Recommendations
Senior Film Conservator

For those who were mesmerized by The Price Mark, a true cult masterpiece from 1917, the quest for comparable cinema becomes a journey through the fringes of film history. Our curated selection of recommendations echoes the very essence of The Price Mark.
The legacy of The Price Mark is built upon its ability to create a hauntingly beautiful cinematic landscape.
After being dishonored by noted artist Fielding Powell, struggling model Paula Lee resigns herself to living as his mistress until a misunderstanding causes their separation. Paula meets and falls in love with Powell's old friend Dr. Melfi, and they marry and are happy until Powell pays a visit to Dr. Melfi and is astonished when Paula is introduced to him as Melfi's wife. His old desires aroused, he forces a promise from her to visit him that night. In his home, he demands that their old relationship be continued as the price of his silence. Paula tries to escape and is struggling with him when Melfi's servant, desiring to avenge his sister's honor, which had been destroyed by Powell, plunges a knife into the artist's heart. Dr. Melfi is summoned and arrives in time to hear Powell confess that he was responsible for Paula's predicament.
The Price Mark was a significant production in United States, bringing a unique perspective to the global stage. It continues to be a top recommendation for anyone studying cult history.
Based on the unique cinematic excellence of The Price Mark, our vault has identified these titles as the most compelling follow-up experiences for fans of cult cinema:
Dir: Roy William Neill
Marcella Duranzo finds it increasingly difficult to support herself and her ailing father on her earnings as a clothing store fashion model, she accepts an assignment from Lois Underwood, the bored wife of millionaire Robert Underwood. For $1,000, Marcella agrees to live in Reno for a time under Lois' name; meanwhile, the restless wife may accompany her lover, Count Louis Le Favri, on a yacht trip and still sue her husband for divorce. Robert, however, visits the fashionable Reno hotel in which Marcella is registered and soon learns the truth. In Reno, Robert's son Bobby becomes seriously ill, and when Marcella nurses him back to health, Robert falls in love with her. Lois, who has found a new lover in Jack Porter, is about to sue Robert, naming Marcella as the co-respondent, when the jealous count, posing as Jack's chauffeur, drives himself, Jack and Lois into an oncoming train. Marcella then consents to marry Robert.
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Dir: Roy William Neill
Upon hearing that her parents have been killed in the war, actress Genevieve Bouchette returns to her native village of Deschon, France, and engages in Red Cross work. The Germans capture the town, and when Genevieve refuses to submit to the amorous demands of one of the soldiers, he orders her branded with the "cross of shame." Her sweetheart, Jean Picard, now a volunteer in the French army, is seriously wounded while attempting to deliver important orders to Col. Bouchier, and Genevieve saves his life by telling his pursuers that he is dead. After delivering the papers herself, Genevieve visits her lover in the hospital, but he fails to recognize her, having lost his memory through shell shock. When Jean sees the cross of shame of Genevieve's breast, however, his memory returns, and the two pledge their troth.
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Dir: Roy William Neill
Heiress and orphaned Alicia Lea, is being forced into a marriage for money, goes to visit her friend Rosa Vargas, who is married to a rich planter in Santiago, Cuba. Rosa's husband Don Luis Vargas is a revolutionary, hostile to the government headed by the president and his brother Don Mariano Calderon, commander of the army. When Alicia visits the fort with the Vargases, the garrison mutinies, and Don Mariano's troops attack. Alicia is captured by Mariano but treated well, and, after she begs Mariano to spare Vargas' life, she is allowed to return to America. Later, in New York, Alicia meets Mariano, exiled from his country for allowing the political prisoners, including Vargas, to escape. Mariano and Alicia fall in love.
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Dir: Roy William Neill
A poor girl determines to right the wrong done to her father, and will let no one stand in her way.
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Dir: Roy William Neill
New bride Winnie Davis wants to buy her husband Elmer a birthday present, but she can't because he insists that all household expenses be charged to him, and she doesn't want him finding out what she's buying him. She decides to make money by using the family car as a taxi, puts on a "chauferette" uniform and soon is attracting many new customers--mostly male. Matters become more complicated when a jealous former suitor of Winnie tries to ruin her husband by putting financial pressure on Elmer so Winnie will come back to him..
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Dir: Roy William Neill
Eileen Rodney believes herself in love with Raymond Moreland, who poses as the leader of an oriental cult, but discovers his duplicity in time to avoid the serious consequences of an elopement. She marries her guardian, John Harland, and is happy until Moreland returns and seeks to reopen the affair under threat of exposure. Moreland is killed, and her husband, as District Attorney, takes charge of the case. Her efforts to recover the love letters she wrote Moreland are nearly her undoing, precipitating an unusually thrilling chain of action.
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Dir: Roy William Neill
Glory Wharton is the granddaughter of Civil War veteran Jed Wharton, who entertains everyone with his war stories, but has a serious drinking problem, which Glory is determined to help him overcome.
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Dir: Roy William Neill
On an ocean liner returning to America, Alison Landis, an actress, avoids paying duty on a valuable pearl necklace by hiding it in the lining of a hat which she sends to Benjamin Staff, a playwright. The necklace is being trailed by a crook who is related to another passenger, Eleanor Searle, who also has a striped hatbox similar to the one recovered by the unsuspecting playwright. The crook bears an uncanny resemblance to Eleanor's father. The two bandboxes are inadvertently switched at the dock. The crook discovers the switch, and pursues Eleanor to a cabin on a deserted island where she fights for her life, but is saved by her father and Benjamin. The crook is killed, the jewels are destroyed, and plans for marriage between Eleanor and Benjamin ensue.
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Dir: Roy William Neill
Rita Hackett's father has unscrupulously gained possession of an old southern mansion. The owner, Randolph Manners, is evicted and takes up residence in the training quarters on the estate. It is there when Rita meets Randolph and learns of her father's deeds. Rita disguises herself as a jockey and enters a a race, determined to help Randolph reclaim what is his.
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Dir: Roy William Neill
Mary Wayne (Constance Talmadge) is left alone and penniless in New York City after her father dies. She desperately needs a job after being thrown out of her apartment for causing a small fire while cooking. At an employment agency she becomes fast friends with a sick girl, Nell Norcross, and assumes her identity and good references to start work as a secretary for elderly socialite Caroline Marshall, which soon involves playing wrangler to the lady's college-dropout nephew William "Bill" Marshall (Vincent Coleman). Bill is much more interested in going to illegal boxing matches with his buddy Peter Stearns (Ned Sparks) than in throwing lavish dinner parties for his family's high-society friends. While Mary tries to do her job and keep her true identity from being discovered, William begins to fall in love with her.
View DetailsAnalysis relative to The Price Mark
| Film Title | Atmosphere | Complexity | Similarity |
|---|---|---|---|
| The Mating of Marcella | Ethereal | Abstract | 88% Match |
| Vive la France! | Surreal | High | 96% Match |
| Something Different | Gothic | High | 92% Match |
| Flare-Up Sal | Gothic | Dense | 91% Match |
| Charge It to Me | Tense | Abstract | 89% Match |
This guide was algorithmically generated using the cinematic metadata of Roy William Neill's archive. Last updated: 6/25/2026.
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