The Recommended Vault Parallel to the Artistry of The Very Idea: Cu...

Dir: Edward LeSaint

When famous opera singer Elinore Duane undergoes an operation on her throat, she has a series of ether-induced visions. In one, she is transported to ancient Rome where she appears as a much-admired woman in love with Paul, a young heretic, and at odds with Lutor, the high priest. To save her love, she poisons Lutor with her ring. After several other visions which involve variations on this love triangle, Elinore awakens to discover that Lutor is actually her doctor, Sascha Jaccard, and that Paul is the son of a friend who has come to visit the recovering prima donna.

Dir: Lawrence C. Windom

A visual fragment from the archive: The thematic resonance of Headin' Home perfectly mirrors the editorial trajectory of our deep dive.

The "true story" of baseball great Babe Ruth; Ruth plays himself.

Dir: Richard Smith

Two female candidates for Chief of Police live across the hall from each other, and their political rivalry follows them home, leading to plenty of hi-jinks.

Dir: Lawrence C. Windom

A visual fragment from the archive: The thematic resonance of Lunatics in Politics perfectly mirrors the editorial trajectory of our deep dive.

Robert Hervey Randolph receives $10,000 a year because of the inability to locate the rightful heir of a will, who would receive the money if she could be found. Madge Van Tillier jilts Robert because he does not have enough money. While riding in a taxi, Robert rescues chorus girl Imogene Pamela Thorton from her companion Duke Beamer, and takes her home. Pam turns out to be the missing heir, and Robert loses his inheritance. He then gets a job as a taxi driver. Pam receives a large portion of her inheritance from the Ajax Taxi Company. Beamer tries to ruin Ajax, but Robert foils him, becomes vice-president of the company, and wins Pam's love.

Dir: Lawrence C. Windom

As an accountant Philander Jepson was a corking good gambler. He knew Dame Fortune has cast her optics on him at the start of his career and played his hands with corresponding confidence. After plucking a select bunch of cronies for a considerable wad he caressed his rabbit's foot and started on the annual two weeks' tour of the summer resorts. Enter Brunhilda, a young lady of quite some appearance, whose parents regard her as the family jewel and stood watch accordingly. In the eyes of Philander this surveillance was nothing more nor less than a dare. The result was romance. Unfortunately, at just this time Madame Fortune took a much-needed rest and trouble suddenly planted itself squarely in young Jepson's path. Brunhilda's pater discovered all there was to know about his gambling proclivities, and the gamblers suddenly proved that a bartender's foot on a victim's chair out-jinxes the strongest combination of horseshoes and four leaf clovers. When Philander realized what he was up against he determined to make a fresh start. Rather, he commenced to start for, after leaving his former job by request, the best he could land was fifty dollars a week work for ten per. He cast tokens, signs and omens to the winds, and strange to relate, found things were actually breaking right for him. And then, when he took the annual outing and discovered Brunhilda knew all about his changed circumstances, had been watching him all the time from a distance and thought more of him than ever; well, he could only feel thankful that good sense came to him as soon as it did.

Dir: Lawrence C. Windom

A visual fragment from the archive: The thematic resonance of Taxi perfectly mirrors the editorial trajectory of our deep dive.

Doris Wynne, at boarding school in France, is hardly acquainted with her mother, most of the dealings between them handled by a firm of lawyers. So when she falls in love with the brother of a schoolmate, she obtains her mother's consent through the attorneys. Alys Wynne's reasons for seeing so little of her daughter are that she is the companion in crime of "Python" Grant, international swindler. Having ruined a young nobleman and causing him to commit suicide, the pair escape to America. Doris, the daughter, in the meantime, is happily married to Keith Bourne, a young American. An uncle leaves him a million dollars and they decide to return to the United States. Grant and Alys discover Keith and cultivate him. That he is the husband of Doris is unknown to the mother, who is still young and beautiful herself. Grant pretends to abuse his wife and Keith comforts her. A suit for alienation of affection is the result. Bourne settles for $40,000 rather than have his young wife misunderstand him. But the swindlers try the "Follow-up" and when Keith refuses to be led further they telephone his wife and tell her the story. Through the attorneys she asks her mother to come to her. Alys goes and hears the story. She is thunderstruck to learn that her victim is the husband of her daughter. She advises the younger woman to believe in her husband and disappears. She tells the police where to find Python" Grant and next day the happy couple read in the paper that the woman accomplice of the swindler was found dead. It means nothing to them.

Dir: Lawrence C. Windom

T. Boggs Johns and George Nettleton, proprietors of the Digestive Pile Manufacturing Companny agree upon a unique method to stop their quarreling: play a game of poker, the loser to act as servant to the winner for a year. If either member of the agreement reveals the circumstances of the pact, he shall pay a fine of $5,000. Boggs loses, and he must serve as butler in the Nettleton home. His sweetheart Florence Cole comes to dinner at the Nettletons' and is surprised to see Boggs acting as butler, but cannot learn what has brought about the change in his social status. Thomas J. Vanderholt, an attorney in love with Florence, lets her in on the pact and tells her that he drew up the plans. She denounces him, and she and Boggs plan revenge on Nettleton. Boggs arranges an intimate tableau with Mrs. Nettleton; this so angers Nettleton that he schemes to make Boggs the loser financially, but Florence declares that the pact, being based on a poker game, is not legal.

Dir: Lawrence C. Windom

A visual fragment from the archive: The thematic resonance of Fools for Luck perfectly mirrors the editorial trajectory of our deep dive.

When Juliet Pim, bored with her husband Archibald's habitual ardent attentions, goes to a Swami, his advice that her "individualism" is being crushed leads her to request that Pim furnish her with a "reason" for a divorce suit. Shocked but compliant, Pim rents a hotel room. Later, he finds his college friend and rival stockbroker, wealthy James Wortley Tammers, at a restaurant with his wife, who also felt neglected and went to the Swami. Pim joins them and then goes with Mrs. Tammers to a roadhouse. After Tammers locates them, and his wife returns, the two husbands engage in an all-night wine party with cabaret dancers. The next day, while Tammers sleeps, Pim manipulates the market to control Tammers' wealth. The newspaper reports of Pim's elopement with Mrs. Tammers leave Juliet valuing her husband more than her freedom. After Pim reveals he was saving Tammers from a scheme to ruin him, he sells back most of the stocks and the couples are reunited.

Dir: Unknown Director

The Judge needs a present for his wife's birthday, so Harry suggests a new corset. They go to the shop, but he's so embarrassed to ask the saleslady he hides in a phone booth.Harry goes in, but finds a GUY wearing one, and runs out.They both dress as women to get back in, but Mrs. Rummy gets there and chases him out.

Dir: Lawrence C. Windom

Coaxed by sharpers, who seek to profit by his rustic innocence, the boy from the small town goes to the city with them and become, innocently enough, a successful swindler, but he learns of the deception and returns home, too ashamed to seek his old sweetheart. The crooks return to try a blackmail game, but Ernie's eyes are opened now. He cleans up in whirlwind fashion.