Recommendations
Senior Film Conservator

If the nuanced performance of Jean Boyer's work in Un mauvais garçon left an impression, the cinematic shorthand used by Jean Boyer is both ancient and revolutionary. We've prioritized films that capture the 1936 aesthetic with similar precision.
By merging nuanced performance with Drama tropes, it to articulate the unspoken anxieties of France's 1936 era.
Monsieur Serval has made a deal with his daughter Jacqueline. She can be a lawyer and act her own way provided that, in a given period of time, she becomes a great name of the profession. If she does not, she must pledge herself to marry the son of a rich man, Monsieur Feutrier. Jacqueline accepts and starts her career by defending Pierre Besnard, a bad Boy. Not only does she get the case dismissed but she falls in love with Pierre as well. But she is not famous for all that and sooner or later she will have to bring herself to marry Feutrier's son...
Based on the unique nuanced performance of Un mauvais garçon, our vault has identified these titles as the most compelling follow-up experiences for fans of Drama cinema:
Dir: Eduardo Notari
A crime drama in the Gennariello-series. The police detective in Naples that is confronted with modern gangsters and crime events.
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Dir: Colin Campbell
Zora, a girl of French origin, is raised by a wealthy Bedouin family after her mother Valerie dies while eloping with another man. Zora feels such great longing for the French artist Adrien that she accepts the offer of another artist, Raoul, to take her to Paris with the stipulation that if Adrien rejects her, she must give herself to him. Jan, the chieftain's son who is in love with Zora, follows the two to Paris. There Zora realizes that Adrien does not love her and discovers her real love for Jan. However, she feels bound to honor her pact with Raoul and is about to succumb to his advances when her father appears and recognizes Raoul as the man who destroyed his home years earlier. In the ensuing fight between the two men, Raoul is killed, thus freeing Zora to accept Jan's love.
Dir: Reggie Morris
A fascinating piece of cinema that shares thematic elements.
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Dir: Maurice Campbell
Carver Endicott, a young sophisticate, is rejected by his fiancée for being too foppish and dull. When she feigns an interest in his father, Carver attempts to disgrace his family name by working as a farmhand and later as a busboy in a hotel. However, the newspapers only praise him for his self-sacrificing principles; and finding that he cannot bring shame to the family through menial labor, he takes up with a notorious actress. But when this maneuver also fails, he returns to his former fiancée, who has no further complaint about his being an inexperienced dullard.
Dir: Charles Horan
While working as a flower girl in Devlin Maddox's nightclub, Nellie Vaughan meets wealthy young Pelton Van Teel and falls in love. Maddox, desirous of using Nellie to blackmail Van Teel, spreads a rumor that she is his mistress. This makes Nellie uncomfortable, and she demands that Van Teel marry her immediately, to which he agrees. Meanwhile, Van Teel has been losing money gambling to Maddox, who threatens to break up the marriage by producing a worthless check that the young husband has written. Venturing to Maddox's apartment for a showdown, Nellie pulls a gun and demands the check, accidentally shooting Maddox when he throws a lamp at her. Maddox plans to charge Nellie with assault, but when the police arrive, his butler, actually a detective employed by the elder Van Teel, exposes Maddox, who is then arrested, clearing the path for the couple's happiness.
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Dir: Wilfred Lucas
Brian O'Farrell (Snowy Baker), is an English 'new chum' who takes a job at an Australian cattle station. He is teased by station hands because of his appearance (including spats and a monocle) but he soon impresses them with his skills at riding and boxing. The station manager, John MacDonald (Wilfred Lucas), takes O'Farrell to Sydney to meet his daughter Edith (Kathleen Key) who is working in the slums. Edith is kidnapped by criminals after witnessing a crime but O'Farrell rescues her. It is later revealed he is the owner of the station.
Dir: Harley Knoles
Jim McDonald, the foreman of a shipbuilding plant and head of the labor union, strives to combat the anarchistic propaganda being put forth by Klimoff, the leader of a Bolshevik gang whose goal is to disrupt the country with strikes and anarchy. Despite McDonald's efforts, a strike is called, resulting in chaos. McDonald's child is knocked down by runaway horses abandoned by their striking driver, and dies. Mob scenes take place in America, as well as in Russia. Eventually, the unrest is quelled with an armistice called between Capital and Labor for a year, during which time wages are to be increased to reflect the cost of living, and leaders are to work out a common plan for their mutual advantage. The strikers now realize that they have been pawns of the Bolsheviks and call off the strike, agreeing to the plan.
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Dir: Edgar Jones
A mail-order bride arrives at a Maine lumber camp but doesn't like her prospective husband.
Dir: Maurice Elvey
A lady marries a horse trainer but withholds herself until her crippled brother is cured.
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Dir: Alexander Butler
In Alberta, Canada, a Cornish emigrant unmasks a rustler posing as the girl's "blind" father.
View DetailsAnalysis relative to Un mauvais garçon
| Film Title | Atmosphere | Complexity | Similarity |
|---|---|---|---|
| 'A mala nova | Surreal | Layered | 92% Match |
| Moon Madness | Surreal | Layered | 95% Match |
| Striking Models | Tense | High | 96% Match |
| An Amateur Devil | Tense | Linear | 98% Match |
| Man's Plaything | Surreal | High | 98% Match |
This guide was algorithmically generated using the cinematic metadata of Jean Boyer's archive. Last updated: 6/27/2026.
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