Rare Cinematic Gems Exploring the Legacy of The Return of Draw Egan: Cult Guide

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Ashley Hampdon, a Wall Street financier, has a daughter named Lina. Gregg Lewiston wants to marry the girl. The father tells him that the girl can please herself. As he does not seem to progress in his love-making, Lewiston puts through a scheme to ruin Hampdon in the market, so that the father will bring pressure to bear on his daughter to marry the suitor as he has lots of money. Hampdon is distracted by his losses. While aimlessly looking over his papers Hampdon comes across a little note signed by a western mining man, Bot White. It is an offer from White to assist Hampdon at any time and in any place, physically or financially. Hampdon had once befriended White and as he would not take anything else in return, White gave him the written offer. Hampdon sends a message to White to come to New York at once. When White appears, Hampdon tells him of his suspicion, that Lewiston injured him through an accomplice who had given him a wrong tip. Lina takes offense at a conversation she hears between Lewiston and White and tells White that she objects to him. He is put up at a club by Hampdon. There Lewiston sends Rankin (the same broker that he used to ruin Lewiston) to White with a tip on the market. White sends for detectives. They connect White's room with that of Lewiston's on a floor above by means of a wire and with the aid of a Dictaphone they overhear Lewiston and Rankin concocting a scheme to ruin White as a friend of Lewiston and a possible rival to Lina's hand. White and Hampdon use this information to make a fortune much to the discomfiture of Lewiston. As his treachery is now revealed, Lewiston is unable to win Lina. He goes to the club and insults White by saying in a loud tone of voice that this is the first case he has known of a man trying to buy a girl. White wants him to fight, but Lewiston excuses himself by remarking that it is a gentlemen's club. Finally Lewiston strikes White for calling him a coward, but spectators separate the men. Lewiston goes to his uptown home and White follows him. There is a fight and White gets the best of it till Lewiston hits White over the head with a bronze vase. Just then John Worth, who is a friend of White's and is half crazed from losses due to the villainy of Lewiston, appears at a window and shoots Lewiston in the arm. White having accomplished his mission, goes to bid his friend, Ashley Hampdon, good-bye. Lina has come to admire White for his loyalty to her father and for his efficiency. He does not seem to understand the change in her and bids her farewell. She, however, gets her father to take her on the same train on which White goes. They meet on the platform of the observation car where the misunderstanding is cleared.

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Jim Houston, the "Shootin' Iron" Parson, comes to Barren Gulch to reform the morals of the frontier community. He receives the support of "Birdshot" Bivens, the sheriff of the county. Jim's wife, Mary, however, is a weak character. She falls a prey to the seduction of Dr. Hardy, the village gambler and saloon keeper, and elopes with him. Jim Houston, forsaking the ministry, goes to the mountains and cares for his child in a log cabin home. Later the child falls very ill. Mary, in a mountain storm, comes unwittingly to their door. Dr. Hardy is sent for as the only physician in the district. He ministers to the child and confronts Houston, who intends to kill him. Mary is asked to make her choice between Houston and Dr. Hardy. She points towards the child and goes to its bedside. Houston forgives his wife and instead of killing Hardy permits him to go unharmed.

A visual fragment from the archive: The thematic resonance of The Disciple perfectly mirrors the editorial trajectory of our deep dive.

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Hawk Parsons and his gang of ruthless outlaws escape from jail and ride far into the New Mexican desert, where they discover a band of emigrants stranded without water. Hawk is so smitten with Ruth Ingram, the wife of the Rev. Luke Ingram, that he agrees to lead the wagon train to safety, but on the way, the party is attacked by Indians. In the distance, Hawk sees U.S. cavalry troops on horseback, but because several members of the posse assigned to track him down are included in the band, he hesitates to send them a distress signal. Finally, Hawk allows the travelers to send their message on the condition that he may leave with Ruth, and as the wagon train is rescued, he reaches his mountain lair with the woman he loves. When Ruth attempts suicide, Hawk then realizes his selfishness, and after returning her to her husband, he turns himself over to the sheriff.

