Visionary Picks In Alignment with the style of The Range Raiders: Cult Guide

Dir: Charles Horan

While working as a flower girl in Devlin Maddox's nightclub, Nellie Vaughan meets wealthy young Pelton Van Teel and falls in love. Maddox, desirous of using Nellie to blackmail Van Teel, spreads a rumor that she is his mistress. This makes Nellie uncomfortable, and she demands that Van Teel marry her immediately, to which he agrees. Meanwhile, Van Teel has been losing money gambling to Maddox, who threatens to break up the marriage by producing a worthless check that the young husband has written. Venturing to Maddox's apartment for a showdown, Nellie pulls a gun and demands the check, accidentally shooting Maddox when he throws a lamp at her. Maddox plans to charge Nellie with assault, but when the police arrive, his butler, actually a detective employed by the elder Van Teel, exposes Maddox, who is then arrested, clearing the path for the couple's happiness.

Dir: Alexander Butler

A visual fragment from the archive: The thematic resonance of The Night Riders perfectly mirrors the editorial trajectory of our deep dive.

In Alberta, Canada, a Cornish emigrant unmasks a rustler posing as the girl's "blind" father.

Dir: Paul Hurst

Episode 1: "The Jackaroo" Maud Norman, the owner of the G Block Station, an Australian sheep run, points out to her manager, Glover, that her flocks have been seriously ravaged by the continued droughts of the past year. But her financial difficulties are somewhat lessened by the arrival of Jack Tabourdin, whose father sends Maud a check for one hundred pounds in payment for taking his son on as a "jackaroo" or apprentice on the sheep run. The following April when a payment of 500 pounds is due on the purchase of the sheep station, and Maud, foreseeing that, she will be unable to meet the payment, advertises for sale her favorite horse, Polly. Stingaree, the gentleman bushranger, and his partner, Howie, read this advertisement, and Stingaree decides that he must have Polly. Tabourdin, the jackaroo, overhears Maud and Glover discussing the sale of Polly. He remembers a handbill advertising 500 pounds reward for the capture of the bushranger, Stingaree. He wonders if he could spare Maud the loss of her favorite horse by capturing the outlaw. He receives an opportunity to do so, when, during the absence of Maud and Glover, Stingaree and Howie arrive at the station to get the horse. He fires at them as they are entering the stable. They run away, but by a subterfuge they make the jackaroo a prisoner. They take him to their camp, and are overjoyed to find that the jackaroo pursued them on the horse they had sought. In camp the jackaroo tells Stingaree the reason for his attempt to capture the bushranger. Stingaree, always too chivalrous to see a woman in trouble, proposes a plan to Howie and sends him away to the Kangaroo Hotel at Topanga. Then, feigning carelessness, he allows the jackaroo to make him a prisoner and take him to the troopers' quarters at Topanga, where Stingaree is locked up, and the jackaroo departs with his 500 pounds reward. Howie bursts into the Kangaroo Hotel at Topanga and holds up the bar. There is a trooper present, and Howie allows him to sneak away to give the alarm to the other troopers. The troopers rush away from the barracks, leaving only one man to guard Stingaree. Arriving at the hotel, they see what is apparently Howie riding away. They give pursuit and overtake the horse, only to find it is carrying only a dummy of straw, which Howie has rigged up for the occasion. Howie hurries to the barracks, where he overpowers the one trooper left in charge of Stingaree, and helps his partner to escape. Stingaree and Howie ride back to their old haunts, while the jackaroo returns to the G Block Station and persuades Maud to accept the 500 pounds as a loan to pay off the note on the sheep run.

Dir: Harley Knoles

A visual fragment from the archive: The thematic resonance of The Further Adventures of Stingaree perfectly mirrors the editorial trajectory of our deep dive.

Jim McDonald, the foreman of a shipbuilding plant and head of the labor union, strives to combat the anarchistic propaganda being put forth by Klimoff, the leader of a Bolshevik gang whose goal is to disrupt the country with strikes and anarchy. Despite McDonald's efforts, a strike is called, resulting in chaos. McDonald's child is knocked down by runaway horses abandoned by their striking driver, and dies. Mob scenes take place in America, as well as in Russia. Eventually, the unrest is quelled with an armistice called between Capital and Labor for a year, during which time wages are to be increased to reflect the cost of living, and leaders are to work out a common plan for their mutual advantage. The strikers now realize that they have been pawns of the Bolsheviks and call off the strike, agreeing to the plan.

