Recommendations
Senior Film Conservator

The 1934 release of The Third Sex redefined the parameters of Horror storytelling, the visual language established by Richard C. Kahn is something many try to emulate. Explore the following titles to broaden your appreciation for Horror excellence.
Historically, The Third Sex represents to synthesize diverse influences into a singular artistic statement.
An exploitation film about homosexuality. The film is believed to be lost. Elinor Gordon, who was frightened sexually by a man while an infant, confides in her psychoanalyst that she is contemplating yielding to the advances of her overly attentive and affectionate female roommate, Bobby Allen. The psychoanalyst advises the woman to dispossess her roommate, who works in the same law office as she, and to marry a football player. After the young woman rebuffs her roommate, she accompanies her lawyer employer, Dave Warren, to the country home of the firm's senior partner, John Grant. While Elinor falls in love with Dave, the senior partner's socialite daughter, Judy, yearns for Paul, an artist, who, unknown to her, is a homosexual.
Critics widely regard The Third Sex as a cult-favorite piece of Horror cinema. Its supernatural aura is frequently cited as its strongest asset, solidifying its place in United States's film legacy.
Based on the unique supernatural aura of The Third Sex, our vault has identified these titles as the most compelling follow-up experiences for fans of Horror cinema:
Dir: Edward LeSaint
When famous opera singer Elinore Duane undergoes an operation on her throat, she has a series of ether-induced visions. In one, she is transported to ancient Rome where she appears as a much-admired woman in love with Paul, a young heretic, and at odds with Lutor, the high priest. To save her love, she poisons Lutor with her ring. After several other visions which involve variations on this love triangle, Elinore awakens to discover that Lutor is actually her doctor, Sascha Jaccard, and that Paul is the son of a friend who has come to visit the recovering prima donna.
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Dir: Frank Beal
During a raging Montana snowstorm, Doctor Jim Barnes collapses at Esther Anderson's cabin door. Esther offers Jim refuge, but when he discovers that their food supplies are running dangerously low, he braves the journey into town in order to replenish them. On the way, he is overcome with exhaustion and fails to return. Esther, unaware of Jim's condition and abused by her stepfather, joins a theatrical troop and leaves home. Time passes and Jim finally finds Esther, but a vindictive member of her troupe accuses her of having an affair with the manager and Jim believes the accusation. He leaves and Esther goes to New York City where she becomes engaged to a jealous artist, although she still loves Jim. Sam Tuttle, a long time friend, is aware of Esther's continuing love, and so brings Jim to New York City in time to save Esther from an unhappy marriage.
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Dir: Dallas M. Fitzgerald
Confidence artist Flossie Golden attempts to fleece foolish but wealthy James Venable with a breach-of-promise suit. Venable's shrewd attorney, Richard Harding, outwits Flossie by proposing that she marry Venable and live on an allowance of $3,000 per year. Flossie is determined to get even with Harding for ruining her plans. In an attempt to con him, she poses as Innocence Page, but falls in love and marries him instead. Larry, Flossie's former accomplice, endeavors to blackmail her with her errant past, but Harding is already cognizant of the facts and Larry fails.
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Dir: Edward Dillon
Her education in a French convent school completed, plain Justine Spencer returns to New York. There she is shocked to discover that her mother Dodo is a flamboyant musical comedy actress with many male admirers. Dodo, on the other hand, is dismayed to find Justine priggish and dowdy. One of Dodo's suitors is Billy Ferris, who, in a fit of jealousy, murders her and slays himself. Out of pity, Cosmo Spotiswood, another admirer of Dodo, marries Justine, but soon tires of his platonic marriage and leaves for Europe. Upon his return, Cosmo finds Justine transformed. Under the tutelage of Dodo's maid Loti, she has bobbed her hair and donned fashionable apparel. Thus changed, Justine is surrounded by suitors. Stung by jealousy, Cosmo falls in love with his sophisticated wife.
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Dir: Harry Southwell
A fascinating piece of cinema that shares thematic elements.
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Dir: Hugh Ford
The 'dead' wife of a steel process inventor returns, as does her 'dead' husband, a war amnesiac.
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Dir: Robert N. Bradbury
A simple country girl, brutally mistreated by her stepfather, awakens first the sympathy, then the love, of The Boy. The Spider, who lusts after The Girl, makes a bargain with the stepfather and takes her to the city where, kept prisoner, she is soon broken in health and spirit. Cast out and near death, she is taken in by The Boy. Following the demise of The Spider, The Boy takes her to church, where he prays, and after many hours she is restored to health.
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Dir: Tod Browning
Achmet Bey, a Turkish chieftain, catches one of his many wives in adultery and murders her lover. Throwing aside the cuckolding wife, he abducts his harem an innocent girl. However, a brave American who loves her comes to her rescue.
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Dir: Colin Campbell
Dr. John Brandon, who cares for charity patients in the slums, is thrown together with writer Norma Ashley when her car strikes a boy whom Brandon treats. Under Norma's influence, and against the wishes of his friend Father Farrell, Brandon leaves the slums and becomes the partner of Dr. Thurston, who, unknown to Brandon, is Norma's fiance. Now prosperous, Brandon flies into a rage when he hears Thurston and Norma ridiculing him, and proceeds to beat Thurston and choke Norma to within an inch of her life. Taking to alcohol and drugs in his grief, Brandon becomes a derelict and goes out West to a mission town, where his loud proclamations of atheism provoke the wrath of a saloon crowd, from which his old friend Farrell rescues him. Farrell, now working in the Western parish, gradually restores the faith of Brandon, who falls in love with Mary Harrison, a blind girl who prays continually for her sight. Brandon performs an operation on Mary's eyes and her sight returns. Norma, who has found Brandon in the parish town, cannot persuade him to return to the city or to leave Mary, who accepts Brandon's love.
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Dir: Victor Heerman
In the gold fields of the Canadian Northwest, a man is falsely accused of a crime and determines that a lookalike is responsible.
View DetailsAnalysis relative to The Third Sex
| Film Title | Atmosphere | Complexity | Similarity |
|---|---|---|---|
| A Sister to Salome | Gothic | High | 88% Match |
| The Devil's Riddle | Ethereal | Dense | 86% Match |
| Blackmail | Surreal | High | 88% Match |
| The Amateur Wife | Surreal | Linear | 97% Match |
| The Kelly Gang | Tense | Linear | 95% Match |
This guide was algorithmically generated using the cinematic metadata of Richard C. Kahn's archive. Last updated: 6/28/2026.
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