Underground Favorites Mirroring the Impact of The Yokel: Cult Guide

Dir: Maurice Campbell

Carver Endicott, a young sophisticate, is rejected by his fiancée for being too foppish and dull. When she feigns an interest in his father, Carver attempts to disgrace his family name by working as a farmhand and later as a busboy in a hotel. However, the newspapers only praise him for his self-sacrificing principles; and finding that he cannot bring shame to the family through menial labor, he takes up with a notorious actress. But when this maneuver also fails, he returns to his former fiancée, who has no further complaint about his being an inexperienced dullard.

Dir: Richard Smith

A visual fragment from the archive: The thematic resonance of Lunatics in Politics perfectly mirrors the editorial trajectory of our deep dive.

Two female candidates for Chief of Police live across the hall from each other, and their political rivalry follows them home, leading to plenty of hi-jinks.

Dir: Eduardo Notari

A crime drama in the Gennariello-series. The police detective in Naples that is confronted with modern gangsters and crime events.

Dir: Henry Edwards

A visual fragment from the archive: The thematic resonance of 'A mala nova perfectly mirrors the editorial trajectory of our deep dive.

A millionaire bets £25,000 that he can earn his own living for six months.

Dir: Charley Chase

A young married couple volunteer to take charge of several orphans after the asylum has burned down. Of course they find their hands full with their troublesome charges.

Dir: Lloyd Ingraham

A visual fragment from the archive: The thematic resonance of The Amazing Quest of Mr. Ernest Bliss perfectly mirrors the editorial trajectory of our deep dive.

While walking along the street one day, Arthur P. Hampton, an impoverished young doctor, and his chums, Stub Masters and Johnny Stokes, are persuaded to part with their last remaining funds by tag day solicitor Mary Jane Smith, with whom the doctor promptly falls in love. Doc's friends then hit upon a get-rich-quick scheme. Knowing that his Uncle George has promised a large sum of money upon his nephew's marriage, they persuade Doc to send out fake wedding invitations naming Mary Jane as the blushing bride. Uncle George, elated at the good news, writes to Mary Jane's aunt, Angelica Burns, an old sweetheart, to invite Mary Jane and Angelica to be his guests on an ocean voyage. Meanwhile, Mary Jane pays a visit to the doctor's office and, upon seeing the wedding invitations, becomes so flustered that she trips and sprains her ankle. Doc comes to her rescue and then begs her to pose as his wife. She agrees, but at ship-side, Stub and Johnnie confess all to Uncle George, who flies into a rage until Doc announces that he and Mary Jane have chosen a wedding at sea.

Dir: James D. Davis

Down on the farm old Pop Hebenezer had his troubles keeping his two daughters from spooning with his hired help. Luke loved Lucy, the younger daughter, and Billy loved Sally, the older one. The girls were serving their sweethearts with food but they forgot the food and made love. In the meantime the animal family, consisting of a goat, a donkey, a dog and a pig, were hungry, too. The dog spied the tray of food on the table, jumped through the window, grabbed the food and, ran away. Charlie, the oriental cook, the greatest little K. P. that ever was. He happened to pass outside of the window where the lovers were deeply engrossed, when they suddenly discovered the loss of their food, and blamed Charlie. They threw a pail of water over him for revenge. Pop invented a Nutt motor that would make anything on wheels stand as permanent as rock. The girls are keen about this, invention and all have a hand in perfecting it. When Pop looks around for his help he discovers Luke and Lucy on top of the barn on a see-saw. They had assigned the goat to beat the carpet and water the lawn, the donkey to put the hay in the loft, and the dog to mow the lawn. Sally and Billy camouflaged themselves like trees and were having a wild time all by their lonesome. Pop chases the lovers back to work and all is peaceful again. Two crooks are on their way to steal Pop's new invention, but the chief of police advises Pop of their arrival. The daughters put a lion in the case where the Nutt motor originally was, and the crooks steal this case and are very much surprised to find a not too loving lion staring them in the face. An uproarious chase follows, wherein the lion scares nearly everybody half to death.

Dir: Reggie Morris

A visual fragment from the archive: The thematic resonance of Kids Is Kids perfectly mirrors the editorial trajectory of our deep dive.

A fascinating piece of cinema that shares thematic elements.

Dir: Ralph Ince

A fascinating piece of cinema that shares thematic elements.

Dir: Unknown Director

A fascinating piece of cinema that shares thematic elements.