Deep Archive Finds Movies That Echo the Spirit of The Week-End: Cult Guide

Dir: Robert Thornby

Mary Willard takes over her father's railroad after his death. Her major competitor is a ruthless crook named Harvey Judson. She arranges for Judson to be kidnapped and taken to an isolated spot deep in the forest and turned loose to fend for himself. She accompanies the kidnappers to the wild and Judson, not knowing who she is, begins to fall in love with her. Complications ensue.

Dir: Sidney Franklin

A visual fragment from the archive: The thematic resonance of Two Weeks perfectly mirrors the editorial trajectory of our deep dive.

A chorus girl hopes to rise to stardom and thus accepts the advances of a wealthy man. But she becomes fearful of her reputation and safety. In an attempt to escape the rake's attentions, she hides out with a disparate group of men who room in a house called "The Barn." There she learns that there is more to life than that found on the stage.

Dir: Mason N. Litson

Edgar and his chum try to amass a fortune in one day by cornering the fan market on a hot afternoon when the circus comes to the small town where they are spending their vacation.

Dir: Malcolm St. Clair

A visual fragment from the archive: The thematic resonance of Get-Rich-Quick Edgar perfectly mirrors the editorial trajectory of our deep dive.

A dancing instructor gets involved with a newly rich family.

Dir: Charley Chase

A young married couple volunteer to take charge of several orphans after the asylum has burned down. Of course they find their hands full with their troublesome charges.

Dir: Unknown Director

A visual fragment from the archive: The thematic resonance of Don't Weaken! perfectly mirrors the editorial trajectory of our deep dive.

The Judge needs a present for his wife's birthday, so Harry suggests a new corset. They go to the shop, but he's so embarrassed to ask the saleslady he hides in a phone booth.Harry goes in, but finds a GUY wearing one, and runs out.They both dress as women to get back in, but Mrs. Rummy gets there and chases him out.

Dir: Reggie Morris

A fascinating piece of cinema that shares thematic elements.

Dir: Maurice Campbell

A visual fragment from the archive: The thematic resonance of Kids Is Kids perfectly mirrors the editorial trajectory of our deep dive.

Carver Endicott, a young sophisticate, is rejected by his fiancée for being too foppish and dull. When she feigns an interest in his father, Carver attempts to disgrace his family name by working as a farmhand and later as a busboy in a hotel. However, the newspapers only praise him for his self-sacrificing principles; and finding that he cannot bring shame to the family through menial labor, he takes up with a notorious actress. But when this maneuver also fails, he returns to his former fiancée, who has no further complaint about his being an inexperienced dullard.

Dir: Vernon Stallings

Krazy Kat is held in jail and Ignatz finally bails him out after encountering "guilt".

Dir: George L. Cox

In New York City, Luigi's Little Italy inn attracts a steady clientele because of the owner's personable niece, Carmina, known as "The Tiger Lily," who never hesitates to rebuke her ill-mannered admirers. Giovanni, who has arrived from Italy to kill the man who married his brother's fiancée, falls in love with Carmina. However, he soon learns that Carmina is attracted to David Remington, the son of the Luigi's landlord, and offers money for her hand in marriage. Carmina escapes and David invites her to his family home, unaware that his mother was engaged to Giovanni's brother. Mrs. Remington warns David against marrying beneath him, but comes to admire Carmina after witnessing her interactions with members of high society. Regardless, Carmina is asked to leave, then discovers that Giovanni plans to kill David's parents. She notifies the police, and after an ensuing fight, Giovanni is subdued. The Remingtons now accept Carmina as their future daughter-in-law.