Dir: Paul Hurst

A fascinating piece of cinema that shares thematic elements.

Dir: Edward LeSaint

A visual fragment from the archive: The thematic resonance of The Great Shadow perfectly mirrors the editorial trajectory of our deep dive.

When famous opera singer Elinore Duane undergoes an operation on her throat, she has a series of ether-induced visions. In one, she is transported to ancient Rome where she appears as a much-admired woman in love with Paul, a young heretic, and at odds with Lutor, the high priest. To save her love, she poisons Lutor with her ring. After several other visions which involve variations on this love triangle, Elinore awakens to discover that Lutor is actually her doctor, Sascha Jaccard, and that Paul is the son of a friend who has come to visit the recovering prima donna.

Dir: Paul Hurst

Two prospectors, one the father of Skye "Lightning" Bryce and the other the father of Kate Arnold, find a large gold deposit belonging to an Indian tribe. They head for home but each sends a note to their respective off-springs advising them of their good fortune. One of the fathers conceives a plan of taking a dagger and wrapping a piece of string around the blade, after which he prints on the string with a lead pencil, the exact location of their find. If something happens to them, the string goes to the son and the knife to the daughter. That night an Indian approaches their camp and blows some mysterious wolf powder which causes a man to see wolves in place of human beings. Lightning's father see his partner as a wolf and stabs him to death; later he is brought into town in a dying condition but before dying, hands the knife and the string over to the sheriff with instructions to deliver to Lightning and Kate. The sheriff also informs Kate that Lightning's father killed her father, and she immediately turns against Lightning. "Powder" Solvang also knows the story behind the knife and the string, and is determined to gain possession of both, even to the extent of making Kate his prisoner in an opium den in Chinatown.

Dir: Eduardo Notari

A visual fragment from the archive: The thematic resonance of The Woman in the Web perfectly mirrors the editorial trajectory of our deep dive.

A crime drama in the Gennariello-series. The police detective in Naples that is confronted with modern gangsters and crime events.

Dir: Bruno Ziener

A fascinating piece of cinema that shares thematic elements.

Dir: Paul Hurst

Episode 1: "The Lumber Pirates" "Dollar" Holmes, so called because of his greed for money and power, is a small timberland owner in a region where both the trust and a tribe of Klamath Indians hold similar lands. He is under contract to the combine to deliver to it 10,000,000 feet of timber by a specified date. It is a rich deal. His wife is about to become a mother, and Holmes has set his heart fiercely on a boy to inherit the fortune he means to pile up. A forest fire sweeps away half of Holmes' standing timber. Greer, president of the trust, learning of this, writes a sneering letter hinting at Holmes' ruin unless he fulfills his contract on time. This he cannot do unless he obtains possession of the Indian lands adjoining his. Sleepy Dog, chief of the tribe, refuses to sell. Holmes' wife gives birth to a daughter, and he in a wild rage of double disappointment curses her and the babe, and rushes out of the cabin into the deep woods. He comes upon Dill, a bootlegger, surreptitiously selling whiskey to his loggers. Holmes promises to forebear punishing him if he will go into the Indian camp, from which Sleepy Dog is absent on a trip, and sell his stuff to the savages. The Klamaths are made drunk, and when they demand more whiskey Holmes offers them $100 apiece if they will deed their timber lands to him. They do so, and Holmes wires Greer that he will fulfill his contract; also that with acquisition of the Indian lands he has obtained exclusive right to use of the region's one river for log-floating purposes, thus cutting off the trust's lands from the market. The trust capitulates and accepts Holmes' terms, by which he is given a heavy interest in the combine and made a director. Sleepy Dog returns. Holmes quarrels with him, murders him and throws his body over a cliff. The crime is witnessed by Holmes' wife, a fact which he discovers. In terror of her life, the woman flees the cabin, carrying her infant in her arms. In trying to reach the farther bank of the river over a jam of logs she is hurled into the stream when a blast of dynamite blows up the king-log, and is whirled away in the current, clinging to a log and holding the babe in her arms.