Hand-Picked Alternatives Movies That Echo the Spirit of The Primal ...

Dir: William S. Hart

"Selfish" Yates operates a disreputable saloon on the desert's edge in Arizona. Sisters Mary and Betty Adams, who lost their father crossing the desert, arrive in the town of Thirsty Center and appeal to Yates for help and work. Yates is none too helpful, suggesting dance-hall work for Mary. She refuses, instead taking a menial job assisting Yates' cook. Yates is a hard case, but little by little Mary's influence works a renewal of humanity in him, until at last he finds himself tested by crisis.

Dir: William S. Hart

A visual fragment from the archive: The thematic resonance of The Gun Fighter perfectly mirrors the editorial trajectory of our deep dive.

Cliff Hudspeth, the leader of a band of outlaws in Arizona, has won his place by the killing of notorious gun-bullies. At their headquarters, in the Gila Mountains, in consultation with "Ace High," his lieutenant, he plans depredations on the neighboring settlements. Although Hudspeth is powerful, their rule is disputed by El Salvador, a half-breed, and his following of desperadoes. Desert Pass is the scene of many conflicts between the contending bands. Rumors of the arrival of miners with gold causes El Salvador to send "Cactus" Fuller, his henchman, to levy tribute by a hold-up, which is successful. Flushed with triumph, he boasts in the "Golden Fleece" saloon of the ignominies to which he would treat Cliff Hudspeth if he ever met him. Hudspeth arrives and makes Cactus, whom he throws out of the saloon, realize that something must be done to retrieve a shattered reputation. Coming out of the saloon, Hudspeth sees Norma Wright, a milliner, standing at the door of her little store, and waves her inside, as he anticipates trouble. The shooting commences and Cactus is defeated. As Hudspeth is preparing to leave town Norma denounces him as a cold-blooded murderer. Stung almost to madness by the girl's accusation, he seizes her and gallops out of town. At his retreat he locks the stupefied girl in a room and seeks to drown the memory of her words with whiskey. The whiskey, and his awakened conscience, bring him to review his life, and, half delirious, he sees his victims pass reproachfully before him. The girl, too, becomes aware of the human side of the man and next morning she brings him around to her way of thinking and extracts a pledge that he will never willingly kill another human being. Soon after there comes from a member of the legislature offer of a pardon and restoration to citizenship if Cliff will undertake to rid Arizona of El Salvador. Hearing of Cliff's new appointment, El Salvador is wild with rage, and burns the town and drags Norma away to the mountains. Cliff Hudspeth rescues her and kills El Salvador, although mortally wounded himself. He places the girl on a horse, which bears her to safety, and passes away consoled that his last killing was in her defense.

Dir: William S. Hart

Riddle Gawne seeks revenge on the man who stole his wife and killed his brother. Gawne saves Kathleen Harkness from cattle rustler Bozzam and discovers that Bozzam is the man he seeks.

Dir: William S. Hart

A visual fragment from the archive: The thematic resonance of Riddle Gawne perfectly mirrors the editorial trajectory of our deep dive.

Robert "Bob" Sands a rowdy cowboy, leads his friends in tearing up an Arizona town that has gone distressingly "dry," until members of the Law-and-Order League hog-tie Bob and ship him East on a passenger train. Bob, out for adventure, goes on to New York and becomes the guardian of the wild-tempered Larry Harrington, a millionaire's son. Larry commissions Bob to deliver love letters to waitress Mary Lee, an entanglement forbidden by Harrington, Sr., but Bob falls in love with the girl himself. Mary decides that she prefers cowboys to millionaires, and Bob and Mary wed and return to the West.

Dir: William S. Hart

Bob Wiley had staked out a homestead in New Mexico, five miles from the border town of Lawton's Ridge. Wiley was a pioneer, a veteran of the Spanish-American War, and a devout believer in the superiority of his country to any other land on the face of the globe. He lived in a whitewashed cabin, over which the Stars and Stripes forever waved, with his little son, Bobby, and a faithful Indian, Joe Good-Boy. Wiley had lost his wife in the rough pioneer days. When his boy was yet a baby, he chanced on gold in the bed of a stream that ran through his clearing which gave him another incentive to save all he could and make his boy a rich man. While, however, he was drawing out more gold daily and his bank account in Lawton Ridge was growing steadily, a pair of corrupt local politicians, attracted by the wealth of the find, conspired to rob him of his homestead on a technicality. In this they succeeded and Bob Wiley finds himself dispossessed by the agents of a government he has served in its hour of need. He goes to Washington to prove his claim, gets no redress, and returns to find his land preempted and his little boy dead. His heart is filled with bitterness against his own country and he seeks revenge by joining the bandit forces of Pancho Zapilla who is preparing to raid Lawton's Ridge. Entering the village as a spy he tells the colonel in command of the American troops that Zapilla contemplates a raid on a town several miles distant. This information sends the troops off on a false scent and leaves Lawton's Ridge open to an attack by the bandits. But Wiley gradually awakens to the enormity of his offense and by courage and devotion he saves the town, thwarts the bandits, pledges his allegiance to the flag, and becomes once again a loyal, patriotic American.

