The Auteur's Selection Complementing the Tone of Wealth: Cult Guide

Dir: William Desmond Taylor

Edna Coleman's mother has wanted her two daughters to marry rich men, especially now that the money left to her by her dead husband is dwindling. Edna, however, is adamant about marrying for love and not money, and deliberately "disfigures" herself to thwart her mother's plans. Her sister Dorothy, however, has set her sights on a wealthy poet, Marcus Auriel, and married him. Unfortunately, Edna has been in love with Marcus for many years, and manages to get a job as his secretary in order to be near him and expose her mother's and sister's plans to get his money. Complications ensue.

Dir: William Desmond Taylor

A visual fragment from the archive: The thematic resonance of Pasquale perfectly mirrors the editorial trajectory of our deep dive.

The adventures of Pasquale, an Italian immigrant to New York who runs a little grocery store.

Dir: William Desmond Taylor

A Union officer exposes the several deceptions his sweetheart has been engaging in, which include spying for the Confederacy and posing as a boy to comfort her aging, wealthy, heirless uncle.

Dir: William Desmond Taylor

A visual fragment from the archive: The thematic resonance of Her Father's Son perfectly mirrors the editorial trajectory of our deep dive.

The story of the famous Tennessee frontiersman, soldier, scout, and Congressman who fought and died at the Alamo.

Dir: William Desmond Taylor

James Aldrich is a cinch to win the election as United States Senator until his opponent, Tom Ryan offers a big reward to anyone who can find a scandal in Aldrich's past. Newspaper editor Howard Duncan and his star reporter Ruby Sheldon accept the challenge and, after deciding that Aldrich is straight, decide to investigate his wife Agnes. Going back through the files, they discover that Agnes has been accused of murder and threaten the Aldrichs with exposure. Agnes explains her tragic story, and how she escaped from the drunken savage Steve O'Brien, whose life she had to take in order to save her own. The reporters are so moved that they decide to bury Agnes' past and the heart-breaking story only increases the love of Aldrich for his wife.

Dir: William Desmond Taylor

A visual fragment from the archive: The thematic resonance of Davy Crockett perfectly mirrors the editorial trajectory of our deep dive.

Mining magnate Roland Holt sends his worthless son Clyde to reform under the watchful eye of mining superintendent Bob Fulton. Instead of renouncing his irresponsible ways, however, Clyde attempts to rob the company safe. In order to prevent the robbery, Bob is forced to shoot Clyde, who loses his wedding ring while making his escape. Soon after, Clyde's new bride Beth arrives, and learning that her husband has mysteriously disappeared, devotes her time to nursing Bob back to health. Beth falls in love with her patient until her discovery of Clyde's ring leads her to believe that the man she loves is probably her husband's murderer. The truth is revealed, however, when Clyde returns to be killed by the sheriff's bullet, leaving the lovers free to begin a new life together.

Dir: William Desmond Taylor

A widowed farmer, failing in his efforts to find a woman capable of running his household, decides to marry a young woman he believes can fill the bill. Wat he doesn't know is that she is running away from a brutish and violent husband, whom she has discovered is also a bigamist, and that her angry and vengeful husband is looking for her.

Dir: William Desmond Taylor

A visual fragment from the archive: The thematic resonance of Out of the Wreck perfectly mirrors the editorial trajectory of our deep dive.

Naomi Sterling and John Bancroft are lovers. The girl loves frivolous things and Bancroft, a divinity student, finally estranges himself from her by his continual efforts to preach to her. Attracted by Hugh Wiley, a gambler, from a nearby city, Naomi finally elopes with him and eventually becomes known as the gambling queen. The girl's one ambition in life is to hoard up her wealth against the day when she shall lose her beauty and her popularity. Bancroft has plunged into religious work. He has become famous as an evangelist and has been trusted with the combination to the vault of the great tabernacle over which he presides. Learning this fact, Wiley inflames the mind of Naomi against Bancroft on the false ground that he has spurned her because of her life. He plans to have Naomi lure Bancroft to her gambling palace on a pretense, to overpower the minister while he is in there, steal the combination and loot the tabernacle. Furthermore, Wiley arranges to have the executive board of the tabernacle informed when the minister is in the gambling den, and to have the place raided by the police while he and his pal, McCarthy, rob the tabernacle. But the minister is too strong to succumb to the temptations of Naomi when he reaches her apartment, and his spiritual power wins the repentance of his temptress. Wiley, realizing that he is losing, springs upon Bancroft from behind and gets the combination away from him while his confederate alarms the police and the executive board according to the plan. But Naomi spirits the minister away through a secret passage, rushes to the tabernacle too late to prevent the robbery, and makes the great sacrifice of replacing the stolen money by her own ill-gotten hoard before the bewildered police and board officials arrive at the vault. In the final great moment of spiritual exaltation, Naomi has realized the greatness of Bancroft's love and of his power. Meanwhile Wiley, in an attempt to steal the loot from McCarthy, has wrecked the automobile in which they are fleeing and is killed.

Dir: William Desmond Taylor

Stella Benton, a young society girl who has lost her beautiful voice through the death of her father, goes to live with her brother Charles, in the lumber camp. Charles Benton is having a struggle to make both ends meet, and when his cook quits, he makes his sister do the work for the hundred men in the lumber camp. Jack Fyfe, a neighboring lumber man, meets Stella and gradually falls in love with her, but love is not reciprocated. Seeing that she is being overworked, Fyfe offers to marry her, in spite of the fact that she does not love him. A child is born of this loveless marriage, and the couple are reasonably happy, until Walter Monahan, a wealthy lumberman, begins to make love to Stella. She gradually becomes tired of her husband, and when the child dies, decides to leave him. Her voice returns, and she makes a substantial success as a concert singer. Monahan, who has professed love for her, becomes indifferent, but she will not return to Fyfe, in spite of his pleadings. Monahan, jealous of Fyfe's success, sets fire to his holdings and is caught in the act. Friends telephone this fact to Stella, and she immediately returns to the lumber camp, and there, at their home she finds Jack, heartbroken, as his holdings are on fire and there is nothing but a heavy rain which could save them. She comes to him and offers to use her own money to retrieve his lost fortune, and as she goes into his arms, the heavy downpour of rain comes and they are safe.

Dir: William Desmond Taylor

Bashful stenographer Bunker Bean ( Jack Pickford ), works for wealthy businessman Jim Breede by day and by night theosophist Prof. Balthasar, who convinces Bean that he is the reincarnation of Napoleon and, more remotely, of the great Egyptian king Ramses. His courage much bolstered by this revelation, Bean begins to deport himself with unaccustomed dignity and becomes a regular visitor to old Breede's estate, where he successfully courts the boss's daughter ( Louise Huff ), "The Flapper." With his $10,000 inheritance, Bean invests in a financial venture that nets him millions and purchases the alleged mummy of Ramses from the professor. After his marriage to The Flapper, Bean learns that the professor is a charlatan, and realizes that it is the belief in one's own strength of character that leads to success.