Recommendations
Senior Film Conservator

The evocative power of Young as You Feel (1931) continues to haunt audiences with its artistic bravery, the artistic provocations of Young as You Feel demand a follow-up of equal intensity. Explore the following titles to broaden your appreciation for Comedy excellence.
The visceral impact of Young as You Feel (1931) stems from to transcend the limitations of its 1931 budget and technology.
Lemuel Morehouse, the owner of a profitable meatpacking company in Chicago, bemoans the fact that neither of his two sons have the time nor inclination to eat with him. Billy is obsessed with culture, while Tom is a physical fitness nut. At the office, Lemuel is exasperated when Billy arrives for work at four in the afternoon and cannot stay because of a party he is giving that night to unveil a statue he bought for $20,000. Lemuel then finds Tom meeting with his golf committee rather than working. When the boys argue that business is only a means to an end, and that happiness and enjoyment of life are desired goals, Lemuel counters their contentions by declaring that what they really need are wives and tells them that Dorothy and Rose Gregson, the daughters of an old friend, will soon be visiting. During the party, Fleurette, a French singer hired by Billy, goes to Lemuel's bedroom to undress before her performance, and after an embarrassing moment, she and Lemuel become friends. She encourages him to loosen up, and after awhile, he saunters downstairs drunk, just as the statue, supposedly a distinguished work of modern art, is being unveiled. Billy worries that Fleurette may be a blackmailer. Sometime later, Billy, Tom and Lemuel's staid partner, Noah Marley, are concerned because Lemuel has not shown up for an important meeting. Since meeting Fleurette, Lemuel is never at home, and he has been arrested in a speakeasy raid. Lemuel arrives at the office in top hat and tails, and when his sons act indignant at his behavior, he reiterates their own philosophy and leaves skipping with Fleurette to go to the races. Billy and Tom call detectives to follow them. At the track, the detectives spy Fleurette introduce Lemuel to Harry Lamson, an infamous blackmailer, but they conclude that she is worth the money it will cost Lemuel. Fleurette tells Lemuel that Lamson is a friend of the man who sold Billy the statue, Colonel Stanhope, and that Stanhope went to Colorado, where her mother owns some land. Lemuel agrees to go with her to check on the land, and Billy and Tom, believing that they left to get married, follow with Marley, the Gregson sisters, who have just arrived in town, the detectives and a judge. At the Hotel Colorado, a suspicious man watches as Lemuel and Fleurette register. When Stanhope boasts that he sold Fleurette's mother's land for $2,000, Lemuel reveals that he has learned that Stanhope made $40,000 from the deal. Lemuel then asserts that the statue Billy bought was in reality a hunk of granite that a drunkard ordered for a tombstone. By warning Stanhope that, as an ex-convict, he could get a ten-year sentence for fraud, Lemuel induces him to pay $40,000 for a large rock he unveils in a ceremony in the hotel lobby. In her bedroom, as Fleurette embraces Lemuel to thank him, the man who earlier spied upon them bursts in and reveals that he is Fleurette's husband. Lemuel is certain that the couple will blackmail him, but thinks the experience has been worth it and takes out his checkbook. Fleurette, disappointed in Lemuel, explains that she left her husband because of his jealousy, and the husband contends that her mother sent for him to check on the land. Convinced that they are telling the truth, Lemuel says that he and Fleurette are not in love, but just good pals. As they shake hands, Lemuel's sons and their party intrude. Lemuel explains that he wanted to teach his sons a lesson, but that he learned one himself: that anyone is dead who lets life pass him by. He then goes on an ocean liner to Paris with Fleurette and her husband, and brings along Marley, who soon sports a toupee and an entourage of attractive young women. The toupee, however, falls into the water, and everyone laughs.
The influence of Frank Borzage in Young as You Feel can be felt in the way modern Comedy films handle artistic bravery. From the specific lighting choices to the pacing, this 1931 release set a high bar for atmospheric immersion.
Based on the unique artistic bravery of Young as You Feel, our vault has identified these titles as the most compelling follow-up experiences for fans of Comedy cinema:
Dir: Frank Borzage
Immediate Lee, employed on the ranch owned by one Masters, is discharged by the manager through the influence of one of his men, who is in the brand blotting game with Masters. Beulah, a dance-hall girl, has attracted the attention of Hurley, a brand blotter, but prefers Lee. Hurley entraps Lee and cuts his mouth open with a wide gash, which leaves a permanent scar. Lee vows vengeance and follows the man all over the country. He at last meets him face to face, but Hurley is saved by the intercession of Beulah. He later is killed in a fierce encounter. The brand blotters are discovered and punished by the aid of Immediate Lee, and Beulah receives the reward of loyalty and devotion by becoming Lee's wife.
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Dir: Frank Borzage
Kirby kills a man in self-defense and becomes a fugitive from the police.
