Essential Cult Cinema Drawn from the Same DNA as The Show Down: Cult Guide

Dir: Lynn Reynolds

When Allan Corey, a writer who is out of ideas, encounters Mike beating up a man who abused his horse, he asks Mike to accompany him West for inspiration. Mike, who was recently released from prison, goes along with the idea, but looks for a chance to return to crime as soon as possible. The two stop at the ranch of Esther Hollister where Mike is able to plan a series of robberies. Because he cleverly drags four horses along with him, Mike's crimes are wrongfully attributed to the gang of "Texas" Jack, who are hiding in the vicinity. Esther is disgusted with Allan when he does nothing to stop a bank robbery that they witness, so to prove his mettle, he finds and captures Texas Jack's gang single-handedly, and even finds the loot that Mike hid nearby. The adventure gives Allen great ideas for a new novel and gives Esther ideas to marry her daring hero. Mike, not wanting to see the wrong bandits convicted, releases them from prison one night, but instead of returning to his life of crime, he returns to his partner at the ranch instead.

Dir: Lynn Reynolds

A visual fragment from the archive: The thematic resonance of Mr. Logan, U.S.A. perfectly mirrors the editorial trajectory of our deep dive.

In New Mexico, one of the large tungsten mines is owned and operated by William Morton, affectionately known by his associates and employees as Uncle Billy Morton. At the outbreak of the war, he increases his activities as this metal is of great value to the Government for war purposes. Uncle Billy lives near the shaft of the mine with his niece Suzanne. When things at the mine are humming, a man giving his name as Gage arrives in the town. He is in reality an agent of the German government, come with the purpose of instigating a strike among the miners. His accomplice turns out to be the superintendent of the mine. About the same time, Jim Logan comes to town. He shortly wins Suzanne's gratitude and admiration by shooting a Gila monster as it is about to strike at her and then rescuing her from a perilous position on the side of a cliff, where in her nervous fright she fell. Gage is successful in persuading the miners to call a strike, but Logan succeeds in frustrating his plot for the present by breaking up the meeting. To discredit him with Suzanne, Gage circulates stories about his relations in a public place with chorus girl Dolly Dugan. Uncle Billy is beset by four of the plotters and is rescued by Logan. But Gage again plays against him. On a trumped up charge Logan is arrested by the sheriff. Dolly aids in his escape. Gage kidnaps Suzanne and lays plans to blow up the mine. But Logan at last gains the upper hand. He routs the strikers with the assistance of some mule skinners and their animals and captures Gage and Suzanne after a long pursuit. Only then does he disclose the fact that he and Dolly are Secret Service operatives and so, of course, all ends happily. Motion Picture News, September 28, 1918

Dir: Lynn Reynolds

Optimistic in the face of failure, Daniel Webster Opp finally attains success as a traveling salesman for a shoe firm, but just when his prospects are best, he receives word that his stepfather is dead. He leaves at once to meet his brother Ben at Cove Junction, where they settle the estate according to Ben's demands. Ben takes the money, while Mr. Opp is given the homestead and custody of their feeble-minded half-sister Kippy. Sacrificing all to remain with his sister, Mr. Opp founds a newspaper, "The Opp Eagle," and starts to promote the town. His optimistic editorials are read by John Mathews, a wealthy promoter who comes to investigate the possibility of coal in the area. After convincing the townspeople to invest their money, Mathews discovers the mine to be worthless and decides to sell out to the competition, against Mr. Opp's wishes. Next, Mr. Opp loses his sweetheart Guinevere Gusty to Mathew's secretary, Willard Hinton. Throughout, Mr. Opp remains cheerful and is rewarded for his optimism when the townspeople nominate him to be mayor of Cove Junction.

Dir: Lynn Reynolds

A visual fragment from the archive: The thematic resonance of Mr. Opp perfectly mirrors the editorial trajectory of our deep dive.

While on vacation in New York, millionaire cattle rancher John Keyes falls in love with musical comedy star Fritzi Carlyle. Recognizing the opportunity for a great story, Fritzi's press agent encourages her to accept the Westerner's proposal of marriage, only to deny it the next day in a wave of newspaper publicity. Disheartened, Keyes returns to Arizona and Fritzi continues performing until she suffers a nervous breakdown. Reading of Fritzi's misfortune, Keyes returns East, kidnaps Fritzi and takes her to Arizona. There, the change of climate performs wonders and she recovers quickly. Meanwhile, her stage manager sends detectives after her, and when they arrive in Arizona ready to arrest Keyes for kidnapping, Fritzi explains that the whole adventure was an elaborate publicity stunt and announces that she and her Arizona cowboy are going to be married.

Dir: Lynn Reynolds

Rancher John Stafford hires daredevil cowboy Ned Ferguson to hunt down cattle rustlers. En route to the ranch Ned is bitten by a rattlesnake and nursed by Mary Radford, who is writing a Western novel. Ranch foreman Dave Leviatt is jealous of Mary's interest in Ned and convinces Stafford that Mary's brother Ben is the head of the rustlers. Leviatt shoots Ben in the back, and Ben is convinced that Ned is responsible. Mary will have nothing to do with Ned, even after he rescues her from a cattle stampede. Finally, Leviatt is captured and confesses the truth, and Mary accepts Ned as her real, rather than fictional, hero.

