Must-Watch List in the Vein of The Tragedy of Youth: Cult Guide

Dir: Robert N. Bradbury

A simple country girl, brutally mistreated by her stepfather, awakens first the sympathy, then the love, of The Boy. The Spider, who lusts after The Girl, makes a bargain with the stepfather and takes her to the city where, kept prisoner, she is soon broken in health and spirit. Cast out and near death, she is taken in by The Boy. Following the demise of The Spider, The Boy takes her to church, where he prays, and after many hours she is restored to health.

Dir: Edward LeSaint

A visual fragment from the archive: The thematic resonance of A Sister to Salome perfectly mirrors the editorial trajectory of our deep dive.

When famous opera singer Elinore Duane undergoes an operation on her throat, she has a series of ether-induced visions. In one, she is transported to ancient Rome where she appears as a much-admired woman in love with Paul, a young heretic, and at odds with Lutor, the high priest. To save her love, she poisons Lutor with her ring. After several other visions which involve variations on this love triangle, Elinore awakens to discover that Lutor is actually her doctor, Sascha Jaccard, and that Paul is the son of a friend who has come to visit the recovering prima donna.

Dir: George Archainbaud

Once a wealthy man, John Pollard now resides in reduced circumstances in Washington, D.C. with his pretty daughter Polly. Despite the poor conditions, Polly manages to move in good social circles and meets multimillionaire George Singleton and Lieutenant Richard Travers, at the home of Mrs. Madison Derwent. Also at the Derwent mansion is Baron Wootchi, a Japanese diplomat trying to obtain valuable plans that are in Travers' possession. Old Pollard owes Singleton money and tries to persuade his daughter to marry the millionaire. Polly refuses and accepts Travers' proposal instead, until her father informs her that Singleton can seize their house unless Polly pays off the debt by becoming his wife. Meanwhile the Baron offers Pollard $50,000 to produce the documents in Travers' keeping. Pollard steals the papers and goes to a roadhouse to turn them over to the Baron. Discovering the theft, Polly follows and confronts the Baron at gunpoint. Finally, Travers learns the truth of the affair, pays Pollard's debt to Singleton and wins Polly.

Dir: Bruno Ziener

A visual fragment from the archive: The thematic resonance of Yankee Pluck perfectly mirrors the editorial trajectory of our deep dive.

A fascinating piece of cinema that shares thematic elements.

Dir: George Archainbaud

Twenty-five years ago Jacques Revilly was found on the church steps in a small French village. He grows up into a fine strapping young farmer. His abstinence from rough play after his farm work makes him unpopular, he surreptitiously cultivates his skill at painting within the sacred portals of the church. One of Jacques tormentors discover his art attempts, which suggest a new mode of attack, and then his co-workers make an issue of a little delinquency and refuse to stay at the farm unless he is discharged. Jacques, enraged at this injustice, leaves the hamlet forever. Three years later in Paris Jacques is able to produce some very good canvases. His unkempt appearance, his sulkiness and his apparent distaste for the society of his fellowmen have won for him the nick-name of "The Beast." He goes to the Café Brasserie Murger where the artists are enjoying themselves, among them being Horace Chapron, the bully of the Student Quarter. A dance is being planned for the evening, but the girls do not wish to have "The Beast" present. Jacques that night, knowing nothing about the party enters the café and as usual takes his drink by himself. He is invited to join the party by another student named Varny, but says he prefers to be by himself. Toward morning a girl who has been dancing on a table falls from it, landing on Varny, injuring his arm. Jacques takes him home and nurses him back to health. With the recovery of his friend, who joins his old companions, Jacques realizes anew that in this world he stands alone. He goes to a saloon and as he is drinking he prays God to give him the companionship that his soul craves for. On his way home he finds a frail young girl lying apparently dead in the snow. He carries her to his home, confident that his prayer has been answered. Under the careful ministration of his friend, Varny, and the caretaker, the girl convalesces. Her story relates her unsuccessful attempts to find work after her mother's death. Her strength gave out and she fell almost lifeless in the street. Jacques gives her his room, while he goes across the hall to Varny. Through the aid of the caretaker, Marguerite secures a position in Madame Celeste's millinery shop. Jacques begins to take an interest in his physical appearance. One day Prosper, one of the students, announces that he has just seen "The Beast" sober, clean-shaved and neatly dressed. His friends are incredulous, so he says he will prove it. A few days later when passing under Marguerite's window a book comes down on his head, it having been pushed off the window sill by the girl when dusting. Prosper returns the book to Marguerite, and is about to kiss her when Jacques appears. Prosper is ordered out of the place, and tells the students that Marguerite is beautiful and virtuous. Horace, another student, wagers a dinner that she will be his a month from that date, which, by the way, will be the wedding day of Jacques and Marguerite. One month later the students are all assembled for dinner, Jacques, who has not seen his companion for over a month, enters the café and asks if he may join the party, not knowing the nature. Horace then toasts "His Marguerite, who works in Madame Celeste's shop." As there is but one Marguerite in the shop in question Jacques demands that Horace retract the toast. Horace shows her ring which Jacques insists he stole. Horace challenges Jacques to a duel. Jacques rushes to Marguerite's room, where he finds her directing a letter to him. She hands the missive to him. He reads, "You'll never see me again. I am a defiled creature." Jacques bids her leave. He makes his will leaving all to Marguerite. Marguerite begs his friend to get Jacques to finish reading her letter. Jacques consents and so Varney finishes reading the confession of how she had gone home with Madame Celeste who had feigned sickness, was introduced to a man she called her brother, that after drinking her wine she was powerless to move, and next morning she found herself. Jacques resolves to kill Horace. Varny asks Jacques if he will not see Marguerite. He does, but when Marguerite hears that a duel is to be fought begs Jacques not to go, as she is sure he will be killed. Jacques is not to be swerved from his purpose. On the field of honor Horace says that he is in the wrong and wants to apologize. Jacques strikes him in the face. They fire. Jacques is shot, but not mortally and the doctor tells him he will soon be all right. He is carried back to his rooms. There is a reconciliation, and so Jacques at last has his heart's desire.

