Curated Recommendations Seeking the Same Brilliance as The World Ag...

Dir: Frank Hall Crane

George Castleman, an engineer, succeeds in securing the supervision of a big railroad in the west. He hurries home to tell the good news to Mildred, his wife. As usual she is at the Bridge Club, or other place of amusement, but being so full of his good luck he phones her to come home at once. However, she continues to play her game of bridge for another hour. An hour later she enters with excuses to George, who allows her kisses to make it all right. He eagerly tells her the news and she is delighted, but when he talks of her going with him, she says: "Surely you do not expect me to go with you?" He laughingly explains that it is not tor a few months, but for years; that it is a big railroad. But she persists in her refusal to go with him. He makes arrangements for the trip, and goes off alone to face the wilderness, with Mildred's words ringing in his ears, "When you want to see me, you can easily come home." George reaches the west and the building of the road begins in earnest, but it is slow work in the mountainous country. One day Dan Holden, while sitting in front of his hut in the mountains, with his little grandchild Zell, sees in the distance the railroad crew breaking through the forest. As they draw nearer and nearer, day by day, both are fascinated by the work, never before having seen cars, tracks or steam shovels. Zell is attracted to George and he somewhat to her. However, he explains to her that he is married but she persists in seeing him, if only to cheer him up. One day, while returning from watching the men at work, old Mr. Holden falls and seriously injures himself. George carries him to his hut but the injury is too much for the aged man to survive and he dies two days later. Lonesome, Zell shares her lonesomeness with that of the engineer. Months later, strange are the happenings in the little mountain hut and also in the beautiful home in the city. Zell is a real little mother, being called the little mother of the hills, and George is bending over, looking at their new born babe with true love and happiness. On the other hand, Mildred has met a man named Morgan, a flirtatious society man, who has designs upon her and urges her to bring divorce proceedings against her husband. Leaving the city to get evidence against George, Morgan and Mildred arrive at the little village, leaving in a coach for George's hut. The driver, a half-witted chap, driving carelessly around a curve, drove his wagon and occupants over the edge of a cliff, losing his life as well as killing both passengers. The news was a terrible shock to George, but after directing his men to give the three unfortunates as decent burial as the little mountain place could afford, he was at liberty to consider Zell's love for him in a different light with the result that after marrying the little mother of the hills, he continues his work content at last that his wife and babe are worthy of his sacrifice.

Dir: Frank Hall Crane

When Patricia "Patty" Hudson, a struggling New York writer becomes ill, her doctor, advising a restful occupation, arranges for her to be the private secretary to the aged James Winthrop, Sr. The closeness of their resulting relationship disturbs Winthrop's relatives, Mrs. Harrison Tyler and her daughter Sally, who hope to inherit his fortune. Mrs. Tyler writes slanderous letters about Patty to Winthrop's son Jim, in the aviation corps in France, and the rumors she spreads cause Patty to decide to leave. Winthrop, however, will not hear of it and proposes that they marry to quell the talk. Patty agrees but renounces all claims to his inheritance. After they marry, Winthrop dies from shock when he hears a false report of Jim's death. When Jim returns, he treats Patty with insolence, but after Patty sacrifices her reputation to protect Sally, the butler and his wife tell Jim the truth about Patty. Jim's subsequent proposal is accepted by Sally.

A visual fragment from the archive: The thematic resonance of His Father's Wife perfectly mirrors the editorial trajectory of our deep dive.

Dir: Frank Hall Crane

After a touring theatrical company goes broke on the road, press agent Jack Bartling persuades a local Suffragette leader, Mrs. Eubanks, whose husband is a Senator and soap manufacturer, to hire him for publicity. When Jack and the Eubanks' daughter Nell fall in love, her parents object, however the Senator promises his consent if Jack can keep Nell, also a Suffragette, out of prison, and Mrs. Eubanks vows her approval if Jack converts her husband to the cause. At a protest in front of the Governor's house, Jack saves Nell from being arrested, thus alienating Mrs. Eubanks who wanted her to be arrested. The Eubanks move to New York, and after Jack locates them and sneaks into their apartment disguised as a window washer, he convinces Mrs. Eubanks to have Suffragettes all over the country clip the Senator's ten-cent coupons for his "Floating Lily" Soap. After the Senator agrees to support the Suffragettes rather than pay off $650,000 for the coupons, the Eubanks finally approve Jack as their son-in-law.

