Rare Cinematic Gems Sharing the Atmosphere of The Outsider: Cult Guide

Dir: William C. Dowlan

When noted scientist John Vandam dies in the Orient, he leaves the guardianship of his eighteen-year-old daughter to his old friend Sandy Verrall. Sandy believes that Eliza is a little girl and so prepares for the arrival of a child. Displeased with the situation, Eliza decides to dress and act like a kid so that Sandy will tire of her and send her away. Eliza does everything she can to annoy Sandy, but when she detects that his fiancée Vera is only after his money, Eliza also discovers that she has fallen in love with her guardian. In an effort to expose Vera's avaricious nature, Eliza vamps Sandy's rich Uncle Gregory, whom Vera is also chasing. Sandy then realizes Vera's fickleness and his love for Eliza, and the two marry.

Dir: William C. Dowlan

A visual fragment from the archive: The thematic resonance of Daughter Angele perfectly mirrors the editorial trajectory of our deep dive.

Mary Brenton, daughter of wealthy Anthony Brenton, marries a man her father doesn't approve of, and they become estranged. When she tries to return home, her father refuses to let her in. Her daughter Angele disguises herself as a Belgian war refugee and her grandfather, not knowing who she really is, takes her into his house--and eventually into his heart. However, trouble arises in the form of the Brentons' greedy housemaid, a clandestine German spy ring, and an American agent tracking them.

Dir: William C. Dowlan

Pretty Irish lass Pegeen O'Barry lives in a small fishing village on the cost with her kind but alcoholic father and her vicious stepmother Moll. When her father is killed during a drunken brawl, a stunned Pegeen wanders down to the shore in her grief. She is noticed by Sir Arthur Ormsby, an Englishman who just happens to be sailing his yacht up the coast. He takes a liking to her and before long she's moved into his estate. Things are going along swimmingly until Arthur's wastrel brother Guy shows up.

Dir: William C. Dowlan

A visual fragment from the archive: The thematic resonance of Irish Eyes perfectly mirrors the editorial trajectory of our deep dive.

When, on a prank, shimmy dancer Marcia Meadows visits bookworm Horace Tarbox in his Yale dormitory, Horace falls madly in love and follows her to New York, where they marry. Denounced by his wealthy father, Horace attempts to support Marcia through his writing, but all his manuscripts are rejected, and he is fired from every job. Marcia continues her dancing, and one night, Horace is soundly thrashed while trying to protect her from a fervent admirer. The incident forces Horace to take up athletics, and he is offered a job as a vaudeville trapeze artist. Marcia has a baby and for amusement writes a dictionary of slang. The book is published, Marcia becomes famous, and Horace's father forgives his son.

Dir: William C. Dowlan

Orphan Mary Wade is the ward of a family of farmers who keep her busy with drudgery. When Mr. Jenkins, the head of the household, makes advances to Mary, she flees to the city with her dog Zippy and lands in court for imitating a beggar who pretends to be blind. Harry Disbrow, a young millionaire in court for drunkenness, takes Mary home to his family, who take her in as a servant. Mr. Disbrow, a trust officer, has a partner, Horton, who has been stealing from the firm and who wishes to have his daughter Maud marry Harry to minimize the consequences of his crimes. Desperate to shore up his business, Disbrow demands that Horton reveal the whereabouts of certain securities, which fall out of Horton's pocket during the course of the confrontation. The struggle between the two men is resolved when Mary crashes a vase over Horton's head. Taken to the heart of the Disbrow family, Mary wins Harry's affections as well.

Dir: William C. Dowlan

A visual fragment from the archive: The thematic resonance of The Chorus Girl's Romance perfectly mirrors the editorial trajectory of our deep dive.

Russian Paval Pavlovitch is married to an American woman when a decree is handed down that nationalizes women between the ages of seventeen and thirty-five as common property of the state for the use of its citizens. Passports are refused for Pavlovitch's family. His old servant takes out a certificate claiming Pavlovitch's wife Anna, and the son of the village priest claims Pavlovitch's daughter. Matters appear bleak for the Pavlovitch family, but a troop of American cavalry arrives and battles the Russian mob in the streets of Saratov. The edict is withdrawn and the Pavlovitch family is happy again.

Dir: William C. Dowlan

Judith Wingate has married for wealth, but desires love, while her friend Marion Gregory has married for love, but longs for wealth. Chester Wingate refuses to grant Judith a divorce, even though he is having an affair and Judith has taken wealthy Oliver Sloan for a lover. Marion grows impatient with her husband, inventor Hugh Gregory, who promises her wealth at the completion of his submarine invention for the United States government. Judith invites Marion for a weekend sojourn, with the intention of entrapping Chester with Marion. When Marion rejects Chester's advances, Oliver attempts to win her favor. Judith enters Marion's room hoping to expose her husband, but finds instead her lover in a compromising position. Hugh believes that Marion has been unfaithful, and the success of his invention is little consolation until minister Robert Calvert proves Marion's innocence. Marion returns to the man she married for love with a new appreciation of him, and with a new view of the idle rich.

Dir: William C. Dowlan

A visual fragment from the archive: The thematic resonance of Youth's Endearing Charm perfectly mirrors the editorial trajectory of our deep dive.