Dir: George Archainbaud

A visual fragment from the archive: The thematic resonance of Eva, wo bist du? perfectly mirrors the editorial trajectory of our deep dive.

Doris is driven from her small New England fishing village when a jealous admirer implies that her mild flirtation with visiting artist Stuart Kendall was an intimate love affair. Arriving in New York, alone and penniless, Doris finds employment in a Greenwich Village café, where she again meets Stuart and agrees to become his model. Unaware of his true intentions, Doris lives at Stuart's expense and innocently evades his advances. Out West, rancher Jack Masterson sees Doris' face on a poster and journeys East to propose to her. Doris returns his affections, which so angers Stuart that he resolves to prevent the marriage. On the eve of the wedding, Stuart throws a party for Doris, and when the celebration becomes an orgy, he telephones Jack, who arrives and denounces his fiancée. Realizing Stuart's trick, Doris, in turn, denounces him, but Jack overhears their conversation, and the wedding takes place as planned.

Dir: George Archainbaud

Bess Hulette is disappointed and feels ignored when her husband Aleck accepts a partnership in an ad agency owned by Stephen Graves. She tells her neighbor, Mrs. Leonard, about her predicament. One day a young woman, Dorothy Delamore, is injured in a car accident just outside the Hulettes' home. Bess meets Dorothy's brother, Jack, who is attracted to her. Noticing his attraction, Mrs. Leonard--who is cheating on her own husband--urges Bess to take up with Jack. Still feeling ignored by her husband, Bess accepts an invitation to a party at Jack's house, but finds out that things aren't exactly what they seem.

Dir: Harley Knoles

A visual fragment from the archive: The thematic resonance of The Awakening perfectly mirrors the editorial trajectory of our deep dive.

Jim McDonald, the foreman of a shipbuilding plant and head of the labor union, strives to combat the anarchistic propaganda being put forth by Klimoff, the leader of a Bolshevik gang whose goal is to disrupt the country with strikes and anarchy. Despite McDonald's efforts, a strike is called, resulting in chaos. McDonald's child is knocked down by runaway horses abandoned by their striking driver, and dies. Mob scenes take place in America, as well as in Russia. Eventually, the unrest is quelled with an armistice called between Capital and Labor for a year, during which time wages are to be increased to reflect the cost of living, and leaders are to work out a common plan for their mutual advantage. The strikers now realize that they have been pawns of the Bolsheviks and call off the strike, agreeing to the plan.

Dir: George Archainbaud

A man discovers that he has two personalities--and one of them is a notorious strangler.

Dir: Edgar Jones

A mail-order bride arrives at a Maine lumber camp but doesn't like her prospective husband.