A new spin on the art of macroprojection, the "film symphony of the life and death of flowers" premiered on February 25th, 1926 in Berlin's Piccadilly-Theater with an original music score and elaborate frame narrative..
Is Das Blumenwunder a film that still holds its power almost a century after its premiere? Short answer: yes, but with significant caveats that demand a specific kind of viewer. Th...
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Comparing the cinematic DNA and archive impact of two defining moments in cult history.
Max Reichmann
C.L. Chester
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"Das Blumenwunder," a pioneering cinematic endeavor from 1926, transcends mere nature documentary to present a "film symphony" charting the ephemeral existence of flora. It harnesses groundbreaking macroprojection techniques to unveil the intricate, often unseen, drama of botanical life cycles – from nascent bud to inevitable decay. This visual core is expertly woven into an elaborate frame narrative, crafted by Max Reichmann, which provides a human lens through which to contemplate the profound themes of beauty, transience, and the relentless rhythm of nature. Premiering in Berlin's Piccadilly-Theater with an original music score, the film aimed not just to inform, but to evoke a deeper, almost spiritual, connection to the natural world, featuring performers like Max Terpis, Maria Matray, and Elisabeth Grube within its narrative framework.
Maria Matray
Max Reichmann
Germany
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