Essential Cult Cinema Mirroring the Impact of White and Yellow: Cul...

Dir: Unknown Director

A fascinating piece of cinema that shares thematic elements.

Dir: Wilfred Lucas

A visual fragment from the archive: The thematic resonance of The Jackeroo of Coolabong perfectly mirrors the editorial trajectory of our deep dive.

Brian O'Farrell (Snowy Baker), is an English 'new chum' who takes a job at an Australian cattle station. He is teased by station hands because of his appearance (including spats and a monocle) but he soon impresses them with his skills at riding and boxing. The station manager, John MacDonald (Wilfred Lucas), takes O'Farrell to Sydney to meet his daughter Edith (Kathleen Key) who is working in the slums. Edith is kidnapped by criminals after witnessing a crime but O'Farrell rescues her. It is later revealed he is the owner of the station.

Dir: Maurice Elvey

A lady marries a horse trainer but withholds herself until her crippled brother is cured.

Dir: Edward A. Kull

A visual fragment from the archive: The thematic resonance of The Hundredth Chance perfectly mirrors the editorial trajectory of our deep dive.

Mary Murphy, the eldest waif in an orphanage, steals a dress and $3, then escapes to the city. Grosset, the superintendent of the institution, steals $10,000 on the same night, and Mary is suspected of the theft. Mary manages to get a job as assistant to entomologist William Saxton, after she changes her appearance because the Professor dislikes pretty and fashionably dressed young ladies, but his nephew David sees her true beauty and falls in love with her. Grosset arrives at the Professor's house and threatens to expose Mary. Mary discovers Grosset robbing the safe, but he places the blame on her. Saxton was actually hiding behind the curtain the whole time and heard the truth. Grosset is arrested, and Mary weds David.

Dir: Eduardo Notari

A crime drama in the Gennariello-series. The police detective in Naples that is confronted with modern gangsters and crime events.

Dir: Richard Smith

A visual fragment from the archive: The thematic resonance of The Pointing Finger perfectly mirrors the editorial trajectory of our deep dive.

Two female candidates for Chief of Police live across the hall from each other, and their political rivalry follows them home, leading to plenty of hi-jinks.

Dir: Unknown Director

The Judge needs a present for his wife's birthday, so Harry suggests a new corset. They go to the shop, but he's so embarrassed to ask the saleslady he hides in a phone booth.Harry goes in, but finds a GUY wearing one, and runs out.They both dress as women to get back in, but Mrs. Rummy gets there and chases him out.

Dir: Charles Horan

A visual fragment from the archive: The thematic resonance of 'A mala nova perfectly mirrors the editorial trajectory of our deep dive.

While working as a flower girl in Devlin Maddox's nightclub, Nellie Vaughan meets wealthy young Pelton Van Teel and falls in love. Maddox, desirous of using Nellie to blackmail Van Teel, spreads a rumor that she is his mistress. This makes Nellie uncomfortable, and she demands that Van Teel marry her immediately, to which he agrees. Meanwhile, Van Teel has been losing money gambling to Maddox, who threatens to break up the marriage by producing a worthless check that the young husband has written. Venturing to Maddox's apartment for a showdown, Nellie pulls a gun and demands the check, accidentally shooting Maddox when he throws a lamp at her. Maddox plans to charge Nellie with assault, but when the police arrive, his butler, actually a detective employed by the elder Van Teel, exposes Maddox, who is then arrested, clearing the path for the couple's happiness.

Dir: Edgar Jones

A mail-order bride arrives at a Maine lumber camp but doesn't like her prospective husband.

Dir: Bruno Ziener

A fascinating piece of cinema that shares thematic elements.