Masterpiece Selection Resonating with the Themes of Why Trust Your ...

Dir: Lloyd Ingraham

While walking along the street one day, Arthur P. Hampton, an impoverished young doctor, and his chums, Stub Masters and Johnny Stokes, are persuaded to part with their last remaining funds by tag day solicitor Mary Jane Smith, with whom the doctor promptly falls in love. Doc's friends then hit upon a get-rich-quick scheme. Knowing that his Uncle George has promised a large sum of money upon his nephew's marriage, they persuade Doc to send out fake wedding invitations naming Mary Jane as the blushing bride. Uncle George, elated at the good news, writes to Mary Jane's aunt, Angelica Burns, an old sweetheart, to invite Mary Jane and Angelica to be his guests on an ocean voyage. Meanwhile, Mary Jane pays a visit to the doctor's office and, upon seeing the wedding invitations, becomes so flustered that she trips and sprains her ankle. Doc comes to her rescue and then begs her to pose as his wife. She agrees, but at ship-side, Stub and Johnnie confess all to Uncle George, who flies into a rage until Doc announces that he and Mary Jane have chosen a wedding at sea.

Dir: Reggie Morris

A visual fragment from the archive: The thematic resonance of Striking Models perfectly mirrors the editorial trajectory of our deep dive.

A fascinating piece of cinema that shares thematic elements.

Dir: Charley Chase

A young married couple volunteer to take charge of several orphans after the asylum has burned down. Of course they find their hands full with their troublesome charges.

Dir: Mason N. Litson

A visual fragment from the archive: The thematic resonance of Kids Is Kids perfectly mirrors the editorial trajectory of our deep dive.

Edgar and his chum try to amass a fortune in one day by cornering the fan market on a hot afternoon when the circus comes to the small town where they are spending their vacation.

Dir: Frank Moser

The simple story is about two siblings, little brother Bud and big sister Susie. After they've been reading "Huckleberry Finn" they dream of adventures on the Mississippi River.

Dir: Sidney Franklin

A visual fragment from the archive: The thematic resonance of Get-Rich-Quick Edgar perfectly mirrors the editorial trajectory of our deep dive.

A chorus girl hopes to rise to stardom and thus accepts the advances of a wealthy man. But she becomes fearful of her reputation and safety. In an attempt to escape the rake's attentions, she hides out with a disparate group of men who room in a house called "The Barn." There she learns that there is more to life than that found on the stage.

Dir: Unknown Director

The Judge needs a present for his wife's birthday, so Harry suggests a new corset. They go to the shop, but he's so embarrassed to ask the saleslady he hides in a phone booth.Harry goes in, but finds a GUY wearing one, and runs out.They both dress as women to get back in, but Mrs. Rummy gets there and chases him out.

Dir: Richard Smith

A visual fragment from the archive: The thematic resonance of Down the Mississippi perfectly mirrors the editorial trajectory of our deep dive.

Two female candidates for Chief of Police live across the hall from each other, and their political rivalry follows them home, leading to plenty of hi-jinks.

Dir: George Marshall

When Dad Petzel is swindled out of the Busy Bee mine, his partner, Duke Farley, ventures East to capture the crooks. Meanwhile, Summers, one of the grafters, learns that Farley's other mine, the Worm, has struck gold and determines to take control of it, too. Using Meta Cooper, an innocent girl to whom Farley is attracted, Summers frames the cowboy for the Mann Act, hoping to force him into selling the mine, but Farley thwarts Summer's plan when he marries Meta instead. Undaunted, Summers hires a sea captain to shanghai Farley. At sea, Farley discovers that Petzel and the rest of the cowboys on their ranch had come East looking for him and were shanghaied by the same captain. Together, they take over the ship and return to land in time to save Meta and arrest Summers.

Dir: Malcolm St. Clair

A dancing instructor gets involved with a newly rich family.