Dir: Frank Hall Crane

Lucy Millington is an independent woman who looks upon men with contempt. Novelist Donald Prime, who has written a book on women, considers himself an authority on the subject. Both are lured into the desolate backwoods of Arcady by adventurers who plan to keep them in captivity until a fortune bequeathed to them has been safely deposited in the hands of their rivals. While attempting to find their way back to civilization they face many dangers including a canoe trip in perilous waters and an encounter with a band of outlaws. Finally, through sheer pluck and daring, they reach their lawyer just in the nick of time to claim their inheritance. During their days stranded in Arcady, they discover their love for each other, and so after they leave the lawyer's office, their next stop is to the justice of the peace.

A visual fragment from the archive: The thematic resonance of The Praise Agent perfectly mirrors the editorial trajectory of our deep dive.

Dir: Frank Hall Crane

Scandalous European temptress Lila Despard, travels to America to escape her lover, criminal Jack Firthenbras. On the ship, she meets Andrew Livingston, a United States Navy planner, and Senator and Mrs. Gales. Her new friends host a party for Lila in Washington, D.C., where a spy named Dromiroff threatens to expose her past unless she steals Andrew's secret naval plans. In order to secure the papers, Lila makes love to Andrew, but the plan backfires when she falls in love with him. Eventually, Lila agrees to marry Andrew, but during their honeymoon, Dromiroff abducts her from the bridal suite. At headquarters, Lila is shot while destroying the documents, and before dying, she telephones Andrew to confess her misdeeds. The conspirators are killed when their car plunges from a cliff.

Dir: Frank Hall Crane

During World War I, Dick Randall says goodbye to his mother and joins the troops in battle overseas. Dazed by the explosion of a shell, he wanders over the German lines and is hiding in a haystack when French peasant girl Corinne Frenaud discovers him. Convalescing in her mother's cottage, Dick falls in love with Corinne, and she proves her love by accompanying him across the American lines after a shell destroys the cottage. Corinne quickly becomes the favorite of Dick's regiment, but he is distracted from his jealousy by the idea of showering Berlin with pamphlets featuring a photo of Kaiser Wilhelm and the inscription "Wanted for Murder." With help from a pilot, Dick flies over Berlin and drops the photos, but the plane is shot on its way back to France. Corinne again rescues him just as the truce is declared, and later, Dick takes the brave woman to America as his bride.

A visual fragment from the archive: The thematic resonance of Stranded in Arcady perfectly mirrors the editorial trajectory of our deep dive.

