Horace Frambers, an impecunious literary man receives the following offer: Helen Talbot, daughter of a rich financier, has trusted her lover not wisely but too well. She is about to become a mother.
Lawrence McCloskey
United States
The first time we see Horace Frambers he is counting coins by candlelight, copper discs winking like tiny eclipses on a scarred oak desk. That visual haunts every subsequent reel of Bought, a 1915 one-reel moral firebomb that dares to ask: what remains of a man once he has auctioned the only commodity he truly owns—h...
Comparing the cinematic DNA and archive impact of two defining moments in cult history.
Barry O'Neil
Barry O'Neil
Community
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" The first time we see Horace Frambers he is counting coins by candlelight, copper discs winking like tiny eclipses on a scarred oak desk. That visual haunts every subsequent reel of Bought, a 1915 one-reel moral firebomb that dares to ask: what remains of a man once he has auctioned the only commodity he truly owns—his name? Lawrence McCloskey’s screenplay, lean as a breadline yet swollen with implication, lands us inside a Manhattan where grief is denominated in ten-thousand-dollar bills and..."
