The Global Archive For Devotees of The Stolen Paradise: Cult Guide

Dir: Harley Knoles

A social-climbing young woman marries Robert, a rich alcoholic, for his money. Although basically a good man, when drunk Robert treats her as if she's just one more thing he owns, and not his wife. Realizing her mistake, she leaves him. Her brother-in-law believes that the two of them actually do love each other, and sets out to bring them back together.

Dir: Harley Knoles

A visual fragment from the archive: The thematic resonance of The Social Leper perfectly mirrors the editorial trajectory of our deep dive.

Divorcée Adrienne Van Couver visited clairvoyant Mme. Melvina, who tells her that a tall dark man, Robert Warren, is excited over a letter he has just received from her, telling him she does not love him. The fortuneteller bids her beware of him, then tells her that Henry Armstrong, the man she loves, will never love her. The clairvoyant then tells Adrienne of a young girl, Lorraine, whose eyes are dim with the tears that she has caused in another part of the city, Lorraine greets her fiancé, Henry Armstrong, with ill-concealed dejection and he tells her he fears she still loves John Dean, but she dispels his suspicions. John Dean shares the secret of his silent love for Lorraine with his mother. Robert Warren goes out into the night; it is then he meets John. In the other's haggard face, John Dean sees traces of his own sorrow and trying to make it easier for this man who has been his friend for five years, he tells Robert Warren his story. Eight years ago he and Adrienne were married. For two years they lived on the money inherited from his father. It was then the baby came and the father found happiness in the touch of baby hands, but to his wife it made no difference. Then the baby became ill, and while its mother was away dancing, the little life slipped away. Six months later Adrienne was given a divorce. Then he and his mother came to New York and a few years later he met and loved Lorraine Barkley. Although Henry Armstrong was a dangerous rival, Lorraine loved him and he did not fear until the day when the Barkleys gave a reception. It was then he met Adrienne again and she taunted him with his love for the young girl. When she demanded money, he gave it to her. Lorraine sees this and misconstrues the situation. It is then her engagement to Henry Armstrong is announced. John finishes his story and Robert is maddened by the destruction of the halo he had built around the woman he loved. Robert makes his way to Adrienne, who has been nervous and ill at ease ever since she returned from the fortune teller. Robert's haggard appearance frightens her and she telephones Henry, but her call for help is only half-uttered when Robert forcibly takes the instrument from her. Alarmed, Henry starts off at once to help her. Meanwhile, John, fearful for Adrienne's safety, goes to warn her. He arrives just after Robert has made his escape after murdering Adrienne. When Henry arrives with two policemen, he finds John bending over the dead woman. He is arrested. Lorraine is brokenhearted when she hears of the arrest and pleads with Henry, who is a lawyer, to take Dean's case. Detectives search Robert's apartment and find here a coat with buttons similar to one found in the dead woman's hand, and one is missing. They trace Robert to the hotel and after a terrible fight he is taken into custody. Happiness came with the morning, for Henry took Lorraine's hand and told her she was released from her promise to marry him. Then she called up John Dean and told him that she was ready to marry him.

Dir: Harley Knoles

After an explosion that sinks a yacht, Elma is shipwrecked with Micah, who claims her father ruined him by stealing the plans of a valuable machine.

Dir: Harley Knoles

A visual fragment from the archive: The thematic resonance of Souls Adrift perfectly mirrors the editorial trajectory of our deep dive.

Myron Leeds and his brother Roger are both in love with Mary, but when Myron wins her, his father disowns him. While Myron struggles as an artist to support his wife and little daughter Beth, Roger marries and settles into his father's sumptuous estate. Roger's maid Norah, concerned when the death of his little boy causes him and his wife to shut themselves off from all society, invites Beth to visit the estate posing as her niece. Beth endears herself to the couple, but Myron, driven to desperation by his poverty and his wife's ill health, decides to rob the estate. Roger hears that someone is breaking in, but in attempting to shoot the intruder, he wounds Beth instead. As a result of this unhappy incident, Roger resolves to share his fortune with his brother, and the family is reunited.

Dir: Harley Knoles

Little Carol Montgomery's father, a navy commander, discovers a spy in the house, he earnestly counsels the family not to answer questions regarding themselves. Later, while attempting to follow her mother, Carol becomes lost on the subway, and, taking her father's words to heart, refuses to tell a police officer who she is. Eluding the officer, Carol falls asleep in a tenement hallway where she is found by Beppo, an organ grinder who decides to add her to his show. They travel south, where, becoming separated from Beppo, Carol seeks refuge at the Fairfax plantation. Mrs. Fairfax, estranged from her husband because he had disowned their daughter years earlier when she eloped without his permission, refuses to speak to anyone. However, under Carol's winning influence, the Fairfaxes are reconciled and send for their long-lost daughter, who turns out to be Carol's mother.

Dir: Harley Knoles

A visual fragment from the archive: The thematic resonance of The Gates of Gladness perfectly mirrors the editorial trajectory of our deep dive.

