Dazetta the nobleman learns of the Hawk's love for his wife, and that she is helping her husband to win. Marina, the wife, washes her hands of the whole earning enterprise and is accused of infidelity by her husband, who tried to kill the nobleman. Failing, he leaves, and the nobleman protects the wife while attempting to locate the gambler and get his consent to a divorce. Finally this is effected, and Marina herself pleads for the divorce, that is until she learns that De Dazetta is now penniless, having lavished his every cent upon her and really loves her, and has consented to give her up only because he thinks it best for her future welfare. Her womanhood comes to the surface and she goes to him, renouncing the nobleman, her love for the latter having been without sin throughout.

Dir: Paul Scardon

Hal Page, the weakling brother of Stephen Page, the town mayor, falls in love with Carline Shrefton, who throws over Burt Staley to entangle Hal in her self-serving schemes. Furious over her abrupt departure, Staley shows up at Carline's, and a jealous fight with Hal ensues in which Staley is shot and killed with Carline's gun. After Hal confesses to the deed, Stephen quietly sends him off to Spain. One year later, Stephen announces his engagement to Marion Hayward, the daughter of the district attorney, who is pressing charges against James Reed, a corrupt politician and Carline's new husband. To save Reed, Carline threatens Stephen with exposure, but he refuses to bend to her demands. Just days before Carline is to reveal her story about Staley, Hal appears and confesses to Hayward that Carline is the true killer. After verifying Hal's story, Hayward grills Carline, who finally admits her guilt. A matured Hal is restored to his family and Reed is sent away for his crimes.

A visual fragment from the archive: The thematic resonance of Soldiers of Chance perfectly mirrors the editorial trajectory of our deep dive.

Dir: Paul Scardon

Dorothy Arden is private secretary to Godfrey Lovell, known as the Croesus of Wall Street. His Western partner is Daniel Casselis, who has a daughter named Dorothy. Lovell has a son, Robert, and the two financiers are trying to arrange a match between their children. But Robert falls in love with his father's secretary and marries her, but on returning home to tell dad, he finds that Lovell is ill and has gone on a long sea voyage to recuperate. Bob is sent to Chicago to see Casselis and invite him and his daughter to come on the cruise with Lovell, and Dorothy is greatly distressed at this turn of events. Bob reassures her, however, and still they do not tell his father. Bob meets Miss Casselis on the Limited as she is returning from an Eastern trip and they become friends. Meanwhile, Dorothy has determined to go on the yachting trip, so when the whole party arrive at Frisco Bob finds his wife awaiting them. Many amusing complications occur during the voyage and jealousies are aroused. The yacht anchors off a lonely island in the Pacific and Bob, with the two Dorothys, goes ashore. The yacht is driven out to sea by a terrible storm, leaving the three stranded on the Island of Surprise. Bob is hurt in a terrific landslide and the blow causes him to lose his memory. Dorothy tries in vain to call to mind his marriage to her, and Miss Casselis, thinking Dorothy is merely bluffing, is not to be outdone and claims Bob is her husband. Bob finally settles an uncomfortable situation by telling the women he will simply remain their friend and protector. Meanwhile, the yacht has had to send out a boat for the nearest land, owing to engine trouble, and a man-of-war is met. She is directed to the island, and arrives just in time to drop a shrapnel among a horde of island savages who are attacking the three castaways and just about to annihilate them. Rescued by the navy men, the three castaways are reunited with their party. Bob recovers consciousness and recognizes his wife, and all ends in forgiveness and happiness.

Dir: Paul Scardon

Polly Biggs helps care for her younger brother and sisters, while her widowed mother works hard as a seamstress to earn a living. Mayor Hoadley, Mrs. Biggs' brother, a crooked politician, calls to sympathize with her on the death of her husband, and Polly takes a dislike to him. Within a short time Mrs. Biggs dies and for the sake of appearances, Hoadley and his wife take the children to live with them. Oxmore, a reform candidate, opposes Hoadley's re-election. His son John, an artist, meets Polly and calls on her at the Hoadley mansion, where he saves her from the advances of Hawkins, a ward boss who "has something" on Hoadley. Hawkins threatens to "get" John for his interference, and the threat is heard by Hoadley. Polly and the children are treated so badly that they run away to the poorhouse, which later burns; Polly saves the children, and they wander to a bungalow in the woods, John, who owns the bungalow, finds them there, and permits them to stay all night. During the night Hoadley visits Hawkins and kills him in self-defense, using a cane that John has inadvertently left at his house, when John goes to town he is arrested. Polly and the children are his only alibi, and he cannot tell of Polly's presence. The evidence is strong against him, and if he is convicted his father will lose the election. Polly, who has been sent away by Hoadley, returns in time to straighten matters.