Must-Watch List Comparable to the Style of The Shannons of Broadway...

Dir: Emmett J. Flynn

In a prologue, the evolution of banditry from the road agent to the modern automobile bandit is depicted. In the main story, Marian Calvert, traveling along the California coast with her uncle and his family to a weekend party, becomes infatuated with the infamous Lincoln Highwayman when he robs them of their jewelry and leaves in his high powered auto. At the party, when late arrival Jimmy Clunder drops one of the stolen jewels, Marian's suspicions are aroused even though he explains he found it on the road. Steele, a secret service man at the party, who is in love with Marian, vows to capture the criminal, while the Governor of California appoints Captain Claver from the Sacramento police and his assistant to catch him. When Jimmy, with the help of his very intelligent dog Spike, holds up Steele and Marian to prove Steele's incompetence, Marian, convinced that Jimmy is the thief, falls more in love with him. After Jimmy, masquerading as a paymaster of a copper mine, captures the real thieves, the policemen, he wins a reward and Marian's love.

Dir: Emmett J. Flynn

A visual fragment from the archive: The thematic resonance of Eastward Ho! perfectly mirrors the editorial trajectory of our deep dive.

When a group of Arizona ranchers discover that an Eastern syndicate has cheated them out of options on their cattle, they send Buck Lindsay to New York to straighten things out. He confronts syndicate head Casper Whitford, who it turns out didn't know about the swindle, and he tries to help Buck nail the chief perpetrator of the swindle, Clarendon Bromfield. Things get complicated, however, when Buck falls in love with Whitford's daughter Beatrice, but a misunderstanding results in Beatrice accepting a marriage proposal from Bromfield, who then joins with his colleague, gangster Jerry Durand, to frame Buck for a murder he didn't commit.

Dir: Emmett J. Flynn

Successful Parisian dancer Yvonne Halbert grows tired of the overwatchfulness of her aunt and runs away to America. Disguised and hiding out in the steerage of a boat, Yvonne meets violinist Luigi. She dances to Luigi's accompaniment in a Greenwich Village cabaret, where she is discovered by David Marston, the producer who had negotiated to bring the famous Yvonne to America. Marston signs the supposed unknown performer and intends to bill her under the name of Yvonne, whom he believes has broken her contract with him. Apache dancer Cecile claims to be the real Yvonne, but matters are straightened out with the arrival of Aunt Marie. Yvonne marries Lawrence Bartlett, the author of the play that features her in America.

Dir: Vernon Stallings

A visual fragment from the archive: The thematic resonance of Yvonne from Paris perfectly mirrors the editorial trajectory of our deep dive.

Krazy Kat is held in jail and Ignatz finally bails him out after encountering "guilt".

Dir: Emmett J. Flynn

A fascinating piece of cinema that shares thematic elements.

Dir: Reggie Morris

A visual fragment from the archive: The thematic resonance of The Great Cheese Robbery perfectly mirrors the editorial trajectory of our deep dive.

A fascinating piece of cinema that shares thematic elements.

Dir: Hal Roach

An American book salesman (Lloyd) is persuaded to go to the kingdom of Thermosa to impersonate the Prince. He is greeted by a peasants' revolt before the real prince shows up to claim his throne and princess. The revolution succeeds, and the American is elected president of the new republic.

Dir: Malcolm St. Clair

A visual fragment from the archive: The thematic resonance of The Bondage of Barbara perfectly mirrors the editorial trajectory of our deep dive.

A dancing instructor gets involved with a newly rich family.

Dir: Emmett J. Flynn

When Mary O'Rourke leaves Ireland to visit her cousin Norah in New York, she finds that Norah and her baby have been deserted by her husband, John Stuyvesant. Mary goes to the Stuyvesants' aristocratic home, where Mrs. Stuyvesant, an invalid, mistakes her for her son's wife. Warned that the woman could die from shock, Mary reluctantly assumes the role of daughter-in-law and nurses her back to health. Meanwhile, John and his cousin Fred return from a trip, and Genevieve Harbison, John's fiancée, demands that they get married the following day to prove that he is not married already. At the church, Mary produces Norah's marriage certificate, which John notices is for "John Frederick," Fred's real name. Fred then explains that his inheritance requires that he not be married until the next day. Genevieve angrily leaves after John agrees to play Fred's role, but when Fred sees Norah, he acknowledges the marriage. Mary then confuses Fred's trustee with Irish blarney and wins the legacy for Fred. She then accepts John's proposal.

Dir: Emmett J. Flynn

An abused wife is cast out into the street by her uncaring husband. Rescued by a gang of down-and-out patrons of the "End of the Trail" mission, Dawn soon falls for a dapper mission benefactor who is also a high-end burglar.