Essential Cult Cinema Mirroring the Impact of Three Wise Goofs: Cult Guide

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Ne'er-do-well Homer Cavender ventures to the city from Mainsville in an effort to find fame and fortune. Both elude him, and after clerking for two years, Homer returns home for a vacation. Impressed by his flashy clothes, the townspeople assume that Homer has achieved success. Attempting to win Rachel Prouty from his rival, Arthur Machim, Homer continues the deception by announcing that his employer, Kort and Bailly, has dispatched him to enroll stockholders for a proposed new plant to be built in Mainsville. Machim discovers the sham and denounces Homer as a crook. Meanwhile, Homer returns to New York, convinces his employers of the merits of his plan and comes home triumphant, with a proposal for both the new plant and for Rachel's hand in marriage.

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A visual fragment from the archive: The thematic resonance of Romance and Dynamite perfectly mirrors the editorial trajectory of our deep dive.

A fascinating piece of cinema that shares thematic elements.

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A fascinating piece of cinema that shares thematic elements.

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A visual fragment from the archive: The thematic resonance of Striking Models perfectly mirrors the editorial trajectory of our deep dive.

A young married couple volunteer to take charge of several orphans after the asylum has burned down. Of course they find their hands full with their troublesome charges.

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A fascinating piece of cinema that shares thematic elements.

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A visual fragment from the archive: The thematic resonance of Kids Is Kids perfectly mirrors the editorial trajectory of our deep dive.

Two men who seek the same girl are switched back and forth in the wedding ceremony.

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A millionaire bets £25,000 that he can earn his own living for six months.

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A visual fragment from the archive: The thematic resonance of Trail of the Rails perfectly mirrors the editorial trajectory of our deep dive.

A mail-order bride arrives at a Maine lumber camp but doesn't like her prospective husband.

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Down on the farm old Pop Hebenezer had his troubles keeping his two daughters from spooning with his hired help. Luke loved Lucy, the younger daughter, and Billy loved Sally, the older one. The girls were serving their sweethearts with food but they forgot the food and made love. In the meantime the animal family, consisting of a goat, a donkey, a dog and a pig, were hungry, too. The dog spied the tray of food on the table, jumped through the window, grabbed the food and, ran away. Charlie, the oriental cook, the greatest little K. P. that ever was. He happened to pass outside of the window where the lovers were deeply engrossed, when they suddenly discovered the loss of their food, and blamed Charlie. They threw a pail of water over him for revenge. Pop invented a Nutt motor that would make anything on wheels stand as permanent as rock. The girls are keen about this, invention and all have a hand in perfecting it. When Pop looks around for his help he discovers Luke and Lucy on top of the barn on a see-saw. They had assigned the goat to beat the carpet and water the lawn, the donkey to put the hay in the loft, and the dog to mow the lawn. Sally and Billy camouflaged themselves like trees and were having a wild time all by their lonesome. Pop chases the lovers back to work and all is peaceful again. Two crooks are on their way to steal Pop's new invention, but the chief of police advises Pop of their arrival. The daughters put a lion in the case where the Nutt motor originally was, and the crooks steal this case and are very much surprised to find a not too loving lion staring them in the face. An uproarious chase follows, wherein the lion scares nearly everybody half to death.

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A dancing instructor gets involved with a newly rich family.