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Yukon Ed has asked saloon owner Ruby McGraw to marry him several times, and has been turned down each time. She falls for Jack Sturgess, a no-account who has seduced and abandoned a poor young girl and is escaping from his father's anger. She takes up with Jack to Ed's dismay, and soon the thing that Ed feared would happen does happen.

A visual fragment from the archive: The thematic resonance of The Tiger Man perfectly mirrors the editorial trajectory of our deep dive.

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Angus McConnell is factor of the outpost of the Hudson Bay Company which is dignified by the name of Fort Lu Cerne. The summer has been disastrous for the trappers, and they are deeply in the company's debt for provision. Angus keeps account of what they owe in a little book, and one night this precious book disappears. Angus vows all manner of vengeance on the culprit who has taken it. He keeps close watch on the office, and at last he beholds Lois Le Moyne, belle of the outpost, rummaging about his desk. Unknown to him, she has come to make him a gift of a beautiful pair of moccasins, made with her own fair hands, so he concludes she is the thief, and has her thrown into the goal. Then Richard Sylvester, the company inspector, comes to Fort Lu Cerne on the rounds. He sees Lois, falls in love with her, and has her released. On his promise that he will have Angus dismissed as factor and himself appointed, she agrees to wed him. This he accomplishes, and Angus takes to the trail alone. But before the wedding can take place an epidemic of sickness breaks out, and in terror the cowardly Sylvester flees with his bodyguard. Angus, who has heard that the Blackfeet Indians are about to descend on the outpost to demand a white person to be sacrificed as an offering to the god who has brought down the plague, happily returns at this time and resumes the reins of authority. The Indian attack takes place, and after a thrilling fight, in which the whites are greatly outnumbered, Angus goes forth to offer himself as the victim. He is miraculously saved, however, and returns to the fort. But he finds that all the garrison have gone save Lois; and with these two great enemies along in a terrible situation there comes about a great finish to a remarkable film. -- Moving Picture World, June 3, 1916.

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Shark Monroe is the captain of a sealing vessel in Alaskan waters. He takes on Marjorie Hilton and her brother Webster as working passengers when they are left stranded. Though a tough, hard-bitten man, Monroe finds himself mellowing under the influence of Marjorie. He protects her from the unclean desires of the white slaver Big Baxter, and ultimately Marjorie sees the decent man behind Monroe's coarse exterior.

A visual fragment from the archive: The thematic resonance of The Darkening Trail perfectly mirrors the editorial trajectory of our deep dive.

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"Selfish" Yates operates a disreputable saloon on the desert's edge in Arizona. Sisters Mary and Betty Adams, who lost their father crossing the desert, arrive in the town of Thirsty Center and appeal to Yates for help and work. Yates is none too helpful, suggesting dance-hall work for Mary. She refuses, instead taking a menial job assisting Yates' cook. Yates is a hard case, but little by little Mary's influence works a renewal of humanity in him, until at last he finds himself tested by crisis.

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Tom "Wolf" Lowry, the owner of the Bar Z ranch, tolerates no intruders into his life. When he hears that settlers have entered his valley, he goes to confront them but has a change of heart when he sees Mary Davis, a young woman who has come West to find her missing sweetheart, Owen Thorpe. Mary nurses Lowry back to health after he is wounded by Buck Fanning, the real estate agent who sold Mary her claim, when Lowry prevents Banning from raping Mary. Lowry soon falls in love with Mary and she agrees to become his wife, having lost all hope of finding her former sweetheart. By coincidence, Lowry finds Owen, but when Owen and Mary meet and plan to run away together, Lowry insists that she honor her agreement to wed him. On the day of the wedding, however, Lowry has a change of heart and takes Owen and Mary to the minister and tells him to marry the two lovers instead. Lowry then leaves Mary a note saying that he is going to Alaska. Five years later, Mary and Owen are the parents of a young son, named Tom, and the recipients of a letter from Lowry who now lives in isolation in Alaska.

