
Although she finds the stiff Bostonian manners of her fiancé, Robert Ames, unsuited to her temperament, artist-illustrator Sheila Athlone refuses to illustrate an author's story because of its "absurd" premise that a girl would kiss a man she met only 4 hours earlier. Author Brian Moore, setting out to prove his point, poses as a butcher boy and induces her to ride out to a country orchard.


Stepping into the flickering glow of early 20th-century cinema, one finds a treasure trove of narratives that, despite their age, continue to speak volumes about human nature, societal strictures, and the enduring quest for connection. Among these cinematic artifacts, A Kiss in Time emerges not just as a film, but...

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Comparing the cinematic DNA and archive impact of two defining moments in cult history.

Thomas N. Heffron

Thomas N. Heffron
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" Stepping into the flickering glow of early 20th-century cinema, one finds a treasure trove of narratives that, despite their age, continue to speak volumes about human nature, societal strictures, and the enduring quest for connection. Among these cinematic artifacts, A Kiss in Time emerges not just as a film, but as a spirited debate on the very essence of romance. It’s a delightful, if perhaps subtly subversive, exploration of how genuine emotion can shatter the most entrenched of social ..."

Wanda Hawley
Royal Brown, Douglas Z. Doty
United States


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