The Essential Watchlist that Capture the Essence of The Phantom Rid...

Dir: John Ford

Fellow convicts Cheyenne Harry and Buck Masters become even more bitter enemies when Buck agrees to tamper with the prison's books for the warden's greedy son.

Dir: John Ford

A visual fragment from the archive: The thematic resonance of A Marked Man perfectly mirrors the editorial trajectory of our deep dive.

A mother is convinced her son is a ranch owner when in fact he is an outlaw, and she just saves him from hanging.

Dir: John Ford

A man declined admission to fight in the American Civil War joins a gang of marauders and winds up as a fugitive.

Dir: John Ford

A visual fragment from the archive: The thematic resonance of The Scarlet Drop perfectly mirrors the editorial trajectory of our deep dive.

Cattleman Flint cuts off farmer Sims' water supply. When Sims' son Ted goes for water, one of Flint's men kills him. Cheyenne is sent to finish off Sims, but finding the family at the newly dug grave, he changes sides.

Dir: John Ford

The marshal of a wild Kansas border town is killed in a gunfight in a saloon. His son, Cheyenne Harry, shoots dead two of the killers. Not wanting to lose both her son and her husband to gun violence, Harry's mother gets him to agree never to carry a gun again. However, Harry's rival for the beautiful Conchita, Boone Travis, commits a murder and frames Harry for it. Complications ensue.

Dir: John Ford

A visual fragment from the archive: The thematic resonance of Straight Shooting perfectly mirrors the editorial trajectory of our deep dive.

A ranch foreman battles a rich stockbroker for the affections of a beautiful young woman.

Dir: John Ford

Harry's bride is murdered at their wedding along with Harry's mother and father, and the good-hearted outlaw turns grimly malevolent.

Dir: John Ford

A visual fragment from the archive: The thematic resonance of Bare Fists perfectly mirrors the editorial trajectory of our deep dive.

Jode McWilliams, the foreman of Circle O, is in love with Peg, the daughter of Pa Owens, the owner of the ranch. The trouble is that daddy won't allow! Which does not stop Jode from wanting to marry Peg. He asks Stumpy, the cook, to help him write a love letter to the lady of his heart. The other cowhands find it and, with a view to making fun of Jode, nail it to the door. Two Horns, an Indian, steals it and ... delivers it to Peg. When Jode and his posse, pursuing the facetious redskin, arrive at the Owenses' house, Jode's boss has already found out. A showdown ensues and the young man, who has lost the fight, is made prisoner and held in a room. But he is rescued by his pal Chub and a helpful parson marry the two lovebirds. Away they ride from the reluctant father towards happiness.

Dir: John Ford

An Arizona cattleman defeats the rustlers and the sheriff who is in league with them.

Dir: John Ford

"Cheyenne Harry", owner of the biggest cattle ranch in his corner of the West, is having trouble with John Merritt, a land-grabbing Chicago meat-packer. By some artifice of shrewd legal aid, Merritt manages to seize Harry's ranch under a bogus writ of foreclosure. Failing to get justice by his many letters to Merritt, "Cheyenne Harry" goes East and calls at the millionaire's mansion. At first, Merritt refuses to see him. Then, to cause amusement for his daughter Helen and her guests, he invites the "uncouth" Westerner into his dining hall. He is sure that he will make some grave error in table deportment and afford them all a laugh. To the amazement of Merrit and the guests Harry's table manners are faultless. Then, to trick him into an embarrassing position, Merritt eats with his knife. Harry, realizing that it is proper for the guest to follow the example of the host, does likewise. He leaves the house chagrined but more determined than ever to get justice from Merritt.