Essential Cult Cinema Mirroring the Impact of The Silent Rider: Cul...

Dir: Clifford Smith

After a serious argument with his father, Calumet Marston drifts around the west for several years. He returns to his home, the Lazy Y Ranch, after his parents are killed by a pair of vicious brothers, Tom and Neal Taggart. Before his death Marston's father had appointed pretty young Betty Clayton as ranch manager, and now the Taggart brothers are determined to take over the ranch, no matter who they have to kill to get it.

Dir: Clifford Smith

A visual fragment from the archive: The thematic resonance of The Medicine Man perfectly mirrors the editorial trajectory of our deep dive.

Jim Walton, the sheriff of El Dorado, orders Joe Malone to stop working an abandoned mine that he has uncovered. Later, Malone recognizes Edith Strang, the dancing girl who is passing through town with the quack Doc Hamilton, as the rightful heir to the abandoned mine. Malone informs the doctor of the fabulous riches within their grasp, and the doctor departs for the East to interest capital in the property. While he is away, Malone tries to double-cross the doctor by marrying Edith, but Walton discovers his plan and offers the girl protection. Upon his return, the doctor reclaims Edith from the sheriff, and that night, sensing wrongdoing, Walton goes to the doctor's cabin. There he finds that Edith is being forced to sign away her rights to the mine. Walton forces Malone to confess that the mine belonged to Edith's dead parents, and thus restores the girl to her birthright. Edith then prepares to go to school in the East, but at the last minute decides to remain and marry the sheriff.

Dir: Clifford Smith

A ranch owner hires a young woman as foreman over a rambunctious group of cowboys.

Dir: Clifford Smith

A visual fragment from the archive: The thematic resonance of South of Santa Fe perfectly mirrors the editorial trajectory of our deep dive.

Bob Allers, an unfortunate consumptive, and his wife are traveling to Arizona for medicinal purposes. On the way, a highwayman robs them of horse and money. Destitute, they are befriended by William "Red" Saunders, whose sympathy and innate love for his fellow man lands Allers a job in the local saloon. Soon after, when the same highwayman attempts to rob the saloon, Allers kills him with a hammer thrown in self-defense, unaware that the outlaw is the brother of the sheriff. Convicted for murder by the vengeful sheriff, Allers is defended by "Red." The corrupt jury makes its final decision based on whether a crawling fly reaches the top of a window pane. Allers is acquitted, then reunited with his happy wife and newborn child, and they all leave together.

Dir: Clifford Smith

The heroine's father, placed in a Mexican cattle thief's power, tries to force his daughter to marry the thief, but the hero frustrates the plot.

Dir: Clifford Smith

A visual fragment from the archive: The thematic resonance of The Fly God perfectly mirrors the editorial trajectory of our deep dive.

Bosom friends Jeff Flagg and Jim Lee launch a cattle-raising business, but their prospects are so seriously threatened by Ed Crane and his nearby copper mining operations that Jim moves to another town. Crane tries to assault Jeff's sweetheart, Helen Dryer, and in the attempt is shot and killed by her brother Vic. Jeff, accused of the murder, leaves town closely pursued by Sheriff Sol Durkee, who hopes to identify Jeff by the scar on his left arm. In a faraway town, Jeff meets up with his old friend Jim, who, in a poker game brawl, shoots the scar away from Jeff's arm. The two return home, and when Vic finally confesses that he killed Crane to preserve his sister's honor, Jeff is exonerated. Jeff and Jim discover rich copper deposits on their ranch, and Jeff, now a wealthy man, proposes to Helen.

Dir: Clifford Smith

The story of a circuit-riding, sagebrush parson who flew in the face of providence with both guns blazing.

Dir: Clifford Smith

A visual fragment from the archive: The thematic resonance of Some Gal perfectly mirrors the editorial trajectory of our deep dive.

After Bob Baldwin is fired for playing too many jokes on the tenderfoot owner of the Diamond K Ranch, he sets out for the nearby town of Freloe Beanos and meets Percival Longstreet on the way. Percival has been seriously injured in an accident and is therefore unable to assume his duties as the town's new schoolmaster. Distressed, Percival confesses that he and his sister Dolly, who is en route to the town, are doomed to starve, which so moves Bob that he agrees to serve as the schoolmaster during Percival's convalescence. Although the uneducated cowboy suffers great discomfort in the classroom, he pleases the town authorities and charms Dolly, who soon falls in love with her supposed brother. Actor Otheloe Actwell becomes jealous of Dolly's affections for Bob, and upon discovering that the cowboy is an impostor, he has Bob fired. Soon afterwards, Bob prevents Actwell from robbing the box office, whereupon the townspeople elect him the new sheriff.

Dir: Clifford Smith

"One Shot" Ross, who has brought law and order to the town of Painted Gulch, decides to hang up his six-shooters when he sees the daughter of one of his victims sobbing over her dead father's body. While traveling East, Ross's stagecoach is held up and Ross, knocked unconscious, is taken to a nearby cabin owned by the Sheridans. After Mr. Sheridan is killed when he inadvertently stumbles upon Jim Butler and his gang dividing up the spoils from the stage robbery, Ross takes pity on Nan, the old man's daughter, and decides to bring the outlaws to justice. Feigning feeble-mindedness, Ross obtains a job on Butler's ranch and uncovers evidence which proves that Butler is the leader of the outlaws. Heading the posse, Ross captures Butler's gang and then rides off to the Sheridan cabin where, in a shootout, he rescues Nan from Butler.

Dir: Clifford Smith

Bashful ranch hand Aleck is in love. To help him get his girl, Red Saunders goes to town and convinces Lindy, whom Red thinks is the object of Aleck's affections, to come to the ranch. Meanwhile, Ah Sing, "the ranch Chinaman," steals the cowboys' clothes and pawns them. Red and Lindy meet with Ah Sing and the pursuing, half-clad cowboys at a gambling hall and regain the lost clothing. Red discovers he has brought the wrong girl, but the situation brightens when she consents to his proposal.