Rare Cinematic Gems Exploring the Legacy of The Parish Priest: Cult Guide

Dir: Reggie Morris

A fascinating piece of cinema that shares thematic elements.

Dir: Edgar Jones

A visual fragment from the archive: The thematic resonance of In the River perfectly mirrors the editorial trajectory of our deep dive.

A mail-order bride arrives at a Maine lumber camp but doesn't like her prospective husband.

Dir: Joseph Franz

Jerry Jerome, a rich young Wall Street broker, follows doctor's orders and goes West to relieve strain. He stops at the ranch of Jim Yancy, then agrees to be the maid of the farmhouse to earn his keep, because he is attracted to Yancy's daughter Ruth. After a series of stagecoach robberies by a masked man wearing a blue bandanna, Jerry, the new man in town, is suspect. When he finds a blue bandanna in Yancy's barn, he decides to investigate, and discovers that Yancy is an ex-convict being blackmailed into helping with the robberies. Jerry dresses up like the bandit to stop the stage and warn the driver of an intended robbery, but he is arrested himself. He convinces the sheriff to let him out so he can bring in the real thief. Yancy accidentally shoots his former partner Ben Cowan, who confesses to being the stagecoach robber. Jerry and Ruth marry and go to New York.

Dir: Lloyd Ingraham

A visual fragment from the archive: The thematic resonance of The Blue Bandanna perfectly mirrors the editorial trajectory of our deep dive.

While walking along the street one day, Arthur P. Hampton, an impoverished young doctor, and his chums, Stub Masters and Johnny Stokes, are persuaded to part with their last remaining funds by tag day solicitor Mary Jane Smith, with whom the doctor promptly falls in love. Doc's friends then hit upon a get-rich-quick scheme. Knowing that his Uncle George has promised a large sum of money upon his nephew's marriage, they persuade Doc to send out fake wedding invitations naming Mary Jane as the blushing bride. Uncle George, elated at the good news, writes to Mary Jane's aunt, Angelica Burns, an old sweetheart, to invite Mary Jane and Angelica to be his guests on an ocean voyage. Meanwhile, Mary Jane pays a visit to the doctor's office and, upon seeing the wedding invitations, becomes so flustered that she trips and sprains her ankle. Doc comes to her rescue and then begs her to pose as his wife. She agrees, but at ship-side, Stub and Johnnie confess all to Uncle George, who flies into a rage until Doc announces that he and Mary Jane have chosen a wedding at sea.

Dir: Harley Knoles

Jim McDonald, the foreman of a shipbuilding plant and head of the labor union, strives to combat the anarchistic propaganda being put forth by Klimoff, the leader of a Bolshevik gang whose goal is to disrupt the country with strikes and anarchy. Despite McDonald's efforts, a strike is called, resulting in chaos. McDonald's child is knocked down by runaway horses abandoned by their striking driver, and dies. Mob scenes take place in America, as well as in Russia. Eventually, the unrest is quelled with an armistice called between Capital and Labor for a year, during which time wages are to be increased to reflect the cost of living, and leaders are to work out a common plan for their mutual advantage. The strikers now realize that they have been pawns of the Bolsheviks and call off the strike, agreeing to the plan.

Dir: Joseph Franz

A visual fragment from the archive: The thematic resonance of Mary's Ankle perfectly mirrors the editorial trajectory of our deep dive.

Larry Lang has carried the memory of his father's killing by Claude Dutton since his youth and is determined to avenge the crime. The townspeople of the small western border town believe Larry is "plumb locoed" because he employs a rowdy gang of cow punchers for only a few head of cattle. Dutton is ensconced in Bottle Canyon, the neck of which is constantly guarded by his men. When Dutton's henchman Two-Gun Dan fails to capture Larry, Dutton attempts the job himself. Meanwhile, Larry's cousin Dora Lawrence arrives to make her home with Larry who is to be her guardian. Larry's men are absent, and while Mexican bandit Pedro holds Dora, Dutton searches for a large sum of money hidden in Larry's bed. Larry returns and kills Dutton, then a romance develops between Larry and Dora.

Dir: Charley Chase

A young married couple volunteer to take charge of several orphans after the asylum has burned down. Of course they find their hands full with their troublesome charges.

Dir: Maurice Campbell

A visual fragment from the archive: The thematic resonance of The Great Shadow perfectly mirrors the editorial trajectory of our deep dive.

Carver Endicott, a young sophisticate, is rejected by his fiancée for being too foppish and dull. When she feigns an interest in his father, Carver attempts to disgrace his family name by working as a farmhand and later as a busboy in a hotel. However, the newspapers only praise him for his self-sacrificing principles; and finding that he cannot bring shame to the family through menial labor, he takes up with a notorious actress. But when this maneuver also fails, he returns to his former fiancée, who has no further complaint about his being an inexperienced dullard.

Dir: Alexander Butler

In Alberta, Canada, a Cornish emigrant unmasks a rustler posing as the girl's "blind" father.

Dir: Wilfred Lucas

Brian O'Farrell (Snowy Baker), is an English 'new chum' who takes a job at an Australian cattle station. He is teased by station hands because of his appearance (including spats and a monocle) but he soon impresses them with his skills at riding and boxing. The station manager, John MacDonald (Wilfred Lucas), takes O'Farrell to Sydney to meet his daughter Edith (Kathleen Key) who is working in the slums. Edith is kidnapped by criminals after witnessing a crime but O'Farrell rescues her. It is later revealed he is the owner of the station.