Dir: Lynn Reynolds

A visual fragment from the archive: The thematic resonance of Broadway Arizona perfectly mirrors the editorial trajectory of our deep dive.

Annette finds a baby in the snow alongside her dead mother and takes it to Baptiste Dupre and his wife, where the two of them grow up. A corrupt sheriff is infatuated with her, and Jean Rivard (Tom Mix), an officer in the Royal Canadian Mounted Police, must rescue her from him.

Dir: Lynn Reynolds

With his invalid mother, Chet Wells rents a piece of property from Deacon Todd for the purpose of demonstrating Chet's ideas of "scientific farming." Major Burke and his daughter Emily are near neighbors. Emily is engaged to marry a wealthy young neighbor man. Her neighborly kindness to poorly Mrs. Wells brings her into frequent association with Chet, and the young people become fond of each other without openly expressing their mutual regard. Chet is unable to make the farm pay, and when Deacon Todd demands his rent, the young man cannot pay. During the argument Mrs. Wells arises from her bed and the excited conversation between Todd, the sheriff, and Chet gives her such a shock that she falls to the floor, fatally stricken. Chet swears vengeance upon Deacon Todd whom he blames for hastening his mother's death. Finally compelled to vacate, Chet sells his chattel and goes away to seek his fortune. Deacon Todd moves into the house Chet has vacated and an enmity develops between Major Burke and the miserly old deacon, climaxing when the major sends a charge of shot in Todd's direction because he discovers the deacon letting his cows into the major's corn. Todd disappears the night that Chet returns. Suspicion is directed toward Chet because threats he had made to "get even" with the deacon. Major Burke is conscience-stricken when he sees a flock of buzzards hovering over a nearby swamp and fancies that the dead body of his "victim" is the attraction for the vultures. Taking assiduously to drinking for the purpose of quieting his conscience the major is overcome by the stuff and sleeps. Chet enters the major's house to call upon Emily and hears the major talking in his maudlin slumber, revealing the facts in the shooting of Todd. By the same method of transmission, Emily has learned from her own father's lips that truth of "the deacon's demise." When officers come to Burke's house and accuse Chet of the crime the young man admits that he is guilty and tells the officers to search the swamp for Todd's remains. Chet's heroism in submitting himself as a victim to her own father's action greatly stirs Emily's latent admiration, and forgetful of her obligation to marry another, the girl easily surrenders her heart to Chet and proceeds to help him out of his dilemma. Chet is locked in the rickety neighborhood jail and Emily releases him, giving him opportunity to decamp and begging him to take her along to be married. Thus matters arrive at the conclusion of the film, but the exact manner in which the story ends is not revealed. Suffice it to say that the "surprise finish" changes the whole nature of the story from tense melodrama to boisterous farce, ending in the "biggest laugh" ever produced by a moving picture.

Dir: Lynn Reynolds

A visual fragment from the archive: The thematic resonance of Treat 'Em Rough perfectly mirrors the editorial trajectory of our deep dive.

Failing to hear from her brother Jimmy after his departure for the Klondike, Barbara Henderson goes in search of him. Arriving in the frozen North, Barbara learns that her brother has been murdered and vows vengeance. Because the town's small hotel is filled to capacity, Barbara accepts an offer of lodging from old Tully Winkle in return for her keeping house for him and his prospecting partner, Cort Dorian. Barbara and Cort fall in love, but Barbara refuses to marry Cort until she solves the mystery of her brother's death. From various sources she learns that Jimmy's disappearance was preceded by a shoot-out between him and prospector Laberge over Seattle Lou. Barbara then makes the acquaintance of Laberge, who tells her that Cort shot Jimmy. Barbara insists upon fighting a duel with Cort, who fires into the air and is wounded by Barbara's bullet. Just as the shots are fired, Tully appears with the news that Seattle Lou has just arrived in town with her new husband, Jimmy Henderson.

Dir: Lynn Reynolds

Clay Burgess, a rover, returns to his home town to find his father, a banker, dead and his property in the clutches of "Big" Dave Dawley by means of a fake will. The real will is possessed by Ben Davis, who works on Della Bowen's ranch outside of town. After visiting Ben and promising Della that he will return to marry her, Clay recruits the help of a gang that have been fighting Dawley's henchmen for control of the town. After a series of adventures, including a brutal fight in which Dawley is killed, Clay and his men exterminate the rival Dawley gang. The wandering cowboy then retrieves his property and marries Della.

Dir: Lynn Reynolds

Ruth, a shorthand, quits to avoid the advances of her employer, the police chief. The young woman finds a new job with Anthony Curtis, the district attorney who, with his battles for the law, is disliked by many police officers.