The Global Archive For Devotees of The Prince of Broadway: Cult Guide

Dir: Bruno Ziener

A fascinating piece of cinema that shares thematic elements.

Dir: Colin Campbell

Zora, a girl of French origin, is raised by a wealthy Bedouin family after her mother Valerie dies while eloping with another man. Zora feels such great longing for the French artist Adrien that she accepts the offer of another artist, Raoul, to take her to Paris with the stipulation that if Adrien rejects her, she must give herself to him. Jan, the chieftain's son who is in love with Zora, follows the two to Paris. There Zora realizes that Adrien does not love her and discovers her real love for Jan. However, she feels bound to honor her pact with Raoul and is about to succumb to his advances when her father appears and recognizes Raoul as the man who destroyed his home years earlier. In the ensuing fight between the two men, Raoul is killed, thus freeing Zora to accept Jan's love.

A visual fragment from the archive: The thematic resonance of Moon Madness perfectly mirrors the editorial trajectory of our deep dive.

Dir: Maurice Elvey

A lady marries a horse trainer but withholds herself until her crippled brother is cured.

Dir: John Gorman

Young Jim leaves his small town for life in the big city. It's not long before he's living the "high life" with fancy friends and partying. When Jim's brother and his wife are killed in a storm, Jim's girlfriend Molly brings Goldenlocks, the couple's young daughter, to the city to live with Jim. However, Jim is having way too much fun to bother looking after a child. and his neglect results in her becoming seriously ill. Complications ensue.

A visual fragment from the archive: The thematic resonance of The Hundredth Chance perfectly mirrors the editorial trajectory of our deep dive.

Dir: William Parke

Bruce Wendell, the son of West Virginia coal mine owner James Wendell, graduates from West Point and prepares to lead a fighting unit to the front during World War I. As his father lies dying, however, he convinces Bruce to remain at home and guard the mine. Bruce's fiancée Ann Blair assumes that he is a coward and breaks off their engagement, but her brother Bobbie remains Bruce's loyal friend. Meyer, a German agent, persuades railroad president Parrish to refuse to transport Wendell's coal, but when Bruce adamantly refuses to close the mine, the spy's men decide to blow it up. While Ann is being abducted by Meyer, Bobbie is buried in an explosion at the mine. Bruce rescues Bobbie and then sends a plea to Lieutenant Parrish to rescue Ann. Meyer and his gang are captured and Ann renews her vow of love to Bruce.

Dir: Tod Browning

Achmet Bey, a Turkish chieftain, catches one of his many wives in adultery and murders her lover. Throwing aside the cuckolding wife, he abducts his harem an innocent girl. However, a brave American who loves her comes to her rescue.

A visual fragment from the archive: The thematic resonance of The Soul of a Child perfectly mirrors the editorial trajectory of our deep dive.

Dir: Harley Knoles

Jim McDonald, the foreman of a shipbuilding plant and head of the labor union, strives to combat the anarchistic propaganda being put forth by Klimoff, the leader of a Bolshevik gang whose goal is to disrupt the country with strikes and anarchy. Despite McDonald's efforts, a strike is called, resulting in chaos. McDonald's child is knocked down by runaway horses abandoned by their striking driver, and dies. Mob scenes take place in America, as well as in Russia. Eventually, the unrest is quelled with an armistice called between Capital and Labor for a year, during which time wages are to be increased to reflect the cost of living, and leaders are to work out a common plan for their mutual advantage. The strikers now realize that they have been pawns of the Bolsheviks and call off the strike, agreeing to the plan.

Dir: John Gorman

Becoming pregnant after an affair with her boss's son, Philip Montrose, Grace visits abortionist Dr. Robert Lynn. When the doctor's wife discovers that Grace is her own child whom she had left with her sister-in-law years earlier, Mrs. Lynn takes the girl to Mr. Montrose to expose the perfidy of his son. His father compels Philip to marry Grace, but their marriage is an unhappy one and in a fit of rage one day Philip strikes his wife. Thinking that he has killed her, he flees, but Grace physically recovers although her mind remains deranged. All efforts to restore her sanity are to no avail until the repentant husband returns and takes her in his arms. Meanwhile, Dr. Lynn takes poison after the nature of his practice is exposed.

A visual fragment from the archive: The thematic resonance of The Key to Power perfectly mirrors the editorial trajectory of our deep dive.

Dir: Robert N. Bradbury

A simple country girl, brutally mistreated by her stepfather, awakens first the sympathy, then the love, of The Boy. The Spider, who lusts after The Girl, makes a bargain with the stepfather and takes her to the city where, kept prisoner, she is soon broken in health and spirit. Cast out and near death, she is taken in by The Boy. Following the demise of The Spider, The Boy takes her to church, where he prays, and after many hours she is restored to health.

Dir: John Gorman

An injured little girl is taken in by a tribe of Gypsies. When she is a grown beauty, she is caught between the love of a man and the Gypsy chief.