Hugh Eltinge, a struggling artist, and Mark Dunbar, a genius of the pen, whom the world has as yet failed to reward, live together in MacDougal Alley. Across the hall is Doris Golden, a reporter on the Evening Star, who enthuses over the work of both. Mark's novel is sold and Hugh and Doris see a new Mark. Mark begs Hugh to allow him to stake him until his pictures sell, but pleasure in his new clothes and new popularity dwindle as he sees his old friends will not profit by them. A happy idea strikes him and he buys all of Hugh's paintings on exhibition at a local dealer, requesting that his name be not mentioned. Mark rejoices with Hugh when he comes home to tell the news. Then the two decide Doris must also share with them, and together they go to a lawyer, and arrange to persuade him to send a letter to Doris saying her uncle in San Francisco has died leaving her a thousand dollars. In another section of the City Mrs. Trailes and her daughter, Ruby, scheme to ensnare a wealthy husband for the girl. Mark's reputation has impressed them. He is invited to attend a meeting of their Literary Club and the girl is given instructions to attract him. Mark meets the young society girl. Hugh and Doris, she is reporting the meeting, are also there and to them evidences of Mark's awakening infatuation are pitifully clear. Mark sees Ruby often. At a ladies' swimming club he is the guest of her mother. At a sign from her mother Ruby pretends to be drowning and Mark jumps in to her rescue. The friendship thus engendered ripens into love and it is not long before they are married. But early in his wedded life Mark begins to feel the pangs of disillusion. Ruby is pettish and extravagant and when he remonstrates with her, she breaks into tirades of scolding that drive him to silence. Doris discovers her uncle is alive, and, perplexed, goes to the lawyer, who tells her all. She writes to Mark, enclosing a check for the whole amount she has left and promising to send the balance as soon as she can. His wife intercepts the letter and accuses him of infidelity. Her true vulgarity asserts itself and he goes to the little studio. Ruby follows and finds him with Doris and another scene is enacted. Mark begs Hugh to look after Doris, then leaves. Hugh leaves a letter for Doris and a note in which he asks her not to read the letter before she has found happiness. Hugh tells a newspaper reporter with whom he is acquainted that he has inherited a fortune from his grandfather, and the account is printed in the evening paper. Ruby and her mother remember he is a friend of Mark's and ask him to call. Soon a closer intimacy than friendship develops and Mark comes home one evening to find Ruby in his friend's arms. Disillusioned, his last ideal, friendship, completely shattered, Mark hurries away. After the divorce, he seeks Doris and the two become engaged. She remembers the letter and opens it. Herein Hugh has outlined his plans, the story of the fortune was a hoax, wherewith to entrap Ruby. For the sake of friendship he had sacrificed himself to bring happiness to the two he loved. Mark telephones to him and when he comes the old feeling of happiness and love fills once more the little studio in MacDougal Alley.

Dir: Harley Knoles

Helene, who dances in a Greenwich Village cabaret accompanied on the violin by her grandfather, loses her job after his death. She then is hired as a portrait model by four artists--Jaffrey Darrel, Ned Lorrimer, Dick Turner and Stanley Sargent--all of whom become fascinated with her. Helene leaves the Village when Ned's jealousy disrupts the camaraderie of the quartet and becomes a stage star. Meanwhile, all of the artists have attained success except Jaffrey, who refuses to taint his art with commercialism. Helene, learning of Jaffrey's failure, visits him in the Village and accepts his marriage proposal.

Dir: Harley Knoles

A visual fragment from the archive: The thematic resonance of Adventures of Carol perfectly mirrors the editorial trajectory of our deep dive.

When untalented artist Wilfred Barsley is eager for success, he sells his soul to the devil, who first has him kill his uncle for an inheritance. Then, the devil instructs him to commit the sickly, struggling artist Paul La France to a sanitarium and exhibit Paul's paintings as his own. After doing so, Wilfred becomes an overnight modern master, while Paul, during his convalescence, loses his memory and also his sweetheart, Helen Danver, who does not know that he has been hospitalized. Then, when Helen sees one of Wilfred's paintings and recognizes it as Paul's, she bluffs an interest in the fake artist to get information about the real one. After she succeeds, she goes to Paul, and the sight of her restores his memory. Meanwhile, having returned to the vault where he had stashed his uncle's body, Wilfred dies when the door slams shut on him.

Dir: Harley Knoles

Neglected by her grief-stricken father, a doctor, after the tragic death of his wife, little Eileen Homer changes the wording of her father's ad for a governess to read: "Wanted, a mother." A laborer named Giuseppe asks Dr. Homer to operate on his ailing son, but when the boy dies, the enraged father attacks the doctor. Eileen meets her father's friend, Dr. Thelma Winter, and that night, while dreaming that Dr. Winter has become her fairy mother, she walks in her sleep to the edge of the lake. Wandering aimlessly in his grief, Giuseppe rescues the girl and takes her home to fill the void left by the loss of his son. In trying to return home, Eileen falls from the fire escape and is rushed to the hospital, where Dr. Winter saves her life. Afterwards, the grateful Dr. Homer becomes a more loving father with the help of his new wife, Dr. Winter, and Giuseppe becomes the family's gardener.

Dir: Harley Knoles

Agatha, called "Miss Petticoats," is daughter of a French nobleman and an American woman, lives with her grandfather, Captain Joel Stewart, since the death of her mother years before. Knowing nothing of her royal heritage, Agatha gladly takes a job as secretary to the wealthy Sarah Copeland, whose nephew, Guy Hamilton, immediately begins pursuing the new employee. Jealous of Agatha, one of Guy's former sweethearts, Mrs. Worth Courtleigh, starts spreading rumors about her, and when Joel hears a particularly scandalous one, he dies of shock. Taking Agatha away from all the gossip, Sarah sails with her to Europe, where Agatha finally learns about her bloodline, and also discovers that she is the heiress to a fortune. Then, when she and Sarah return home, Agatha forgives all the people who believed the rumors, and marries the Reverend Ralph Harding, who was always certain of her innocence.