A visual fragment from the archive: The thematic resonance of The Primal Lure perfectly mirrors the editorial trajectory of our deep dive.

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Van Dyke Tarleton is an artist. He is absorbed body and soul in his latest creation, "Lucifer, Son of the Morning," but lacks a model to depict the brooding evil, the smoldering, sardonic sin that he has visualized in the spirit's face. Naomi Tarleton, his wife, is a beautiful and gentle creature. Tarleton has an attack which necessitates a sojourn in the desert, and he, with his wife, arrive in Tophet, an Arizona border town, where "Bowie Blake," bad man, witnesses their arrival. Tarleton recognizes in Blake a Lucifer in the flesh, and insists that "Bowie" become his model. His demand is refused. Later Blake becomes enthralled when he sees Naomi. Tarleton witnesses the meeting from a window and determines that his wife shall accomplish what he has failed to do. He sends her to the gambler, telling her to beg Blake to come. She does this, and Blake becomes the model. Tarleton insults his wife continually in Blake's presence to prevent the brooding evil, sardonic hardness, and the grim deadliness in the eyes and face of his model from disappearing. One day Tarleton faints at the canvas and the doctor advises that he be taken to the mountains. The three find an ideal camp, and the painting goes on, Tarleton insulting his wife more and more, until Blake decides to leave them, as he can stand it no more. He hesitates on the road, not willing to leave Naomi alone with Tarleton, and eventually returns to find that "Red" Gleason and Jose Ramirez, two outlaws, have killed the painter and are drawing cards to see who shall possess the woman. He kills them both, and takes Naomi to a cave farther in the mountains. Through an injury, Naomi loses her mind. Blake treats her as a child, until her mind becomes clear. He then tells her that he intends to have her as his own. Naomi exerts her influence, and he fights his battle, and wins over himself, upon which he agrees to take her back to town. They stand where the trail leads to the desert town. She holds her hand out to him: "What can I say?" she cries plaintively; "What is there for you and me to say to each other?" Bowie remarks: "I'm sayin' just this: some day I'm comin' after you." She looks at him and answers softly: "Yes, I think you will do that, but I make no promise, there are things to be done, that time and striving will do. It is in your hands, Bowie." "That's all I ask," he answers. "I'm takin' that chance."

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Bob Wiley had staked out a homestead in New Mexico, five miles from the border town of Lawton's Ridge. Wiley was a pioneer, a veteran of the Spanish-American War, and a devout believer in the superiority of his country to any other land on the face of the globe. He lived in a whitewashed cabin, over which the Stars and Stripes forever waved, with his little son, Bobby, and a faithful Indian, Joe Good-Boy. Wiley had lost his wife in the rough pioneer days. When his boy was yet a baby, he chanced on gold in the bed of a stream that ran through his clearing which gave him another incentive to save all he could and make his boy a rich man. While, however, he was drawing out more gold daily and his bank account in Lawton Ridge was growing steadily, a pair of corrupt local politicians, attracted by the wealth of the find, conspired to rob him of his homestead on a technicality. In this they succeeded and Bob Wiley finds himself dispossessed by the agents of a government he has served in its hour of need. He goes to Washington to prove his claim, gets no redress, and returns to find his land preempted and his little boy dead. His heart is filled with bitterness against his own country and he seeks revenge by joining the bandit forces of Pancho Zapilla who is preparing to raid Lawton's Ridge. Entering the village as a spy he tells the colonel in command of the American troops that Zapilla contemplates a raid on a town several miles distant. This information sends the troops off on a false scent and leaves Lawton's Ridge open to an attack by the bandits. But Wiley gradually awakens to the enormity of his offense and by courage and devotion he saves the town, thwarts the bandits, pledges his allegiance to the flag, and becomes once again a loyal, patriotic American.