Cinematic Discoveries Resonating with the Themes of Then Came the W...

Dir: Harley Knoles

Jim McDonald, the foreman of a shipbuilding plant and head of the labor union, strives to combat the anarchistic propaganda being put forth by Klimoff, the leader of a Bolshevik gang whose goal is to disrupt the country with strikes and anarchy. Despite McDonald's efforts, a strike is called, resulting in chaos. McDonald's child is knocked down by runaway horses abandoned by their striking driver, and dies. Mob scenes take place in America, as well as in Russia. Eventually, the unrest is quelled with an armistice called between Capital and Labor for a year, during which time wages are to be increased to reflect the cost of living, and leaders are to work out a common plan for their mutual advantage. The strikers now realize that they have been pawns of the Bolsheviks and call off the strike, agreeing to the plan.

Dir: Maurice Elvey

A lady marries a horse trainer but withholds herself until her crippled brother is cured.

A visual fragment from the archive: The thematic resonance of The Hundredth Chance perfectly mirrors the editorial trajectory of our deep dive.

Dir: Edward Dillon

Her education in a French convent school completed, plain Justine Spencer returns to New York. There she is shocked to discover that her mother Dodo is a flamboyant musical comedy actress with many male admirers. Dodo, on the other hand, is dismayed to find Justine priggish and dowdy. One of Dodo's suitors is Billy Ferris, who, in a fit of jealousy, murders her and slays himself. Out of pity, Cosmo Spotiswood, another admirer of Dodo, marries Justine, but soon tires of his platonic marriage and leaves for Europe. Upon his return, Cosmo finds Justine transformed. Under the tutelage of Dodo's maid Loti, she has bobbed her hair and donned fashionable apparel. Thus changed, Justine is surrounded by suitors. Stung by jealousy, Cosmo falls in love with his sophisticated wife.

Dir: Alexander Butler

In Alberta, Canada, a Cornish emigrant unmasks a rustler posing as the girl's "blind" father.

A visual fragment from the archive: The thematic resonance of The Amateur Wife perfectly mirrors the editorial trajectory of our deep dive.

Dir: Bruno Ziener

A fascinating piece of cinema that shares thematic elements.

Dir: David Hartford

Mary Lawton bids farewell to her father, Mark Lawton, and his business partner, John Adams, to whom she is engaged, leaving Arizona to study art in New York. After a time, John visits Mary unexpectedly and discovers to his sorrow that she has forgotten him in the convivial whirl of her new life. Upon his return to Arizona, he learns that Mark has died, and in his grief and disappointment, he sets fire to the house he built for Mary. Still in New York, Mary visits sculptor Trovio Valdez and is about to surrender to his advances when she sees his bronze statue of John. Realizing her love for her old sweetheart, she abandons her Bohemian friends and accepts a position as a governess with oil magnate Frank Marsh. Frank wants John's oil-rich lands but offers to give up his claim if Mary will be his wife. She agrees, but when Frank realizes that her heart belongs to John, he rides out of their lives, and they finally reunite.

A visual fragment from the archive: The thematic resonance of The Night Riders perfectly mirrors the editorial trajectory of our deep dive.

Dir: David Hartford

A spy known as "1932" during World War I, is commissioned by the German Secret Service to trail English agent Captain Woodhouse to the Straits of Gibraltar and there effect the destruction of the British fleet. Before his departure, 1932 helps Jane Gerson, an American girl falsely accused of espionage, and later falls in love with her. In Egypt, 1932 secures Woodhouse's clothes and identification and proceeds to Gibraltar. The governor of Gibraltar is led to suspect "Woodhouse" by British agent Billy Capper and Jane, who is his house-guest. In the end, Jaimihr, a Turkish servant employed by the governor, is revealed as the true German agent, and 1932 is identified as Captain Cavendish of the British Intelligence Bureau, who is now free to turn his attention to Jane.

Dir: Wilfred Lucas

Brian O'Farrell (Snowy Baker), is an English 'new chum' who takes a job at an Australian cattle station. He is teased by station hands because of his appearance (including spats and a monocle) but he soon impresses them with his skills at riding and boxing. The station manager, John MacDonald (Wilfred Lucas), takes O'Farrell to Sydney to meet his daughter Edith (Kathleen Key) who is working in the slums. Edith is kidnapped by criminals after witnessing a crime but O'Farrell rescues her. It is later revealed he is the owner of the station.

A visual fragment from the archive: The thematic resonance of Eva, wo bist du? perfectly mirrors the editorial trajectory of our deep dive.

Dir: Robert N. Bradbury

A simple country girl, brutally mistreated by her stepfather, awakens first the sympathy, then the love, of The Boy. The Spider, who lusts after The Girl, makes a bargain with the stepfather and takes her to the city where, kept prisoner, she is soon broken in health and spirit. Cast out and near death, she is taken in by The Boy. Following the demise of The Spider, The Boy takes her to church, where he prays, and after many hours she is restored to health.

Dir: Eduardo Notari

A crime drama in the Gennariello-series. The police detective in Naples that is confronted with modern gangsters and crime events.