Wade Hildreth is sent to New York from London to receive a diamond necklace for Lady Gwendolyn from the jeweler Arabin. A gang of crooks led by Pete Fielding, known as "The Shadow," plans to keep Hildreth from going to Arabin's until they have robbed the store. Actress Morn Light, whom the Shadow loves, agrees to entice Hildreth to her apartment to be imprisoned. When she warns Hildreth because she wants to avenge her father's death, which was caused by the Shadow, the Shadow overhears and captures them both. With large numbers of shoppers in the store, the gang takes the necklace, other valuables, and the customers' possessions. Discredited Detective Tyron follows the gang's getaway boat and arrives with the Marines in time to stop the Shadow, against whom his gang is mutinying, from attacking Morn Light. The gang is captured, the Shadow jumps overboard, and Hildreth returns to England with the necklace and Morn Light, now his bride.

Dir: William C. Dowlan

Hermia Challoner, nicknamed the Madcap, has become so satisfied with luxury that she seeks happiness in danger and excitement. Her friend, Countess Olga Tcherny, introduces her to John Markham, a portrait painter. Although he interests Hermia, she is piqued at his treatment of her. Markham later goes to an isolated island to paint. Hermia, who has a country estate on the mainland, goes aeroplaning and purposely lands on the island. She disables the machine in landing, and Markham, who meets her, tells her that no boat will stop at the island for three days. Olga and others arrive. Meanwhile the aeroplane has been fixed and Hermia flies home. Markham afterwards spends a week-end at Hermia's home. Hidden from sight in a high-backed chair, Hermia overhears Markham tell Olga he starts for Normandy on the morrow. Later Olga tells Hermia she thinks she will take a trip to Normandy, and Olga, who has become rather jealous of Hermia, is surprised and displeased when Hermia tells her that she will accompany her. John Markham goes to Normandy, attired in vagabond clothes, and travels as an itinerant "lightning artist." Hermia is speeding to Trouville, where Olga is staying, and meets with an accident to her auto. She meets Markham and learns what he is doing. She longs with her whole heart to leave her world of sham and become a vagabond also. He finally consents to allow her to accompany him. She purchases a costume and determines to earn her living. She is known as Yvonne Deschamps. Markham passes as Philadin, a lightning portrait artist. Markham, now in love with Hermia, proposes to her in the rose garden at Vallecy, but she laughs and conceals her love for him. In the meantime Olga has made inquiries and is suspicious that possibly Hermia and Markham may have met and are together, so she starts an investigation. Markham and Hermia join a small band of performers and go to the Alencon Fete. While Markham is sketching the villagers at the show and Hermia is playing her instruments outside the tent she sees Olga in the distance, tells Markham and disappears. She knows her reputation will be destroyed if Olga sees her. Olga sees Markham and insists on investigating everything. Although Olga causes much suspense, she doesn't discover Hermia, but is still suspicious and gets her chauffeur to act as a spy. Hermia and Markham, tearful of discovery, leave that night and discover the chauffeur following them. Markham sends him about his business. Then they struggle on through the forest until, exhausted, they discover a hunting lodge. No one seems to be around, so they take possession. The next morning Olga is seen by Hermia and Markham coming toward the lodge. Markham tells Hermia to climb the ladder to the attic and escape through the window. Olga enters, and finding Markham, looks around, but can find no trace of Hermia until she notices the mud on the ladder and feels sure that Hermia is in the attic. She then starts to talk to Markham, inventing tales of the days they have spent together and his vows of constancy. He is too astonished to reply at first and as he is about to do so she fires her gun out of the window. Fearing something awful has happened, Hermia raises the trap door and comes down. Olga is now triumphant. Hermia tells her she has brought down the game and to whistle for the dogs. She tells Olga that she loves Markham and that Markham loves her. When Olga has left Markham takes Hermia in his arms. She if furious at him, and tells him she lied to Olga, that she detests him, and that, now their vagabondia is spoiled, they must part. Their next meeting is in New York at the home of Mrs. Hammond, a social leader, who is giving a party. Private theatricals are to be the feature of the evening. As Hermia enters Olga tells her she hopes she will like the play, as she wrote it herself. Later Hermia is horrified to find the play is a story based on her summer's adventures. Olga spreads the gossip and Hermia, seeing herself the object of scandal, is ashamed and broken hearted. Markham is indignant. Mrs. Hammond, hearing the scandal, questions Markham. He tells her the whole truth and how innocent of wrong Hermia is. Mrs. Hammond is furious at Olga's taking advantage of her hospitality and assures Markham that she will see that the story is denied and that Olga is ostracized from her circle of friends. Markham finds Hermia has left her home and spends weeks trying to find her, all to no avail. Finally, one day he receives a package containing nothing but a tiny bell. He recognizes the bell as being like the ones Hermia wore on her vagabond costume. The postmark is Vallecy and he knows it is a silent message from her, and that she is waiting for him in the rose garden. He hurries with all speed to Vallecy and there finds Hermia in the rose garden where he first told her of his love.

Dir: William C. Dowlan

A feud in the Adirondack Mountains develops when Randolph Shaw will not give up a shack and its acreage adjoining the estate of Lord Cecil Bazelhurst, whose wife, the former Evelyn Banks of Jersey City, married him for his title and now wants to get rid of Randolph's ugly shack. When Randolph meets Cecil's sister Penelope, a romance begins which is furthered after one of the Bazelhurst servants shoots Randolph in the arm for trespassing and Penelope, who earlier had looked upon the feud as a joke, runs away to Randolph's house and accepts his engagement proposal. Cecil and his men pursue Penelope, but are frightened away by Randolph's men and are forced to spend a miserable stormy night in the woods. The next day everyone becomes reconciled when Lady Evelyn realizes that the desired property will now be in the family, and Randolph offers Cecil and his men dry, if ill-fitting, garments to wear.