Recommendations
Senior Film Conservator

After experiencing the cult status of Transgression (1917), you are likely searching for more films that share its specific artistic vision. Unlock a new level of cinematic understanding with these cult alternatives.
This 1917 cult classic stands as a testament to push the boundaries of conventional storytelling.
Hal Page, the weakling brother of Stephen Page, the town mayor, falls in love with Carline Shrefton, who throws over Burt Staley to entangle Hal in her self-serving schemes. Furious over her abrupt departure, Staley shows up at Carline's, and a jealous fight with Hal ensues in which Staley is shot and killed with Carline's gun. After Hal confesses to the deed, Stephen quietly sends him off to Spain. One year later, Stephen announces his engagement to Marion Hayward, the daughter of the district attorney, who is pressing charges against James Reed, a corrupt politician and Carline's new husband. To save Reed, Carline threatens Stephen with exposure, but he refuses to bend to her demands. Just days before Carline is to reveal her story about Staley, Hal appears and confesses to Hayward that Carline is the true killer. After verifying Hal's story, Hayward grills Carline, who finally admits her guilt. A matured Hal is restored to his family and Reed is sent away for his crimes.
The influence of Paul Scardon in Transgression can be felt in the way modern cult films handle cult status. From the specific lighting choices to the pacing, this 1917 release set a high bar for atmospheric immersion.
Based on the unique cult status of Transgression, our vault has identified these titles as the most compelling follow-up experiences for fans of cult cinema:
Dir: Paul Scardon
Young Hugh Jordan, the nephew of the man who robbed the Winthrop children, is earning his living out west when he comes into the millions of his thieving old uncle. Hugh goes east and settles down to a life of ease and enjoyment. He is entertaining a stag party at his home when the butler announces the arrival of the Misses Winthrop. A letter left by their father told them to go to Hugh Jordon, as he held a mining claim in trust for them. Penelope, the oldest girl, shows the letter to Hugh and he invites the orphans to remain until he has investigated the matter. It is all plain sailing after that, and Hugh marries Penelope and the fortune is kept in the family. There is a slight underplot involving a handsome widow, who tries to capture Hugh, and a most despicable specimen of the wealthy class who tries to ruin Penelope.
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Dir: Paul Scardon
Polly Biggs helps care for her younger brother and sisters, while her widowed mother works hard as a seamstress to earn a living. Mayor Hoadley, Mrs. Biggs' brother, a crooked politician, calls to sympathize with her on the death of her husband, and Polly takes a dislike to him. Within a short time Mrs. Biggs dies and for the sake of appearances, Hoadley and his wife take the children to live with them. Oxmore, a reform candidate, opposes Hoadley's re-election. His son John, an artist, meets Polly and calls on her at the Hoadley mansion, where he saves her from the advances of Hawkins, a ward boss who "has something" on Hoadley. Hawkins threatens to "get" John for his interference, and the threat is heard by Hoadley. Polly and the children are treated so badly that they run away to the poorhouse, which later burns; Polly saves the children, and they wander to a bungalow in the woods, John, who owns the bungalow, finds them there, and permits them to stay all night. During the night Hoadley visits Hawkins and kills him in self-defense, using a cane that John has inadvertently left at his house, when John goes to town he is arrested. Polly and the children are his only alibi, and he cannot tell of Polly's presence. The evidence is strong against him, and if he is convicted his father will lose the election. Polly, who has been sent away by Hoadley, returns in time to straighten matters.
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Dir: Paul Scardon
Mr. Curtis returns to his Alma mater and regales students with stories about the Civil War, which ended fifty years before. He tells them about his college friends, Dick Randolph and Watkins, who were at first rivals for Marian - who far preferred Dick - and then rivals on the battlefield. Watkins, a Union officer, captured Dick, a Confederate, but Marian helped her sweetheart escape. Watkins and Dick were then wounded in the same battle and died in each other's arms after asserting their friendship and forgetting their past differences. Back in the present, an aged Marian joins the group. She dies while listening to Mr. Curtis, and fifty years after she and Dick had been lovers in the flesh, her spirit goes to join his.
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Dir: Paul Scardon
John Olsen, the foreman in an iron foundry, is persuaded by two of the workmen to rob the company safe, an operation so successful that the three decide to embark on a career of safe cracking. While pulling a job, John breaks his leg and is forced to take refuge in the home of Belle Foliot, whose husband is serving a life sentence. As she tends John's injured leg, Belle falls in love with him and decides to join the gang, and when she becomes trapped during a robbery, John remains at the scene of the crime so that she can escape. Following his five year prison term, John declares that he is going straight, whereupon Belle leaves him. John marries and buys a farm, but one day his arresting officer, Lieut. Reilly, appears and reveals his past to his wife and the townspeople. As a result, the farmers shun him and his wife divorces him. He is about to break into the bank when Belle and Reilly arrive. Promising to go straight, Belle accompanies John out West to a new life.
