The Definitive Watchlist For Devotees of Winners of the Wilderness:...

Dir: Alexander Butler

In Alberta, Canada, a Cornish emigrant unmasks a rustler posing as the girl's "blind" father.

Dir: Dallas M. Fitzgerald

Confidence artist Flossie Golden attempts to fleece foolish but wealthy James Venable with a breach-of-promise suit. Venable's shrewd attorney, Richard Harding, outwits Flossie by proposing that she marry Venable and live on an allowance of $3,000 per year. Flossie is determined to get even with Harding for ruining her plans. In an attempt to con him, she poses as Innocence Page, but falls in love and marries him instead. Larry, Flossie's former accomplice, endeavors to blackmail her with her errant past, but Harding is already cognizant of the facts and Larry fails.

A visual fragment from the archive: The thematic resonance of Blackmail perfectly mirrors the editorial trajectory of our deep dive.

Dir: Bruno Ziener

A fascinating piece of cinema that shares thematic elements.

Dir: William Parke

Bruce Wendell, the son of West Virginia coal mine owner James Wendell, graduates from West Point and prepares to lead a fighting unit to the front during World War I. As his father lies dying, however, he convinces Bruce to remain at home and guard the mine. Bruce's fiancée Ann Blair assumes that he is a coward and breaks off their engagement, but her brother Bobbie remains Bruce's loyal friend. Meyer, a German agent, persuades railroad president Parrish to refuse to transport Wendell's coal, but when Bruce adamantly refuses to close the mine, the spy's men decide to blow it up. While Ann is being abducted by Meyer, Bobbie is buried in an explosion at the mine. Bruce rescues Bobbie and then sends a plea to Lieutenant Parrish to rescue Ann. Meyer and his gang are captured and Ann renews her vow of love to Bruce.

A visual fragment from the archive: The thematic resonance of Eva, wo bist du? perfectly mirrors the editorial trajectory of our deep dive.

Dir: W.S. Van Dyke

Jack Derry accidentally becomes involved in a mystery surrounding Glory Billings, when fate makes him her rescuer in a kidnapping episode.

Dir: W.S. Van Dyke

Tom Bain was born with a tongue so glib that his parents, early in his career, predicted he would be a second Chauncey Depew. In college it developed until he was capable of selling Liberty Bonds in a poor house. But Tom was ambitious to be an inventor and so built a tunneling machine that "would start at one side of a mountain and propel itself through to the other without man's assistance." His gift of gab sold the rights to the machine to a big manufacturing firm, but they soon found it worthless and instead of building machines, Tom was placed on the payroll as a salesman. And then, after an exciting series of adventures, Tom finally wins the hand of Peggy, whom he had met and courted in his college days. The wedding occurs in a hospital where the couple meet accidentally as patients.

A visual fragment from the archive: The thematic resonance of The Key to Power perfectly mirrors the editorial trajectory of our deep dive.

Dir: Edward LeSaint

When famous opera singer Elinore Duane undergoes an operation on her throat, she has a series of ether-induced visions. In one, she is transported to ancient Rome where she appears as a much-admired woman in love with Paul, a young heretic, and at odds with Lutor, the high priest. To save her love, she poisons Lutor with her ring. After several other visions which involve variations on this love triangle, Elinore awakens to discover that Lutor is actually her doctor, Sascha Jaccard, and that Paul is the son of a friend who has come to visit the recovering prima donna.

Dir: W.S. Van Dyke

Mollie Andrews is a little New England school teacher who goes out to Rawhide, Montana, to "teach the west" its manners. She is of romantic nature, and the picturesque statue and habits of Dan Clark impress her deeply. She marries him. Clark is a bad man at heart. He treats Mollie brutally after the first blush of honeymooning; then slays one of his own kind, and escapes across the border to Canada. The year that passes teaches Mollie some things about mankind she never knew before. One was to appreciate Constable Calhoun, of the Royal Mounted Police, who occasionally called on her, as a real friend. But though their mutual regard for each other ripens finally into love, Mollie remains true to her husband. When he turns up again she exacts a promise from Calhoun, on the strength of his love for her, that he will not harm Clark until the latter strikes the first blow. The beast within Clank still runs amok, however, and he attacks the policeman, unjustly accusing him of undue attentions to Mollie. A struggle ensues in which Clark falls dead. Thus Mollie is released from her marriage vows, and her future brightens with Calhoun awaiting her.

A visual fragment from the archive: The thematic resonance of Daredevil Jack perfectly mirrors the editorial trajectory of our deep dive.

Dir: Harley Knoles

Jim McDonald, the foreman of a shipbuilding plant and head of the labor union, strives to combat the anarchistic propaganda being put forth by Klimoff, the leader of a Bolshevik gang whose goal is to disrupt the country with strikes and anarchy. Despite McDonald's efforts, a strike is called, resulting in chaos. McDonald's child is knocked down by runaway horses abandoned by their striking driver, and dies. Mob scenes take place in America, as well as in Russia. Eventually, the unrest is quelled with an armistice called between Capital and Labor for a year, during which time wages are to be increased to reflect the cost of living, and leaders are to work out a common plan for their mutual advantage. The strikers now realize that they have been pawns of the Bolsheviks and call off the strike, agreeing to the plan.

Dir: W.S. Van Dyke

Some of the most sanguinary feuds in America have been fought out, not in the mountains of the south, but on the deserts of the great west, where cattlemen and sheepmen often dealt out death to each other with the aid of their old friends, Winchester and Colt. Such a feud is in progress between the men of the desert when Jack, a nomadic cowboy, wanders into the scene. He is outspoken against the outlawry, and the sheriff, in jest, hands him his badge and asks him if he can do any better. Jack accepts the challenge and arrests one of the most recent slayers. The latter's companions immediately storm the jail and rescue him. In the fight Jack is desperately wounded. May, a girl of the ranch, finds the cowboy half dead and hides him in an isolated hut while she nurses him back to health. The feudists discover Jack's hiding place and attack him. He and the girl escape, and while Jack holds a narrow canyon against his pursuers the girl dashes across the desert in search of aid. Jack's life seems as good as lost when May returns with the opposing feudists, who save him. The wedding between Jack and the girl on the battleground reconciles the feudists and restores order on the desert.