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Dir: Reggie Morris
A fascinating piece of cinema that shares thematic elements.
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Dir: Frank Borzage
Jennie is a slavey in a theatrical boarding house. To her the actors are all wonderful, but Montague Booth is the chief. In an accident Booth is disfigured for life and is saved from suicide by Jennie. They join a medicine show in which Booth is lecturer, but Jennie cannot stand the road. Booth leaves the show and takes up a homestead claim. The manager of the show sends one of Booth's old loves to get him back, for his services are valuable, but Belle fails after very nearly wrecking everyone's happiness.
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Dir: Frank Borzage
Successful model, Phyllis Clyne, convinces a down-and-out nobleman, Billy, to pass her off in society as titled gentry. They fall in love and when it turns out that her late father actually was a lord, they decide they now can marry.
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Dir: Frank Borzage
Brent Brewster, formerly a Yale athlete known for his pole vaulting prowess, is unsuccessful in business. When his wealthy relatives send him out to fend for himself, Brent joins a detective agency. After Craig Lansing, a family friend, hires Brent to investigate the numerous jewel thefts in Poughkeepsie, Brent works undercover at Lansing's house party and recognizes Captain Drake, an English crook. Although Brent temporarily forgets detective work when he meets Ann, the beautiful sister of Lansing's wife Ruth, Ann's remark that $40,000 a year would be enough for her to live on brings Brent back to the job. Meanwhile, Drake is intent on compromising Ruth, who flirts with him while Lansing is away. When Lansing returns unexpectedly, Brent accepts the blame for the flirtation to protect Ruth's honor, because of his love for Ann. After Brent vaults with a clothes pole through a window to prevent Drake's escape, Drake is exposed. Brent then learns that he has inherited a legacy which will enable him to satisfy Ann's monetary needs.
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Dir: Frank Borzage
Prudence's ( Olive Thomas ) parents send her from their Pennsylvania Quaker colony to a fashionable girls seminary, hoping she can learn about the devil's tricks, instead she engages in girlish pranks, but uses her pure appearance to escape blame. Later, Prudence visits her New York aunt, a society matron, and soon attracts an array of male admirers. She falls in love with wealthy Grayson Mills, but John Melbourne, who lives off of his wife's wealth, plots to seduce her. After Melbourne loans Prudence $200 to pay a gambling debt, he forces her to go to a roadhouse by threatening to show her stern father her canceled check. At dinner, Prudence produces a love letter which Melbourne had earlier written to an actress, and says that if she is not back by midnight, her hotel clerk will show Melbourne's wife his nineteen other love letters. After Melbourne hurries her back, he discovers that she only had the one letter. Prudence now becomes engaged to Grayson.
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Dir: Frank Borzage
Charmed by the bright smile of Taro San, a Japanese rickshaw boy, Grant Barton takes the young man to the United States as his valet. Grant marries Marion Craig, but when she departs for California to visit her sick mother, he becomes enamored of Tonia Marsh, a vamp. Marion discovers them together and leaves Grant, whereupon Taro resolves to help his kind employer out of his difficulties. Persuading Tonia that he is a member of the imperial family of Japan, Taro pays court to the adventuress, and when Grant finds them in each other's arms, he immediately fires Taro. Grant and Marion are reconciled, while Taro sadly returns to Japan.
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Dir: Richard Smith
Two female candidates for Chief of Police live across the hall from each other, and their political rivalry follows them home, leading to plenty of hi-jinks.
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Dir: Frank Borzage
Giulia, a Neapolitan girl, much against her will, becomes the mistress of a wealthy gangster. Her "protector" is stabbed to death by Giulia's hot-headed musician lover Tony (Francis McDonald), whereupon the heroine takes refuge in the villa of French playwright La Farge. Under La Farge's careful tutelage, Giulia develops into a famous actress, capturing the heart of the Duke De Chaumont. Though LaFarge himself has fallen in love with the girl, he does not stand in her way when she accepts the Duke's proposal. But Giulia has not reckoned with Tony, who is still crazy about her and still willing to kill any man who stands in his way. Tony murders LaFarge, then sets his sights on the Duke, intending to kill the poor fellow during the wedding ceremony. Hoping to save the Duke's life, Giulia pretends to have fallen out of love with him and returns to Tony.
View DetailsAnalysis relative to Young as You Feel
| Film Title | Atmosphere | Complexity | Similarity |
|---|---|---|---|
| Immediate Lee | Gothic | Linear | 86% Match |
| Until They Get Me | Surreal | Abstract | 91% Match |
| Striking Models | Tense | High | 96% Match |
| The Atom | Gothic | Dense | 87% Match |
| Society for Sale | Ethereal | Linear | 88% Match |
This guide was algorithmically generated using the cinematic metadata of Frank Borzage's archive. Last updated: 5/25/2026.
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