Dir: Frank Hall Crane

Ludwig "Old Dutch" Streusand and his daughter Violet live in New York, and after years of hard study and labor Old Dutch completes his invention: the "teloptophone," a device which, when attached to a telephone, enables the speaker to see the party at the other end of the wire. He goes to John Rockmorgan with his invention and after he proves its worth, Rockmorgan agrees to finance his invention and gives him a check for $5,000 on account. Old Dutch and Violet have had a hard time life; now that his invention is a success, he feels that they deserve a Palm Beach vacation. To escape the publicity arising through the invention of the teloptophone, he also thinks it wise to assume another name to avoid being questioned and annoyed about his invention. He arrives at a Palm Beach hotel and registers under the name of John Mueller and daughter, and settles down to a period of rest and comfort. Harold, John Rockmorgan's son, has also gone to the hotel, and when he sees Violet, love awakens in his heart. They meet and she is happy in her first love affair. In the meantime, the vaudeville team of Bings and Bings is discharged from the theater in which they are playing because their act is so bad. They are in desperate straits and the male member of the team has the idea to go to a fashionable Florida hotel and somehow get hold of some of the millionaires' money. Old Dutch has become a great favorite with the children of the hotel, and on the day that Bings and Bings arrive there, he loses his pocketbook while playing with the kids. Mr. Bings has the good luck to spot it, and before they register he goes through the contents and sees the $5,000 check made out to Ludwig Streusand. When he finds that no such man is stopping there, he boldly signs the name of Ludwig Streusand and daughter. When Joubert, the hotel proprietor, learns that such an illustrious person is stopping with him, he immediately begins to give receptions and balls in his honor. Old Dutch is so wrapped up in having a good time that he is unaware a man is masquerading under his name, so when his week's bill is presented he is unable to pay it, as his check for $5,000 and all means of identification have gone with the pocketbook. Joubert is furious that Old Dutch cannot pay his bill and tells him that he and his daughter must either go to jail or work off their board bill, Old Dutch protests and says that his name is Streusand and John Rockmorgan is his partner. Joubert laughs at him and points at whom he thinks is the real Streusand. Harold tells the proprietor he feels sure that Old Dutch is speaking the truth. When Joubert asks him how long he has known him and in what way he can identify them, he is left without an answer. So they are put to work, Old Dutch in the stable and Violet in the kitchen. Meanwhile the vaudeville team of Bings and Bings are having the time of their lives. The female end of the sketch is doing her best to win Harold Rockmorgan, who still believes and loves Violet. After having been forced to perform various duties around the hotel, on the night of a banquet given in honor of the false Streusand, Joubert forces Old Dutch to be headwaiter. In the meantime Old Dutch has induced Harold to phone to his father to come down and identify his partner. At first he refuses, but Harold gets the teloptophone from Old Dutch and tells his father that he plainly sees the stenographer seated on his lap and unless he does come at once he will tell mother. That settles the old man. During the banquet Bings is called upon for a speech, and as he is telling his eager listeners what a wonderful man he is, Rockmorgan arrives downstairs in the hotel. The clerk hastens to tell Joubert. Old Dutch overhears the good news, and knows that his time has come. He tears down to the office, followed by Bings and the surprised guests. He runs up to Rockmorgan who quickly explains that Old Dutch is the real Streusand and the other is a faker. Bings and Bings' day is over, Harold and Violet are free to get married, and Old Dutch takes up his pleasure again.

Dir: Frank Hall Crane

Mrs. Helen Courtland passes a fake check for $25,000 from a millionaire named Woodruffe Clay, who is in love with her daughter Anita. To save the family from a scandal in court, Anita marries Woodruffe, even though she loves Captain Hugh Shannon of the Foreign Legion. During an argument on their wedding night, Woodruffe falls and is seriously injured, and during his recovery, he makes her life miserable. Anita suffers from sleepwalking, and after one episode she dreams of poisoning her husband, she awakens to find him dead. Believing that she killed Woodruffe, Anita travels to Europe with Sarah Harden, her nurse, and there renews her affair with Hugh. When the evidence points overwhelmingly to Anita, however, she decides to return to America, but before she can confess her guilt, Sarah admits that it was she who killed Woodruffe in order to free her mistress from an unhappy marriage.

A visual fragment from the archive: The thematic resonance of As in a Looking Glass perfectly mirrors the editorial trajectory of our deep dive.

Dir: Frank Hall Crane

While developing a powerful explosive, naval officer Paul Towne introduces his friend Richard Tracy to Judith Corbin, his friend since childhood. For years, Paul had assumed that he would marry Judith, but when Richard proposes, Judith, tired of waiting for Paul, accepts. Soon after the marriage, Richard becomes more interested in the new explosive than in his new wife, and to pay off gambling debts, he agrees to steal the formula and sell it to a foreign government. While spying at close range on a test of the explosive, however, Richard is killed, after which Judith, who has long since realized her mistake in becoming Richard's wife, accepts Paul's marriage proposal.

Dir: Frank Hall Crane

A fascinating piece of cinema that shares thematic elements.