Hidden Genre Gems for Fans of Wanted, a Girl!: Cult Guide

Dir: Ralph Ince

A fascinating piece of cinema that shares thematic elements.

Dir: Eduardo Notari

A visual fragment from the archive: The thematic resonance of 'A mala nova perfectly mirrors the editorial trajectory of our deep dive.

A crime drama in the Gennariello-series. The police detective in Naples that is confronted with modern gangsters and crime events.

Dir: Tefft Johnson

Hoping to improve her baby daughter Helen's chances in life, Mary Dorsey, an impoverished hotel maid who supports a drunken husband, substitutes her daughter for that of George Stevens, a traveling salesman, whose invalid wife and baby die soon after they arrive at the hotel. Hannah Shay, another maid, sees Mary do this and blackmails her to keep quiet until Mary dies five years later. Meanwhile, Stevens is taken in the firm, makes a fortune, and retires so that he and his sister can rear Helen. Years later, artist Walter Pemberton, one of Helen's two suitors, has old Hannah Shay pose as a gypsy. When Shay discovers Helen's identity, she blackmails her with the assistance of Helen's real father. After Shay and Dorsey are caught with jewels which Helen gave to them, Helen's identity is revealed. When Grant Murdock, her wealthy suitor, jilts her, Helen marries Walter, while Stevens says that she will always be his daughter.

Dir: Tefft Johnson

A visual fragment from the archive: The thematic resonance of Love and the Woman perfectly mirrors the editorial trajectory of our deep dive.

Irving Lawrence, prominent and wealthy, owns a large number of tenements in the poor section of the city which are among the city's most objectionable dwelling places. His wife, Barbara, and his brother. Schuyler, are interested in social uplift, but are unable to secure Irving's co-operation for the betterment of conditions. Irving's disregard for others and his blind selfishness are also displayed in his daily life and affairs with other women. When Payne, Barbara's brother, arrives with his bride Muriel, it evolves, after a painful meeting, that Muriel is one of the victims of Irving's disregard for others, in the past. Realizing Muriel will keep the past a secret from her adoring husband, at all costs, Irving torments the girl unmercifully. Barbara, meanwhile, has learned that her husband's mode of living is not all it should be, and misunderstanding a situation between Irving and Muriel, openly accuses them. Then the truth comes out and Muriel proves her innocence in the past. Irving, enraged, trumps up a countercharge of scandal between Barbara and Schuyler. An estrangement at once follows between all concerned. At this time a terrible fire breaks out in Irving's tenements, in which Barbara is holding a party for the slum children, which little Harry is attending. All rush to the scene, and in his mad attempt to rescue Harry Irving needlessly sacrifices his life, for the boy had already been carried out in safety. His death is a just atonement for the lives lost when his rusty old fire escapes crumpled up under the weight of the mad rush of tenants and crashed to the ground. Barbara effects a reunion between Payne and Muriel, and a brighter future seems in store for herself and Schuyler.

Dir: Henry Edwards

A millionaire bets £25,000 that he can earn his own living for six months.

Dir: Richard Smith

A visual fragment from the archive: The thematic resonance of The Writing on the Wall perfectly mirrors the editorial trajectory of our deep dive.

Two female candidates for Chief of Police live across the hall from each other, and their political rivalry follows them home, leading to plenty of hi-jinks.

Dir: Tefft Johnson

Helen King, a devoted wife and mother, spends most of her time in the care of her little son, Jack. Her husband, John, although loving her dearly, feels slighted because she does not care to become a part of the social life of which he is a prominent member, and when the temptress comes, in the person of Marcia Wilbur, an old school chum of Helen's is susceptible to her charms. Marcia is a born coquette and begins her heart conquering campaign «n Doctor Bright, the King's friend and physician, whom she leads on, only to cast aside when he proposes. Marcia, unable to restrain her propensity to flirt, exercises all her arts on John. Helen hears the whole town is gossiping about the intimacy of her husband and Marcia, but laughs at the idea. John gives way to his infatuation and the two elope. Helen, returning home, finds Jack in a high fever and phones Dr. Bright. The runaway couple meet the doctor on his way to the King home, at a turn in the road, and veering to one side are forced over an embankment. Dr. Bright finds John but slightly hurt, while Marcia is terribly wounded in the head. The doctor takes them to the King home. Helen blames Marcia, but when the doctor announces the accident has robbed her of her reason, hatred turns to pity and she insists on nursing her old friend back to health. A delicate operation is performed; it is successful, and Marcia recovers. Marcia accidentally overturns a lamp and sets fire to the bed clothing. John and Dr. Bright rush to their assistance, rescuing Marcia just in time, and later the two fall in love, while John is happily reunited with his wife.

Dir: Unknown Director

A visual fragment from the archive: The thematic resonance of The Amazing Quest of Mr. Ernest Bliss perfectly mirrors the editorial trajectory of our deep dive.

The Judge needs a present for his wife's birthday, so Harry suggests a new corset. They go to the shop, but he's so embarrassed to ask the saleslady he hides in a phone booth.Harry goes in, but finds a GUY wearing one, and runs out.They both dress as women to get back in, but Mrs. Rummy gets there and chases him out.

Dir: Unknown Director

A fascinating piece of cinema that shares thematic elements.

Dir: Charley Chase

A young married couple volunteer to take charge of several orphans after the asylum has burned down. Of course they find their hands full with their troublesome charges.