Must-Watch List Comparable to the Style of The Shannons of Broadway: Cult Guide

Dir: Unknown Director

The Judge needs a present for his wife's birthday, so Harry suggests a new corset. They go to the shop, but he's so embarrassed to ask the saleslady he hides in a phone booth.Harry goes in, but finds a GUY wearing one, and runs out.They both dress as women to get back in, but Mrs. Rummy gets there and chases him out.

Dir: Emmett J. Flynn

A visual fragment from the archive: The thematic resonance of Yvonne from Paris perfectly mirrors the editorial trajectory of our deep dive.

Successful Parisian dancer Yvonne Halbert grows tired of the overwatchfulness of her aunt and runs away to America. Disguised and hiding out in the steerage of a boat, Yvonne meets violinist Luigi. She dances to Luigi's accompaniment in a Greenwich Village cabaret, where she is discovered by David Marston, the producer who had negotiated to bring the famous Yvonne to America. Marston signs the supposed unknown performer and intends to bill her under the name of Yvonne, whom he believes has broken her contract with him. Apache dancer Cecile claims to be the real Yvonne, but matters are straightened out with the arrival of Aunt Marie. Yvonne marries Lawrence Bartlett, the author of the play that features her in America.

Dir: Vernon Stallings

Krazy Kat is held in jail and Ignatz finally bails him out after encountering "guilt".

Dir: Jerome Storm

A visual fragment from the archive: The thematic resonance of The Great Cheese Robbery perfectly mirrors the editorial trajectory of our deep dive.

Ne'er-do-well Homer Cavender ventures to the city from Mainsville in an effort to find fame and fortune. Both elude him, and after clerking for two years, Homer returns home for a vacation. Impressed by his flashy clothes, the townspeople assume that Homer has achieved success. Attempting to win Rachel Prouty from his rival, Arthur Machim, Homer continues the deception by announcing that his employer, Kort and Bailly, has dispatched him to enroll stockholders for a proposed new plant to be built in Mainsville. Machim discovers the sham and denounces Homer as a crook. Meanwhile, Homer returns to New York, convinces his employers of the merits of his plan and comes home triumphant, with a proposal for both the new plant and for Rachel's hand in marriage.

Dir: Emmett J. Flynn

Lucille Cameron, the spirited daughter of a Kentucky colonel, discovers that her father is nearly bankrupt as a result of his dealings with New York horseman and stock promoter Jim De Luce. At a Red Cross benefit at the Cameron estate, which the family is sorely in danger of losing, Lucille meets and falls in love with Lieutenant Gregory Haines, who has been sent home from active duty in France to convalesce. Hoping to retrieve the family fortune, Lucille enters the Cameron filly, Southern Pride, in a horse race. Despite De Luce's plotting, Southern Pride wins the race, and Gregory, who has proved his love for Lucille, wins a wife.

Dir: Malcolm St. Clair

A visual fragment from the archive: The thematic resonance of Homer Comes Home perfectly mirrors the editorial trajectory of our deep dive.

A dancing instructor gets involved with a newly rich family.

Dir: Emmett J. Flynn

Mrs. Bernice Bristol Flint threatens to destroy the reputation of an innocent woman unless her wealthy husband John grants her a divorce, and although John has not betrayed his wife, he agrees to give her a large sum in alimony in order to maintain her silence. Bernice hopes to marry millionaire Howard Turner, with whom she has been carrying on a flirtation, and when he confesses that he does not love her, she angrily resolves to ruin him. Howard falls in love with the refreshingly innocent Marjorie Lansing, who agrees to become his wife. Because of Bernice's interference, however, their marriage is a stormy one, and finally Bernice and her unscrupulous lawyer, Elijah Stone, suggest that Marjorie sue for divorce. She refuses, and later, Howard's attorney, William Jackson, discovers Bernice's schemes and succeeds in reuniting Howard and Marjorie. Defeated, Bernice shoots herself.

Dir: Emmett J. Flynn

A visual fragment from the archive: The thematic resonance of The Racing Strain perfectly mirrors the editorial trajectory of our deep dive.

When Mary O'Rourke leaves Ireland to visit her cousin Norah in New York, she finds that Norah and her baby have been deserted by her husband, John Stuyvesant. Mary goes to the Stuyvesants' aristocratic home, where Mrs. Stuyvesant, an invalid, mistakes her for her son's wife. Warned that the woman could die from shock, Mary reluctantly assumes the role of daughter-in-law and nurses her back to health. Meanwhile, John and his cousin Fred return from a trip, and Genevieve Harbison, John's fiancée, demands that they get married the following day to prove that he is not married already. At the church, Mary produces Norah's marriage certificate, which John notices is for "John Frederick," Fred's real name. Fred then explains that his inheritance requires that he not be married until the next day. Genevieve angrily leaves after John agrees to play Fred's role, but when Fred sees Norah, he acknowledges the marriage. Mary then confuses Fred's trustee with Irish blarney and wins the legacy for Fred. She then accepts John's proposal.

Dir: Robert Thornby

Mary Willard takes over her father's railroad after his death. Her major competitor is a ruthless crook named Harvey Judson. She arranges for Judson to be kidnapped and taken to an isolated spot deep in the forest and turned loose to fend for himself. She accompanies the kidnappers to the wild and Judson, not knowing who she is, begins to fall in love with her. Complications ensue.

Dir: Henry Edwards

A millionaire bets £25,000 that he can earn his own living for six months.