Dir: William S. Hart

A visual fragment from the archive: The thematic resonance of Branding Broadway perfectly mirrors the editorial trajectory of our deep dive.

Gambler "On-the-Level" Leigh gives up his profession for his little sister, Alice, whose precarious health demands that she move to the mountains. There, the gambler meets the fiery dance hall girl Coralie whose advances he rejects. His funds exhausted from the expense of the move, Level unwillingly returns to his old profession, but Coralie induces the dealer to "cold deck" Level, and he loses every cent. Out of desperation, Level decides to hold up the passengers of the stagecoach while unknown to him, Black Jack shoots and kills the driver for the express box. Learning of the driver's death, Level surrenders himself to the law and is jailed. Escaping from his cell, Level discovers Black Jack uncovering the express box and arrests him. Level returns to town with the real murderer, is cleared of all charges and is reunited with his sweetheart, Rose Larkin.

Dir: William S. Hart

"Lady Fingers" Hilgard is the black sheep of a fine English family. He runs a dance hall at Lumber Cove and Babette is his favorite. But Babette turns her affections to Blue Blazes Rawden when he leads his men into the Cove for a spree, and Hilgard taunts him into a duel, the winner to take the money, the resort and the girl. Hilgard is killed, but Babette finds Rawden's gun has not been discharged and fires one shot, persuading Rawden that he shot in self-defense. Hilgard's mother and younger brother come to camp and the old lady shows a motherly affection for the man she believes to have been her boy's pal, but Babette, scorned, tells the brother Rawden killed "Lady Fingers," and unable to deny, Blue Blazes again hits the trail alone, in spite of Babette's frenzied entreaties.

Dir: William S. Hart

A visual fragment from the archive: The thematic resonance of The Patriot perfectly mirrors the editorial trajectory of our deep dive.

Hawk Parsons and his gang of ruthless outlaws escape from jail and ride far into the New Mexican desert, where they discover a band of emigrants stranded without water. Hawk is so smitten with Ruth Ingram, the wife of the Rev. Luke Ingram, that he agrees to lead the wagon train to safety, but on the way, the party is attacked by Indians. In the distance, Hawk sees U.S. cavalry troops on horseback, but because several members of the posse assigned to track him down are included in the band, he hesitates to send them a distress signal. Finally, Hawk allows the travelers to send their message on the condition that he may leave with Ruth, and as the wagon train is rescued, he reaches his mountain lair with the woman he loves. When Ruth attempts suicide, Hawk then realizes his selfishness, and after returning her to her husband, he turns himself over to the sheriff.

Dir: William S. Hart

Tom "Wolf" Lowry, the owner of the Bar Z ranch, tolerates no intruders into his life. When he hears that settlers have entered his valley, he goes to confront them but has a change of heart when he sees Mary Davis, a young woman who has come West to find her missing sweetheart, Owen Thorpe. Mary nurses Lowry back to health after he is wounded by Buck Fanning, the real estate agent who sold Mary her claim, when Lowry prevents Banning from raping Mary. Lowry soon falls in love with Mary and she agrees to become his wife, having lost all hope of finding her former sweetheart. By coincidence, Lowry finds Owen, but when Owen and Mary meet and plan to run away together, Lowry insists that she honor her agreement to wed him. On the day of the wedding, however, Lowry has a change of heart and takes Owen and Mary to the minister and tells him to marry the two lovers instead. Lowry then leaves Mary a note saying that he is going to Alaska. Five years later, Mary and Owen are the parents of a young son, named Tom, and the recipients of a letter from Lowry who now lives in isolation in Alaska.

Dir: William S. Hart

Prospector Jim Alton stumbles upon a dying woman, while traveling across the desert, she implores him to care for her little boy Joey. Jim takes the boy to town, where he encounters Joey's brutal father, Razor Joe, and falls in love with Jennie, a young girl whose father is dying. After running Joe out of town, Jim settles down to make a home for Joey. Jim rides to the neighboring town to bring back Dr. Howard after Jennie's father takes a turn for the worse. Soon after, the old man dies and the doctor convinces Jennie to return to his home and marry him. Upon discovering that the doctor already has a wife in New York, Jennie leaves him, but, too proud to go home, accepts a position in a dance hall. Meanwhile, Razor Joe and his gang kidnap Joey. Jim follows, confronts them with his guns drawn, and rescues the boy. All ends well as Jim and Jennie are reunited and, together with Joey, begin life anew as a family.