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Dir: Paul Scardon
Lawler, a dishonest promoter, has Winton in his power, the latter believing that he has killed Yawkey, Lawler's partner. For his silence, Lawler demands the hand of Winton's daughter Josephine. Meanwhile, Billy Mountain, a man whom Lawler has swindled, arrives and, disguised by a heavy beard, interests his old enemy in a proposition. He invites Lawler on his yacht and makes him a prisoner. Josephine, fearing that Lawler will expose her father, accompanies them when they sail for a South American country involved in a revolution. When they land, Josephine frees Lawler, who joins the forces of the government. Billy and his partner, allied with the revolutionaries, plan an attack on the president and his forces. In the battle, Billy is captured and sentenced to death, but when the tide turns in favor of the revolutionaries, he escapes. With the appearance of Yawkey, Josephine is freed from Lawler's power and begins life anew with Billy.
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Dir: Paul Scardon
After landing a big "haul," Dave Darcey, a crook, decides to spend part of his booty by holding a dance for his followers. Paddy Burns, leader of a rival faction, decides to settle an old score with Dave by breaking up the affair. On the night of the dance he goes at the head of his gang with the avowed intention to "get" Dave. In the struggle, Dave shoots Paddy and makes good his escape. He is seen by Phillip Brenton, the son of the owner of the steel works, who thinks he is there to rob the house and demands an explanation, Dave explains the whole affair to him, and Phillip gives him a chance to make good by giving him a job in the steel plant. Phillip's father is not so sure of Dave's reformation, and tests him by leaving a large roll of bills exposed. Dave sees the money and a struggle with his other self follows. The new Dave comes out the winner and he returns the money. The Baroness Von Ehrenstein, a secret agent for a foreign government, learns that the Benton Steel Works have accepted a huge war order for a nation hostile to her own. She gets permission from Phillip to visit the plant on the pretext of getting local color for a novel she is writing. Phillip personally guides her and her accomplices through the plant and they make a thorough study of the place. Phillip has become greatly interested in the Baroness and is neglecting his fiancée, Grace. The latter notices his continued absence and asks Dave the cause. The latter, in order to protect Phillip, tells her that it is business. Dave, suspicious of the Baroness, warns Phillip of her and his young employer resents his interference and discharges him. While Phillip is in a drunken stupor, the Baroness steals his office keys from him and gives them to her confederates who hasten to the steel works. Suspicious of their actions, Dave follows them and sees them plant bombs in the factory. He tries to foil them and a fight follows. Dave is finally subdued and is left, bound hand and foot, by the burning bombs. He rolls himself over to a saw and works frantically till he severs his bonds. He then starts to stamp out the fuses of the bombs, but one of them explodes and he is caught in the wreckage. The watchman, having seen part of the struggle, follows the conspirators. The police arrive at the scene and are closely followed by Phillip and his father. The latter accuses Dave of attempting to destroy his plant, and also charges him with the murder of Paddy Burns. The watchman returns with the real culprits and tells the true story, thus clearing Dave of guilt. One of the policemen then tell Dave that he need not fear of trial for murder, as Paddy is still alive, having been only slightly injured by the shot. Dave is acquitted of the charge of assault which he had to answer to for the shooting and returns to a better job with the Benton Steel Works. Phillip and Grace are reunited.
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Dir: Paul Scardon
Jimmie Hallet is walking through a heavy fog one night when, seemingly out of nowhere, a girl appears, shoves a bundle of papers and a slip of paper with an address on it into Jimmie's hands, then disappears. Intrigued, he goes to the address on the paper, and is promptly knocked out by a blackjack. When he wakes up the next morning he discovers the dead body of a man named Greye-Stratton and learns that the "mystery girl" was Stratton's daughter Peggy. Jimmie soon finds himself questioned by the police about her father/s murder and mixed up with a gang of thieves and killers led by a mysterious thug named Ling.
