The Cult Collection Inspired by the Vision of The Texas Trail: Cult...

Dir: Scott R. Dunlap

Samuel Blevins, Jr.'s farm work suffers while he pursues a correspondence course on newspaper reporting. After he leaves the family farm and goes to the city, editors all turn him down until Ethel Williams, the author of the "Advice to the Lovelorn" column, who helps him with his style, recommends him to her managing editor. The Sunday Magazine editor, who loves Elinor, tries to ruin Sam's career by giving him the difficult task of writing a feature article. When Sam fails to think of a good story, Ethel, who now loves him, tells of the lost Princess Marie of Burvania, who is hiding in the United States. Sam's story causes the Archduke of Burvania to search for Marie, who is really Ethel, and after she is persuaded to return, Sam rescues her from a trap. He awakens to discovers that the story is a dream, writes another which is a success, and finds happiness with Ethel.

Dir: Unknown Director

A visual fragment from the archive: The thematic resonance of A Fitting Gift perfectly mirrors the editorial trajectory of our deep dive.

The Judge needs a present for his wife's birthday, so Harry suggests a new corset. They go to the shop, but he's so embarrassed to ask the saleslady he hides in a phone booth.Harry goes in, but finds a GUY wearing one, and runs out.They both dress as women to get back in, but Mrs. Rummy gets there and chases him out.

Dir: Maurice Elvey

A lady marries a horse trainer but withholds herself until her crippled brother is cured.

Dir: Dallas M. Fitzgerald

A visual fragment from the archive: The thematic resonance of The Hundredth Chance perfectly mirrors the editorial trajectory of our deep dive.

Confidence artist Flossie Golden attempts to fleece foolish but wealthy James Venable with a breach-of-promise suit. Venable's shrewd attorney, Richard Harding, outwits Flossie by proposing that she marry Venable and live on an allowance of $3,000 per year. Flossie is determined to get even with Harding for ruining her plans. In an attempt to con him, she poses as Innocence Page, but falls in love and marries him instead. Larry, Flossie's former accomplice, endeavors to blackmail her with her errant past, but Harding is already cognizant of the facts and Larry fails.

Dir: Richard Smith

Two female candidates for Chief of Police live across the hall from each other, and their political rivalry follows them home, leading to plenty of hi-jinks.

Dir: Wilfred Lucas

A visual fragment from the archive: The thematic resonance of Blackmail perfectly mirrors the editorial trajectory of our deep dive.

Brian O'Farrell (Snowy Baker), is an English 'new chum' who takes a job at an Australian cattle station. He is teased by station hands because of his appearance (including spats and a monocle) but he soon impresses them with his skills at riding and boxing. The station manager, John MacDonald (Wilfred Lucas), takes O'Farrell to Sydney to meet his daughter Edith (Kathleen Key) who is working in the slums. Edith is kidnapped by criminals after witnessing a crime but O'Farrell rescues her. It is later revealed he is the owner of the station.

Dir: Scott R. Dunlap

Impresario Thomas Sullivan arrives in Ossawatomie, Kansas, to debut a new musical show written by native talent Gene Harris. Sullivan hires singer Millicent Lloyd, who auditions with a song written by her boyfriend, local bookkeeper Brian McBride. The impresario takes Millicent to New York City, where she becomes a famous singer. Brian arrives in the city with a new opera but keeps his presence secret from Millicent until he has achieved notoriety. Unable to complete an opera of his own, Harris steals Brian's work and presents it to Sullivan, who casts Millicent in the lead role. With the help of music publisher Gus Hertz, Brian exposes Harris and reclaims his composition. He and Millicent are reunited, and the opera goes on to great success.

Dir: Scott R. Dunlap

A visual fragment from the archive: The thematic resonance of Lunatics in Politics perfectly mirrors the editorial trajectory of our deep dive.

When jockey Jimmie Driscoll, responsible for making Jim Richardson's horses winners, is fired for being too heavy, he goes to the home of the late Judge Bell, the father of local horse racing. Jimmy is in love with the Judge's daughter Joy, who was left nearly penniless when her father died. Joy's brother Harry writes to her pleading that because he desperately needs money, she should enter the aging Vagabond, the last of the Bell racehorses, in the upcoming annual event. Convinced by crooked bookmaker Spike Bradley that Vagabond will win at twenty-to-one odds, Harry mortgages his half of the house for gambling money. Jimmie discovers that although Vagabond runs horribly on normal turf, she is a "mudder," meaning that she goes into a wild dash on wet ground. After Jimmie and Joy pray for rain, Bradley, learning of Vagabond's condition, threatens the jockey, but Jimmie, riding Vagabond himself in in the rain, wins the race and afterward, Joy's love.

Dir: Maurice Campbell

Carver Endicott, a young sophisticate, is rejected by his fiancée for being too foppish and dull. When she feigns an interest in his father, Carver attempts to disgrace his family name by working as a farmhand and later as a busboy in a hotel. However, the newspapers only praise him for his self-sacrificing principles; and finding that he cannot bring shame to the family through menial labor, he takes up with a notorious actress. But when this maneuver also fails, he returns to his former fiancée, who has no further complaint about his being an inexperienced dullard.

Dir: Edgar Jones

A mail-order bride arrives at a Maine lumber camp but doesn't like her prospective husband.