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Dir: Paul Scardon
David Solomon, a wealthy banker, is merciless in his dealings with his rich clients, from whom he exacts the highest interest. He aids the poor as much as possible. To facilitate his kindness among the people of the Ghetto, he runs there a pawnshop, unlike all others, for to the needy he measures out money, not according to the value of the articles they offer, but according to their needs. David's son, Maurice, is given to high living. It grieves his father, who is, however, consoled by the fact that his daughter, Ethel, seconds her father's charities by maintaining a day nursery for the children of the poor. One day David sees a young girl fall unconscious in the street. He takes her to the hospital where the doctor tells him that the girl, Mary, is suffering from exhaustion. David's heart is touched and he resolves to make Mary's future his own care. When she has regained her strength he finds her a position as a model in a dress house of a friend, Silver. Ethel visits the dress house to buy gowns, bringing Maurice with her. He sees Mary for the second time, having noticed her upon the street. Maurice arranges to meet Mary under an assumed name, and pursues his courtship with all seeming love. She so learns to worship Maurice that she gives him all, not stopping to count the cost, nor to demand the wedding ring. For a brief while Mary tastes of a great happiness, but Stevins, the man for whom she once worked, and who, because she would not encourage his advances, drove her from every honest position, naming her as a thief, visits the dress house to get gowns for "The Bunch of Flowers," a set of girls so termed by Maurice who has been much in their company. He recognizes Mary, repeats the accusation, and her employer discharges her. Mary returns to the little flat supported by Maurice, where she tells her story. Maurice has begun to tire of her. He seeks Stevins, who tells a seemingly truthful story. Maurice believes it and leaves Mary, writing to this effect. He, however, does not know that the girl he has wronged is about to become a mother. Six years elapse, and we find Mary and her little son, living in poverty. Again she is rescued by David Soloman, who has called to see a deserving case next door to Mary, the object of his charity being Mrs. Payne, the landlady who drove Mary from her door, and who is now a paralytic. Mary tells David her story, showing him the letter from her lover. He recognizes the writing of his own son. He takes his grandson home with him where the child is seen by Maurice, who is conscience stricken. Heinstitutes a search for Mary. Stevins, the man who hounded Mary, needs a further extension of his loan from David. But David, having learned what he has done, Mary forces him to the wall and ruins him. Goldstein, who has been a faithful secretary to David, resigns. He loves the daughter of David, but being a poor man does not declare his love and so decides to leave for other parts of the country. David has watched the love which has existed between Ethel and Goldstein, and gives Goldstein a check for a large amount, quite sufficient to start them on their honeymoon. David informs Maurice by telegraph, not signing his name, where Mary may he found. He then goes to her with her little son. Maurice arrives, and makes reparation by marrying Mary.
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Dir: Paul Scardon
Eileen Meredith receives word from an "unknown friend" to call at the house of her fiancé, Robert Grell, where she will discover something of great importance. Unable to go, Eileen sends her sister Helen in her place. Helen enters the library where she finds a dead body resembling Grell. The real Grell then enters and, seeing Helen holding the dagger, mistakes her for Eileen and flees, hoping to cast suspicion on himself. Criminologist Heldon Foye takes the case. Foyle is in love with Helen, and when he finds her prints on the dagger, finds himself in a struggle between love and duty. Meanwhile, Grell locates the real murderer, a woman who clears up the mystery by explaining that the murdered man was Harry Goldenberg, her husband and Grell's dissolute brother who had come to blackmail him. In a struggle, she had stabbed Goldenberg, but because she had worn gloves, no fingerprints were visible on the dagger. The mystery thus resolved, Grell marries Eileen while Helen forgives Foyle for misjudging her.
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Dir: Paul Scardon
The Hawk, Count George De Dazetta, preys upon society with the aid of his beautiful wife. She seems to be in love with a young French nobleman, who is the real aggressor in this triangle. De Dazetta finds that the young nobleman's love for his wife is changing her for the better, that she begins to abhor his gambling profession and his inroads upon society. However, he continues to use her beauty as a lure to his gaming tables and wins heavily. In the meantime the nobleman breaks with a young woman aristocrat whom his mother wishes him to wed. During a transaction with an American from whom he borrows money to repay his gaming losses to De Dazetta the nobleman learns of the Hawk's love for his wife, and that she is helping her husband to win. Marina, the wife, washes her hands of the whole earning enterprise and is accused of infidelity by her husband, who tried to kill the nobleman. Failing, he leaves, and the nobleman protects the wife while attempting to locate the gambler and get his consent to a divorce. Finally this is effected, and Marina herself pleads for the divorce, that is until she learns that De Dazetta is now penniless, having lavished his every cent upon her and really loves her, and has consented to give her up only because he thinks it best for her future welfare. Her womanhood comes to the surface and she goes to him, renouncing the nobleman, her love for the latter having been without sin throughout.
View DetailsAnalysis relative to Transgression
| Film Title | Atmosphere | Complexity | Similarity |
|---|---|---|---|
| A Bachelor's Children | Surreal | Layered | 85% Match |
| Her Right to Live | Gothic | Abstract | 97% Match |
| Rose of the South | Gothic | Linear | 85% Match |
| All Man | Tense | High | 96% Match |
| Soldiers of Chance | Tense | Layered | 86% Match |
This guide was algorithmically generated using the cinematic metadata of Paul Scardon's archive. Last updated: 8/16/2026.
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